Pulitzer Prize Winner Jorie Graham's Collection of Poetry, 'Fast', Will Haunt You, Beautifully

Pulitzer Prize Winner Jorie Graham's Collection of Poetry, 'Fast', Will Haunt You, Beautifully

By Chadwick Jenkins

These poems are replete with thoughts and images that haunt me, that shake the tendrils of my nervous system and appear to me in unbidden moments. 25 Jul 2017 // 9:30 AM

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//Recent Reviews

29 Jun 2017 // 8:33 AM

Eivind Opsvik: Overseas V

The Norwegian bassist has created a funhouse environment for improvisation, as Overseas V is a perfect example of the kind of hybrid music that jazz has become in 2017.

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Animal Wives and Animal Husbands—It Goes Way Beyond Belle and the Beast

Sexuality, economics, cultural norms, the other, and self-sacrifice: these and other themes are shared in the globally diverse telling of the classic Beauty and the Beast.

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Kane Strang: Two Hearts and No Brain

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Alex Chilton: Take Me Home and Make Me Like It

Alternate takes and rehearsal takes during 1975 sessions highlight Alex Chilton’s frenzied energy and uncompromising musicianship that resulted in Singer Not the Song and Bach’s Bottom.

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29 Jun 2017 // 2:15 AM

Bill Orcutt: Bill Orcutt

Beautifully messy, fractured and fragmented and utterly inimitable, guitarist Bill Orcutt lays gentle waste to the canon of American song on his self-titled release.

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‘Orphan Black’: Alison’s Journey Is the Focus of “Beneath Her Heart”

"Beneath Her Heart" is an excellent character study of Alison (Tatiana Maslany) that not only delves into her past, but also clearly marks her future.

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Swans: The Great Annihilator / Michael Gira: Drainland

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28 Jun 2017 // 8:41 AM

Slow Dancer: In a Mood

The indie answer to John Mayer's Continuum, In a Mood is a smooth collection of indie pop with a jazzy, '70s gloss.

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What Can Women do? Pretty Much Anything: ‘Wonder Women’

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‘Apollo in the Age of Aquarius’: Bringing the Space Race Back Down to Earth

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//Mixed media
//Blogs

'Knee Deep' Has a Great Setting That Ruins the Game

// Moving Pixels

"Knee Deep's elaborate stage isn't meant to convey a sense of spatial reality, it's really just a mechanism for cool scene transitions. And boy are they cool.

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