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Monday, April 3 2000

Daycare Swindlers: Testosterosa

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Monday, March 27 2000

Common: Like Water For Chocolate

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Sunday, March 26 2000

Donner Party: Complete Recordings 1987-1989

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Monday, March 20 2000

Beachwood Sparks: Beachwood Sparks

They have created their own sound for today, and I am not surprised that they have surfaced on Sub Pop, a label that signs artists based on real songs and talent.


Death Cab for Cutie: We Have the Facts and We’re Voting Yes

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Monday, March 13 2000

Eels: Daisies of the Galaxy

Daisies of the Galaxy, the latest release from a man named E, also known as a 'band' named Eels, plays like a demented nursery rhyme.


Tuesday, March 7 2000

Gerald Levert: G

Gerald Levert is never gonna take the risks that say a D'Angelo or a Maxwell have and his music is never going to be mistaken for that of The O'Jay's and Gamble and Huff.


Monday, February 28 2000

David Cortopassi: The Silicon Jungle

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Bone Thugs-N-Harmony: BTNHRESURRECTION

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Monday, February 21 2000

Bobby Gaylor: Fuzzatonic Scream

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Monday, February 7 2000

Lambchop: Nixon

Nixon is an excellent record and proof that Lambchop is no longer just a talented or interesting band but a good one.


Dead Prez: Let’s Get Free

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Monday, January 17 2000

Kenny Roby: Mercury’s Blues

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Tuesday, December 14 1999

Kelley Stoltz: The Past Was Faster

In America’s mad, list-crazy rush to name the greatest invention of the Millennium, nobody mentioned the home 4-track recorder.


Monday, November 8 1999

Fiona Apple: When The Pawn…

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Sunday, October 31 1999

Dixie Chicks: Fly

Fly illustrates that the Dixie Chicks have successfully figured out how to push the boundaries of country music while continuing to embrace the traditional sound of its past.


Thursday, October 28 1999

Deerhoof: Holdypaws

Deerhoof doesn’t sound like a band that you would drive 40 miles on country roads to hear.


The Dismemberment Plan: Emergency & I

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Monday, October 25 1999

The Clash: From Here to Eternity

If newfound clarity and intensity aren’t enough for ya, buy it for the absolutely chilling version of “Straight to Hell.” Which isn’t just the Clash’s finest hour—it’s one of rock’s most haunting moments.


Thursday, October 21 1999

David Bowie: hours…

David Bowie is much too good for this. Please David, leave the “adult-boring” charts to Celine Dion, Mariah Carey and the rest of that lot.


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