Friday, July 11 2014
The seminal bossa-nova record for American audiences still sounds perfect.
Now (Chicago XXXVI) will likely make moms across the land swoon, and that’s pretty much all you can ask from Chicago by this point.
They are Serge Gainsbourg's songs, but it's Harvey’s show, and he does a fine job as frontman throughout.
Watching Eric Elbogen's career has been like watching a turtle come out its shell in slow motion, and Endless Wonder is perhaps Say Hi's most fully realized album to date.
A mixed bag from Portland's folk-rock superstars.
Thursday, July 10 2014
The Clientele were one of the greatest triumphs of the fickle aughts, and also one of the most overlooked successes of indie pop.
Donovan Quinn and Glenn Donaldson took a straight ahead approach to making their latest, a record infused with immediate charm making its 33-minute running time feel breezy, even effortless.
Two masters play mostly love songs as if the night were coming to a close.
The Motherland shows that, at the age of 50, Dave Bidini shows no signs of slowing, and we can all celebrate the fact that he’s still making music.
Kris Delmhorst aims for a mature, minimalistic style on her seventh studio album Blood Test, a move which ultimately lacks punch and floats by in a puff of nothingness.
Wednesday, July 9 2014
This is probably Boris’ most accessible record to date and the overall feeling is that it has, once again, managed to mould its inspiration while remaining quintessentially "Boris".
Tim Booth lost his mother and a friend. His band's aesthetic betrays his grief. But it all somehow comes out alright.
No collection could do justice to some of the diverse paths which Paul Weller has pursued over the last decade.
If this was the last day on Earth, Friedman would still go out and greet friends and celebrate the moment rather than cry in despair.
Tough and yet tender, sexy and yet seductive, All of Nothin’ appeals to all of your good senses, and it is a wonderful testament of an artist who is very quickly coming into her own.
Tuesday, July 8 2014
What happens when one of the most successful and prolific songwriters of the past few years decides to return to the career that debilitated her emotionally and physically?
Savage Gold proves extreme metal to be a race to the bottom that no one wins.
This wholly unique dream-pop band returns with an album that takes their ambient, dreamy sound to new and interesting places.
Before this night is through, White Sea wants to do real bad things with you.
While it sometimes sticks too close to home, most of Givin' Up on Free Jazz is an open and welcome invitation to join the band there and get lost in the feeling of good rock 'n roll.