Friday, September 19 2014
Prior to Please, it was fair to say that Sondre Lerche could make a great record. With Please, however, he's one-upped himself and made a masterpiece.
Primitive and Deadly may be the dawning of another new era for the Seattle legends.
Possibly the mother of all box sets, Nils Lofgren’s Face the Music contains 169 tracks, 20 video clips, and a 136-page book, covering a big talent’s long career.
Ballet School is an indelible entry into the synth pop genre, and are at least taking the approach somewhat differently by using guitars.
Ann Hampton Callaway covers the late, great Sarah Vaughan incredibly on From Sassy to Divine.
Queens' militant pedagogue teams up with one of London's weirder producers.
Thursday, September 18 2014
DFA greats the Juan MacLean sound out of their element on their new album, a collection of stripped down pop and '70s rock-flavored electro.
For all his worry over moving around, Spencer Krug's latest Moonface release makes it clear that behind the piano Krug sounds at home, rooted, in a place he's been found and a place he belongs.
A group of metal guys take a break and form an '80s-style hardcore band. A good time is had by all.
The third release from a free jazz cooperative piano trio featuring Craig Taborn, Gerald Cleaver and William Parker
On Atlantic, redemption awaits in the cleansing waters of the river, if not in the chorus of the songs or the hallowed memory of Robert Johnson that Ben Glover invokes.
Wednesday, September 17 2014
New Orleans musicians rarely disappoint. They come from a world where music is practically akin to religion, and they always seem to know how to rise to the occasion.
If you happen to be in the market for a new, hyper-hip iteration of slow-burning electronica, then Jillian Banks is your girl.
On his third release as GRMLN, Yoodoo Park expands and explores pop-punk's roots.
Between Colours reaches for the sun and the stars, not to mention the backs of the bleachers.
Sarah Jaffe speaks volumes while singing very little on Don't Disconnect's futuristic indictment against modernity.
Similar to albums by Kilgour's band the Clean, End Times Undone feels longer than it is, in a good way.
Die Antwoord have described their work as "exaggerated experience", and that's apt. Anger, lust, passion, violence - all things through the lens of Die Antwoord become amplified to the point of deafening.
Tuesday, September 16 2014
Ten years on, Death from Above 1979 kicks just as much ass.
By time a song ends, one has undergone the journey from ignorance to familiarity accompanied by a sense of Déjà vu as if one already knew what one never has known.