Reviews > TV
Even IMAX Can’t Make Marvel’s ‘Inhumans’ Impressive

ABC/Disney’s IMAX debut of its newest series does nothing but emphasize the series' considerable flaws.

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‘Top of the Lake’: Season Two Showcases a Series That Has Found Its Voice

Top of the Lake's second season picks up where the first left off, and makes the series even more compelling.

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The Pottery Barn Principle of ‘Fear the Walking Dead’

Season three's exploration of the politics of survival is fascinating, even with the series' over-reliance on coincidence.

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‘Gotham’ Season Three’s Unique Take on Batman’s Origin Continues to Ramp Up the Crazy

Gotham relies on its fast pace and embrace of the insane to work as the diverse and bizarre show it wants to be, but occasionally the show is too surreal for its own good.

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Good, Bad Place: Season One of ‘The Good Place’ Upended Expectations

Michael Schur's sinister community design used the ideals of the American Dream to fool its characters and its audience; what sort of critique will be built into season two?

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‘The Bold Type’ Blends Political/Social Issues With Good Female-Centered Action

The Bold Type still needs work, but watching women portrayed as smart and competent and funny and flawed is undeniably refreshing.

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‘Stephen Colbert’s Midnight Confessions’ Runs Hot in the Show, Cold in the Book

Reading Colbert's Midnight Confessions cover to cover is a little like watching Peter Pan’s shadow run around the room -- you can't nail it down.

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‘Supergirl’: Season Two Offers a True Multigenerational Viewing Experience

Supergirl is super charismatic in super campy action; Warner Brothers brings the DC character to life for a new generation.

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‘Halt and Catch Fire’: Season 4 Deals With the Past While Moving Forward

For all the big events this show covers, Halt and Catch Fire never sacrifices nuance and thoughtfulness for twists or attempts to outdo itself.

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‘Friends From College’ Is a Show About Identity That Fails to Establish Its Own

Netflix's new series stumbles with a season that's sometimes lovely but mostly messy.

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‘Orphan Black’ Closes With a Reaffirmation of the Power of Sisterhood

The way Orphan Black always put women at the center of its story, never shortchanging their complexity for likability or easy solutions, is what will be most remembered and missed.

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‘The Bold Type’ Is Fun, But It Could Go Bolder

Is the vibe of sincerity real in The Bold Type, or merely a veneer applied like a coat of pretty nail polish because suddenly, feminism is fashionable?

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‘Orphan Black’: Helena’s Past and Present Are the Fulcrum of “One Fettered Slave”

Absent for much of the season, Helena (Tatiana Maslany) is front and center in "One Fettered Slave".

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‘Orphan Black’: The Importance of Family and Sacrifice Are the Heart of “Guillotines Decide”

Art and death go hand in hand in one of Orphan Black's final episodes.

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‘Orphan Black’: Rachel Makes a Brutal Choice in “Gag or Throttle”

"Gag or Throttle" exemplifies how well the series combines plot, character payoff, and great pacing with the consistently outstanding acting of Maslany and company.

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‘Orphan Black’: Krystal Is the Amusing Delight of a Serious Story

The islanders rebel, Cosima escapes, and everything is coming to a head in "Manacled Slim Wrists".

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‘Orphan Black’: “Ease for Idle Millionaires” Allows Maslany’s Portrayal of Cosima to Shine

"Ease for the Idle Millionaires" pulls at the complex and interconnected plot threads, while giving Maslany endless opportunities to showcase her talent.

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‘Playing House’: Season Three Offers a Near-Perfect Blend of Humor and Drama

Playing House's third season proves that "sisters doin' it for themselves" means sisters doin' it for each other, too.

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‘Orphan Black’ - ‘Let the Children and the Childbearers Toil’ Tackles Mothers and Daughters

Almost halfway through the final season, Orphan Black continues to showcase the complex relationships of the sisters and those closest to them.

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Will and ‘Will’ Struggle to Find the Drama in Shakespeare’s Origin Story

Seeing William Shakespeare as a relatively blank slate doesn't give the audience much to sink their teeth into.

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