Monday, August 19 2002
The series repackages recorded crises and dramas into four one-hour episodes, compressing daily life and death into a glossy, strangely unreal product.
For the conflicted soap fan longing for a simulacrum of realism, EastEnders is an addictive slice of heaven.
The Anna Nicole Show asks us to laugh at, not with, its pitiable subject.
Thursday, August 1 2002
[There's] little for the inhabitants to do, other than chill in the hot tub, smoke too much, and plot, scheme, and worry themselves to the point of paranoia.
Monday, July 22 2002
We discover new aspects about sex and female pleasure in nearly every episode of Sex and the City.
The label 'sitcom' is a misrepresentation. 'Meet the Marks' lacks comedy.
If the energy and originality of the storylines catch up with Monk and Sharon's dynamic, the series can only improve.
Donahue was visibly overwhelmed by the venom and ferocity of the guests' attacks against one another.
Wednesday, July 17 2002
MTV's 'The Real World' has become a mainline for cultural propagation. The archetype of the 'reality tv' genre, this weekly, pretend-documentary consolidates, edits, and cannibalizes culture.
Wednesday, June 26 2002
Documentarian Michael Apted doesn't allow any sequence to run long enough for good manners to disappear and feelings (rather than public rationalizations of feelings) to emerge.
Examines our consumer culture in a way that is less venal and less macho than the usual heist movie.
It is easy to assume that Johnny will end up using his powers to make the world a better place, a sort of psychic version of 'Touched by an Angel', minus the sermons.
Tuesday, June 18 2002
The dynamic concept intrigued me from the start, but if the participants and crew weren't enjoying themselves, well, it would be like watching Martha Stewart.
As to the rejection of my understanding of the connection between lesbianism and witchcraft on 'Buffy', I have never said that BVS's creator or writers made a conscious (and consciously homophobic) decision to directly cast lesbianism as social pathology and physical addiction.
Monday, June 10 2002
It attempts to rehabilitate Johnson (Michael Gambon) as a President whose considerable political and social policy achievements have been forever overshadowed by his escalation of the Vietnam War.
Its merit lies primarily in heroine Kim Possible.
From its start, Enterprise admits its complicity in this history, admits that exploration is a form of colonization.