Reviews > TV
‘Call the Midwife’ Continues to Charm in Its Fourth Season

An excellent cast, coupled with the show’s strong sense of time and place, makes Call the Midwife consistently engaging and satisfying.

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‘Aquarius’ Complicates Racism in the 1960s and, Maybe, Today

For all its wearying focus on Charles Manson, the show has other, better ideas, including an acknowledgement, via an earnestly outraged NOI member, that black lives might matter.

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‘Wayward Pines’ Tinkers With Familiar Strangeness

Mixing together the perfection of Wisteria Lane, the damp environs of Twilight, and Twin Peaks, Wayward Pines is an intriguing collection of the familiar.

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Where ‘The Tudors’ and ‘The Borgias’ Use Sex and Violence, ‘Wolf Hall’ Uses Language

Wolf Hall may lack the naturalism and graphic sex and violence of other period dramas, but it's all the better for it.

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‘Maude’ Remains Funny and Groundbreaking 40 Years On

Maude certainly paved the way for other strong-willed, independent, feminist characters, but she more than others will be remembered for her wit and unwavering beliefs.

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‘Going Clear’ Proves That L. Ron Hubbard’s “Religion” Is More Ruse Than Revelation

Scientology may seem like nothing more than a wacky cult filled with outrageous teachings and belief to many. Unfortunately, it's much sillier, and far more sinister, than that.

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‘Mystery Science Theater 3000: XXXII’ Gets ‘Marooned’ With Bad Cinema

Despite what seems a one-note premise, the Mystery Science Theater 3000 legacy has thrived because of the deep love and relationship the cast has with movies.

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31 Mar 2015 // 8:35 AM

‘Weird Loners’ Is Fox’s ‘Unromantic Comedy’

The initial set-up contrivances suggest that Weird Loners is not so strange as its title might lead us to think.

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‘A Place To Call Home’ Is a True Period Piece

A Place to Call Home is a period piece in the best sense in that it embraces its time period completely, all the while showcasing universal themes.

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‘Maison Close’ Brings the Dark Side of 1870s Paris to Vivid Life

Maison Close might not quite uplift you; but, then again, many of the best and most realistic series on television usually don’t.

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Robin Wright Makes ‘House of Cards: Season Three’ Shine

Its plotholes are not as obvious as they were in Season Two, but Season Three's real strength lies in Clarie Underwood, and her journey makes the best case for House of Cards' staying power yet.

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Does ‘The Jinx’ Give a Platform to a Possible Murderer?

The elements of glorification and exploitation in The Jinx are enough to make one wonder if it supports accused murderer Robert Durst.

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4 Feb 2015 // 10:00 AM

‘Nashville’ Is No Conventional Melodrama

Forget the chit-chat about Nashville being a "sudsy" soap; as season three continues to show, this is a complex, feminist show that forges a new sort of sincerity.

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‘Kroll Show: Seasons One and Two’ Feels Like a Collection of Inside Jokes

Nick Kroll and his gaggle of comedian friends clearly think themselves hilarious; from a viewer's perspective, however, that judgment is usually questionable in Kroll Show.

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‘American Experience: Edison’ Captures the Inventor’s Practical and Imaginative Spirit

Just as Thomas Edison represented the America of his time, so too does he represents the America of our time in his try-and-succeed, try-and-fail methodology.

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‘Secret Agent: The Complete Series’ Out-Bonds James Bond

Patrick McGoohan's John Drake, superhero for the Cold War era, just might be the coolest hero of all time -- yes, even more than James Bond.

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The Final Season of ‘Better Off Ted’ Reminds Us That We Were Better Off With It

Better Off Ted was cancelled too early, and this truncated final season doesn't give any real closure. What it does give us, however, is more hi-jinks and zany creativity.

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With ‘Drunk History’, the More Shots You Have, the More You Learn

This isn't so much a comedy classic as it is passively amusing, but Drunk History's formula works damn well... especially after you've had a few of your own.

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Season Three of ‘Girls’ Might Be Its Strongest Yet

Much like its closest television contemporary, Mad Men, Girls comes alive through character detail rather than plot.

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Hayley Atwell Gives the Male-Centric 1940s a Kick in Its Pants in ‘Agent Carter’

As the titular Marvel heroine, the smart and one-liner ready Hayley Atwell towers over Iron Man and his ilk in this contemporary take on post-WWII politics.

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Kiasmos: 26 May 2015 - Rough Trade NYC (Photos)

// Notes from the Road

"Kiasmos is the exciting, dark and trippy electronic project from Ólafur Arnalds and Janus Rasmussen.

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