Thursday, July 24 2014
The real variance between a band of sophisticated copycats and this bunch is indeed intelligence.
The man who never met a genre he couldn't master tackle old-school hip-hop, delivering a solid effort that is more hits than misses.
Wednesday, July 23 2014
Festival organizers won the day by pulling in some top talent from the nation’s jazz capital (New Orleans, of course) to mark the occasion.
Some might be enamoured by the nods to classic rock, and some might not, but what you get in the end is an album of little significance.
Deliverance. This being the singer's 10th album, David Gray presents himself as a complete man with these 11 songs.
Solo piano from the idiosyncratic and omnivorous jazz pianist.
Reissue of the overlooked indie classic by pop oddballs Eric Matthews and Richard Davies.
The songs on A Period of Review were essential to Leimer developing his own style. Whether or not they're essential to your music library is another matter.
Tuesday, July 22 2014
Day two of Forecastle concluded with the audience being rocked to muscle weakness.
For the Recently Found Innocent, Tim Presley's first studio-made record as White Fence ups the ante over his previous work.
Yasiin Gaye swings back around for round two of the long-playing soul/hip-hop mashups. Nice.
This is a pretty dull record that doesn’t excite the listener – you’ve heard this all done before on Psychocandy or Darklands or elsewhere.
The Hollies were one of the most successful acts of the '60s, but are almost always relegated as a footnote.
Mac Miller continues on his path following money, fame, drugs and alcohol, while writing some clever, craftily worded lyrics along the way.
Monday, July 21 2014
From the minimalist indie rock of Spoon to the extravagant performance by OutKast, day one of Forecastle did not disappoint.
The collaborators are different, but the voice is just as strong, and has only gotten better with time.
America’s hardest working funnyman returns with his 10th full-length album, First of Dismay. Repulsive, repellent, live out your fears.
Carly-Jo is a magnificent addition to New Country sounds, and represents the very best of what country-pop, country-rock or whatever you want to call it has to offer.
(Clan of) Xymox launched their career with the long out-of-print EP Subsequent Pleasures. Dark Entries reintroduces this odd yet compelling recording to those who missed out on it the first time.
With the best of intentions, British producer Daniel Boyle reunites Scratch with his vintage '70s dub equipment.