Friday, August 22 2014
Soft is the opposite to what the title suggests. Instead this is an album of quick, jagged rock and roll, New York style. Take it or leave it.
Thursday, August 21 2014
There's much to like about Roddy Frame, and much to admire about this album. Shame it lacks a killer tune.
Connections' Into Sixes is the band truly hitting its stride while also testing its limits in exciting ways.
They say that misery loves company, which is why blues music remains so popular.
It all comes down to the songs, and that weathered 'n' warm voice and guitar.
Throwback chameleon Paloma Faith changes skin again, appointing herself the Queen of Retro Soul Disco and infusing every track with her irrepressible melodrama and charm.
Wednesday, August 20 2014
With the help of Gotye, you can't help but feel like Kimbra's follow up to her magnificent debut squanders her undeniable talent.
Like all good country music, Cory Branan is hard, if not impossible, to define.
On Ray Raposa's first Castanets record in five years, the elements of the formula haven't changed very much, though the album works best when the balance between those elements shift in fresh ways.
The Mark Lanegan Band's first official release since 2012 is, unfortunately, a lackluster and unfocused affair.
The Who, however it survives, repeats that that youthful concerns and ideals matter, no matter how long the band or we endure.
Tuesday, August 19 2014
Little Rock's Pallbearer add some studio sheen with their sophomore release while maintaining the mudslide-like heaviness of their acclaimed debut.
Thorn appreciates the little things in life one takes for granted: family, love, a good rock beat, etc.
The Provincial Archive makes a wonderful folksy racket, and, should you saunter down to your local record store and pick this up, you’ll be more than glad that you did.
We hear about wrecking balls as a musical metaphor all the time. But what happens when you hand the controls over to an elephant?
Dead Stars do an effective job of mimicking a mid-'90s alt-rock one-hit wonder. Right down to having only two good songs on the album.
Monday, August 18 2014
Tori Amos's recent performance at New York City's Beacon Theatre was simply spellbinding and quite possibly one of the best concerts in recent memory.
The Detroit songstress and her Deltas take queasy carnival music, hoodoo blues stomps, country waltz ballads, primitive rock and jazzy inflections to craft a evocative realm in one of 2014's strongest releases.
One critic tries to figure out why everyone loves Fat White Family and she doesn't.
A worthwhile collection for anyone interested in the American folk revival and particularly for those who enjoy its outsider elements.