Monday, February 10 2003
Events at Earl's Park tend to be broadly soap operatic.
The humor [of 'The Office'] is as dry as vermouth; next to it, the 'Dilbert' comic strip is 'The Man Show'.
No other fiction show has offered such a frighteningly realistic look inside our nation's prisons or so openly debated their moral and social obligations.
During the first episodes this season, Cowell was, in his own words, 'bored,' which made him rather boring to watch.
Tuesday, February 4 2003
Father-son dynamics are the driving dramatic force of Veritas.
La Corporación is big-time business -- regular, deliberate, inexorable.
Dragnet's best moments belong to Friday and Smith, and have little to do with this investigation.
Tuesday, January 28 2003
Skeet Ulrich brings to Miracles a combination of weary intensity and ethereal pretty-boy beauty.
Thursday, January 16 2003
Presiding over this commotion is the series' preternaturally cool hero, the highly principled and motorcycle-riding Bill Sterling (Josh Brolin).
Joe Millionaire is intent on satisfying the backlash lust of women-hating men.
Abby's writers have an opportunity to develop more fully one character, and give a black woman a star turn.
Thursday, November 7 2002
'Fiction' and 'reality' aren't so much opposites as they are of a piece.
We discovered, in the most painful and tragic way, that we're not so safe, after all.
Tuesday, October 15 2002
You have to hand it to 'Robbery Homicide Division'. It knows just where it comes from.
While the two MDs modeled on Pierce and McIntyre lovingly call their hospital 'the Mish' and claim to help those exploited by HMOs, the show mostly focuses on wealthy white doctors and administrators.
Rhea may not have come on with the same bombast that O'Donnell did, but, in a way, that's what makes her a winner.
By playing safe, they might just as easily be playing dead.
Follows neither the super-crip model of disability perception, where an individual's 'triumph' over disability is celebrated through public tokenism, nor the common perception of disability merely as an object of pity.
Monday, October 7 2002
Perhaps What I Like About You will be a little cultural barometer, mirroring X and Y tastes and giving both generations one more home in primetime.
In John Doe, suspense takes a backseat to certainty.