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Friday, September 19 2014

Sondre Lerche: Please

Prior to Please, it was fair to say that Sondre Lerche could make a great record. With Please, however, he's one-upped himself and made a masterpiece.


Earth: Primitive and Deadly

Primitive and Deadly may be the dawning of another new era for the Seattle legends.


Nils Lofgren: Face the Music

Possibly the mother of all box sets, Nils Lofgren’s Face the Music contains 169 tracks, 20 video clips, and a 136-page book, covering a big talent’s long career.


Ballet School: The Dew Lasts an Hour

Ballet School is an indelible entry into the synth pop genre, and are at least taking the approach somewhat differently by using guitars.


Ann Hampton Callaway: From Sassy to Divine: The Sarah Vaughn Project

Ann Hampton Callaway covers the late, great Sarah Vaughan incredibly on From Sassy to Divine.


Homeboy Sandman: White Sands

Queens' militant pedagogue teams up with one of London's weirder producers.


Thursday, September 18 2014

The Juan MacLean: In a Dream

DFA greats the Juan MacLean sound out of their element on their new album, a collection of stripped down pop and '70s rock-flavored electro.


Moonface: City Wrecker

For all his worry over moving around, Spencer Krug's latest Moonface release makes it clear that behind the piano Krug sounds at home, rooted, in a place he's been found and a place he belongs.


Iron Reagan: The Tyranny of Will

A group of metal guys take a break and form an '80s-style hardcore band. A good time is had by all.


Farmers by Nature: Love and Ghosts

The third release from a free jazz cooperative piano trio featuring Craig Taborn, Gerald Cleaver and William Parker


Ben Glover: Atlantic

On Atlantic, redemption awaits in the cleansing waters of the river, if not in the chorus of the songs or the hallowed memory of Robert Johnson that Ben Glover invokes.


Wednesday, September 17 2014

Trombone Shorty & Orleans Avenue + Galactic

New Orleans musicians rarely disappoint. They come from a world where music is practically akin to religion, and they always seem to know how to rise to the occasion.


Banks: Goddess

If you happen to be in the market for a new, hyper-hip iteration of slow-burning electronica, then Jillian Banks is your girl.


GRMLN: Soon Away

On his third release as GRMLN, Yoodoo Park expands and explores pop-punk's roots.


The Wilderness of Manitoba: Between Colours

Between Colours reaches for the sun and the stars, not to mention the backs of the bleachers.


Sarah Jaffe: Don’t Disconnect

Sarah Jaffe speaks volumes while singing very little on Don't Disconnect's futuristic indictment against modernity.


David Kilgour and the Heavy Eights: End Times Undone

Similar to albums by Kilgour's band the Clean, End Times Undone feels longer than it is, in a good way.


Die Antwoord: Donker Mag

Die Antwoord have described their work as "exaggerated experience", and that's apt. Anger, lust, passion, violence - all things through the lens of Die Antwoord become amplified to the point of deafening.


Tuesday, September 16 2014

Death From Above 1979: The Physical World

Ten years on, Death from Above 1979 kicks just as much ass.


My Brightest Diamond: This Is My Hand

By time a song ends, one has undergone the journey from ignorance to familiarity accompanied by a sense of Déjà vu as if one already knew what one never has known.


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