Reviews > TV DVD
‘Brazil With Monty Python’s Michael Palin’ Isn’t the Brazil You’re Thinking of

This BBC series is a nice way to learn some things about the world's fifth largest country, which is hosting the 2014 World Cup and the 2016 Summer Olympics.

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Man-Sized Hamsters Haunt London’s Tube in ‘Doctor Who: The Web of Fear’

“The Web of Fear” illustrates why mostly unseen monsters work much better than their fully-formed cousins.

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It’s Out with the Old, in with the Older in ‘Doctor Who: The Time of the Doctor’

With the Doctor's many regenerations, we see our Time Lord reincarnated with different mannerisms and taste in just about everything but the almost universally garish clothing.

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Celebrating a Remarkable 50-Year ‘Adventure in Space and Time’

Long-time fan and Doctor Who scriptwriter Mark Gatiss guides us through the first episode of what would become television’s longest running sci-fi show.

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‘Call the Midwife: Season Three’ Shifts from Learning Curves to Relationships

These stories are always engaging, not only because midwifery in the '50s is so interesting, but also because the midwives themselves are fully realized characters.

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Quirks, Neurosis, Irrational Behavior and ‘The Bob Newhart Show’

It shouldn’t work, turning psychiatric patients into cartoons; it should be more more offensive than it is. Somehow, though, it all just ends up being good for a laugh.

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‘Doctor Who’ Minus the What, When, Why and Where

Patrick Troughton is amazing in his dual roles in Doctor Who: The Enemy of the World, but this long-lost serial is short on the thrills.

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The Playbook of Marketing Was Turned on Its Ear by Social Media

Douglas Rushkoff’s Frontline: Generation Like discovers that teens, it seems, are happy to work for free, essentially doing the work of the advertisers.

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Exploring the Depths of the ‘Hill Street Blues’

Hill Street Blues is a near perfect beast that never replicates, but builds upon its predecessors in its own quirky, occasionally surreal way.

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‘Orange is the New Black’ Eases Us All Into Prison Life

These are women who are rarely given a voice in television, so when a series like Orange is the New Black comes along, it’s striking in its depiction.

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‘I Love Lucy: Ultimate Season One’ Is Really Smokin’

I Love Lucy has been treasured for years, but this is the first time that it has been presented in a manner so thoroughly studied and examined within its historical context.

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‘Generation War’ Isn’t Afraid to Present Ambivalence and Ambiguity

This might make some viewers uncomfortable. It might offend. It might challenge preconceptions. That’s fine. Much of the time, that’s what good art does.

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‘Lizzie Borden Took an Axe’ and That’s About It

Too shallow to be informative and too dry to be campy, Lizzie Borden Took an Axe is unsatisfying on every level.

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Kenneth More’s ‘Father Brown’ Gives a Us Reassuring Voice of Reason and Moderation

Father Brown, in his 1974 television series incarnation, assures viewers that wisdom lies in moderation, not revolution.

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‘Mr. Selfridge: Season 2’ Gives Us a Wonderful Cast of Characters and a Riveting Time Period

As the war affects all aspects of the business, season 2 employs a more serious tone, yet it's more entertaining than thought-provoking.

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‘Earth Flight’ Brings You Right Into the Flock

Although this isn’t the best that BBC Earth series has produced, nevertheless, it’s solid and engaging.

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Women with Rare Intellectual Authority Form ‘The Bletchley Circle’

The resourcefulness and fearlessness of these women is a highlight in a series so well-written and well-acted.

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‘Inside No. 9’ Is a Bit Like a Box of Chocolates, Albeit One Full of Dark, Bitter Sweets

Reece Shearsmith and Steve Pemberton turn down the grotesque but amp up the insidious mixture of morbid comedy and genuine creepiness for this series of stand-alone tales.

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‘Monsters: The Complete Series’ Is a Boon for Nostalgia Buffs

The monsters in Monsters look laughable, but if you're a fan of the show already, you probably won't care.

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‘Ripper Street’ Is a Smart, Witty and Humane Drama

Ripper Street's greatest strength is to avoid direct reference to the killings as an investigative project and to treat them as traumatic events from which its characters are trying to recover.

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Counterbalance: The Avalanches' 'Since I Left You'

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"Get a drink, have a good time now. Welcome to paradise, and read all about the 305th most acclaimed album of all time. An Australian plunderphonics pioneer is this week’s Counterbalance.

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