Friday, December 12 2014
Brazilian thrash veterans Ratos de Porão's first offering in eight years is certainly nothing worth dancing over.
In an ideal world, Automat is what industrial music would have grown into, something which acknowledges the roads its founding members paved without imitating them in the process.
Thursday, December 11 2014
Choosing the busker over the diva role, Madeleine Peyroux’s eclectic 20-year career is highlighted on this collection of jazz vocal non-standards.
Best Of only offers a truncated, abridged version of three quality records that, ironically, misses out on much of the Swedish synthpop band's best music.
Has Jonathan Richman reached the point in his career where the only people who buy his new albums have been fans of his for 20 years?
If you bemoan the fact that the metal genre is getting more and more unlistenable due to groups trying to push beyond music into something else entirely, then this will fit the bill.
Meet the new Smashing Pumpkins, gradually distancing themselves from the old Smashing Pumpkins.
Sinatra box-set with re-mastered studio album Sinatra Sings Great Songs From Great Britain and a wealth of British extras.
Wednesday, December 10 2014
This metal album is the sound of a few people just entertaining themselves without regard to what it takes to satisfy an audience.
Desolate Shrine offer bone crushing riffs along with more graceful periods of exposition, and the polarities swirl around each other, creating a dark vortex of beautiful and expressive material.
Nothing Has Changed, despite the exact nature of its target demographic being up for debate, remains a thrilling go-to for the semi-casual Thin White Duke observer, and is about as damn close to perfect as a Bowie anthology can get.
Lloyd Cole’s Standards is literate and engaging, with pop music hooks deserving of attention.
This reissue of Robbie Bahso's 1979 album feels more like a conversation between him and his guitar about larger Western spaces.
Though she doesn’t break new ground, Teyana Taylor delivers an enjoyable contemporary R&B album capturing the ups and downs of love.
The Big Easy creations are grounded in luv, pronounced with a long sultry dipthong, doing somebody wrong for the right reasons and instrumental arrangements dipped in the sweat of sex.
They could have been contenders; they probably should have been. But ultimately the peak of this band's hushed, precise, nuanced indie rock might have been a bit too twisty to catch on.
Tuesday, December 9 2014
The stylish conceptual double album Berkeley to Bakersfield travels fast across California, spanning garage rock to Americana.
The comfort zone is where Owen gets his mail delivered, but Other People’s Songs is at its most engaging when it steps just a bit outside.
Noise rockers explore a more varied palette with mixed results, admirable progress.
The out-trumpet icon teams with Jamie Saft, Joe Morris, and Balazs Pandi, making six bracing free improvisations that hark back to the 1970s and come fully up to date.