Monday, January 5 2015
To just put 36 Seasons on and listen to it is to be entertained, but to dig into the details, or lack of details, is to perhaps see a frustrated artist, one working through various projects to recapture something.
On his fourth album of 2014, Brock Van Wey presents a difficult but often moving eulogy for his beloved cat, and a fundraiser for feline disease research.
The duo’s impeccable, immovable second album was conceived as an original score for a dance performance.
Three long discs of the jazz pianist with a great trio but playing mostly music we’ve heard from him many times before.
Wednesday, December 24 2014
The urgent Black Messiah proves that sometimes, life won’t let a cultural statement that’s chomping at the bit wait for a proper marketing campaign;
Friday, December 19 2014
The real attraction to a Miller-Heidke release lies in the pleasure given by her voice. She may sing about love and life and engage in some interesting wordplay, but her distinctive vocals and range merit the bulk of attention.
Scandinavian renaissance man's first album in seven years is glorious piano purity over sample-free glitch.
Heartbreaking melodies belted over Hi-NRG beats of endless momentum -- only the beats are polkas.
VS. both affirms Bastille's successes up to this point and highlights the weaknesses that need to be remediated as the band moves forward.
Thursday, December 18 2014
More often than not, Sucker just ends up being too clever for its own good, despite Charli XCX's attempts to be the smartest student at the Pop Music Academy.
“Do you want a spanking or do you want to go to bed?” This EP is meant for those who want it both ways.
Circle of Death works best when things become subtle and a big part of that is slowing stuff down.
Devonte Hynes and Robert Schwartzman head up this synthy, très indie companion piece to Gia Coppola's film.
Wednesday, December 17 2014
She started as a pre-teen Ella Fitzgerald clone, flirted with being Norah Jones, and now (at 20) finally sounds like the young pop singer she is...despite some lingering belief that she needs to "give jazz new life".
Ostensibly a grand experiment, Faust's latest is just another pretentious excuse to avoid the most difficult step in all art: finishing it.
There’s strong production value here, as alt rock and indie rock sensibilities are mixed in with dreamy psychedelic ambience.
The No Energy boxset provides a valuable opportunity to place the unsung Unwound in a proper context, both offering nostalgia-tinged appreciation of a band at the height of its powers, as well as putting the music of the '90s Kill Rock Stars stalwarts in a new light.
Tuesday, December 16 2014
Love Has Many Faces is a great box set, but make no mistake: while it does tell Joni Mitchell's story, it may not be the exact one you've been wanting to hear.
...Honor is All We Know is a solid but ultimately inessential addition to the Rancid catalogue that finds Rancid back where they belong, crafting straightforward punk anthems without pretense.
EPs nine and 10 in Pallot’s 2014 song-writing project are polar opposites of each other; from the cheery to despondent.