Reviews > TV
‘The Trip to Bountiful’ Is a Reminder of Why We Go to the Theater

This television version directed by Michael Wilson is lacking in the same of urgency that made the Broadway show such a sensation.

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‘Frontline: Ebola Outbreak and Hunting Boko Haram’: Resistance and Devastation in West Africa

Images of devastation unite Ebola Outbreak and Hunting Boko Haram, two harrowing PBS documentaries.

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‘Rosemary’s Baby’ Needs a Little Humor

This adaptation of Rosemary's Baby misses out on a lot of the charms of Roman Polanski's original.

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‘The Normal Heart’ Is Full of Passion, but Not Enough Rage

Larry Kramer’s blistering cri de coeur about the early days of the AIDS plague gets a solidly respectful but flawed treatment from Ryan Murphy

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Knots Untie and Tie Again in ‘Boardwalk Empire: Season Four’

If previous seasons gave us glimpses of the evil that men do, then this penultimate season of HBO's best current series gives us an extreme closeup.

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‘Toy Story of Terror!’ Delivers on Halloween and the Toy Story Name

This holiday special perfectly balances the recognizable elements found in horror movies and the elements of the Toy Story universe.

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‘Dallas’ Season 3 Is Rich with Reincarnations and Recycled Plots

The real pleasures of the new Dallas involve engaging with repetition in all its forms and taking melodrama seriously.

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‘The Knick’: Clive Owen in 1900s New York City

Again and again, The Knick makes visible the traumas suffered by bodies, at risk, unequal by law, and struggling to survive.

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‘Low Winter Sun: The Complete Series’: Maybe It Needs to Burn

Low Winter Sun tries to stand out as a refreshing take on the cop drama formula, but it's far too preoccupied with the shows that it knows audiences will compare it to.

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Joyous Cadre of Cinematic Excrement: ‘Mystery Science Theater 3000: XXX’

There are good MST3K box sets, and then there are great MST3K box sets. The difference? All the Jack Palance jokes you could ever hope for.

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‘Frontline: Losing Iraq’ Shows a History of Mistakes

By the time Frontline: Losing Iraq arrives at the present moment of ISIS, the long history of US missteps in Iraq seems nearly overwhelming.

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The Elemental Appeal of ‘The Choking Game’

A paean to the virtue of arrested development lurks at the core, here, which may be predictable. After all, we’re talking about a Lifetime original movie.

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Tatiana Maslany Continues to Astound in ‘Orphan Black: Season Two’

The second season of BBC America’s Orphan Black continues its breakneck pace of twists and turns, all the while showcasing the best performance on television.

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‘30 for 30: Slaying the Badger’: Shenanigans at the 1986 Tour de France

Slaying the Badger constructs an exciting, sometimes troubling story of competition and deceit, focused on the 1986 Tour de France.

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‘Frontline: Separate and Unequal’: The Case Against Resegregation

Gary Orfield, co-director of the Civil Rights Project at UCLA, points out, "People who do things that have racial implications always say that race has nothing to do with it."

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Guillermo del Toro’s Vampires Are Let Loose in ‘The Strain’

People must make choices, dire, resonant, tragic, repeatedly in The Strain.

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Vengeance Is the Motive for Almost Everyone in Season 2 of ‘The Bridge’

While vengeance is surely a reliable dramatic device, its use here is also potentially more far-reaching.

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Halle Berry Lands on TV for ‘Extant’

Flashbacks appear first as if in her mind (via circular mirrors and quaint iris transitions) and then as if on digital recording (on a tablet), neither obviously accurate.

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The Groundbreaking Wonderfulness of ‘I Spy’

I Spy is filled with revolutionary diversity, exotic filming locations, and a textbook example of on screen chemistry.

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You’ll Lose Your Religion in ‘The Leftovers’

The cop and the reverend spend the first few episodes starting or not avoiding fights, their faces increasingly bruised and bloodied, increasingly emblems of disorder.

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