Tuesday, September 2 2014
Somewhere between remixes and a live album, this brief collection would be less of a let down if the band weren't about to end.
Thursday, August 28 2014
Pale Communion is both the culmination of Opeth's journey toward classic progressive rock and its best work since Ghost Reveries.
The often quick-working Segall took 14 months to make Manipulator, but it's not so much a wild departure sonically as it is a return to and refinement of tangents we've heard from him in the past.
Tinnarose is a singer-songwriter showcase of the highest order, and there’s plenty of material to keep coming back to.
After taking a year off to celebrate the label's 20th anniversary, Kompakt's annual Total compilation is back.
This third volume of reissues from the Cleaners From Venus gives us another set of complications to consider in Martin Newell's work.
Take Pride in Your Long Odds adds further talking points to Centro-matic’s esteemed canon.
Wednesday, August 27 2014
Brill Bruisers, with its blaring, neon keyboards and deep hooks, is both a prototypical New Pornographers record and another variation on the band's established themes.
Snider covers Kent Finlay on Cheatham Street Warehouse to raise funds for Finlay’s medical care.
Matt Sharp's side project-turned-band is back, and they sound just like most of you remember them. But is that really such a good thing?
When May rants about a "Wild Woman", we know that it's the woman that lives inside her. She ferociously attacks the lyrics, growling and stuttering as needed.
Soulful duo Kindred the Family Soul retain the refined persona of R&B on latest album A Couple Friends.
Tuesday, August 26 2014
The UK progressive house duo is in transition on their latest full-length.
For its themes of loss and longing, its wide-eyed sense of wistfulness, for all of its hopefulness in misfortune, Lose ends up being a win.
Liam Bailey’s first full length album, Definitely Now , is so genre-defying that if not for the unmistakable voice of Bailey, it could seem like a mixtape of several artists.
A sawed-off, hard-bitten punk sensibility and a bluesy, drawn-out compulsion to sink deeper into cloudy depths. The Gun Club's debut from 1981 wallops on this reissue as exciting, entertaining and evil as ever.
Peter Gabriel Live in London... So?
Monday, August 25 2014
In trying to sound like everything else on the charts, Ariana Grande continues to have one of pop music's most distinctive voices that has very little to say.
With its smorgasbord of texture and tones, Neuroplasticity is a real contender for Canadian Album of the Year.
There's a coffin-like closeness and aloneness to each and every song on Mirel Wagner's Sub Pop debut. It's a fitting feel for a record so focused on death.