Wednesday, September 25 2002
Edited by Ronald Spatz University of Alaska Vol.19, No.3 & 4, Spring/Summer 2002, 278 pages Vol.19, No.1 & 2, Summer/Fall 2001, 294 pages, $10/year,$6/sample One Blood: The Narrative
Offering a rowdy soapbox monologue on a host of discoveries in genetic medicine -- including genetic technology, computerized biochemistry, and drug synthesis -- The Terrible Gift reveals not one, but two, terrible things.
Words revel in their incongruous, promiscuous juxtapositions, and sentences begin sensibly and end in bewildering confusions of logic . . .
It’s a Free Country: Personal Freedom in America After September 11 by Edited by Danny Goldberg, Vic
More than 300 books have been published since the fall of 2001 trying to explain, blame, comfort and inform us about what led up to the attacks and what we can expect next.
Modern Burma isn't so much a country as the residue of a British imperial political organization thrust onto several divergent peoples. To argue for ethnic independence is to argue for Burma's devolution, something the world community isn't likely to tolerate.
With almost one voice the essays contained here contend that the modern news business -- where the emphasis on the bottom line has almost trumped the traditional sanctity of the byline -- has become just that: a business.
The most remarkable portion of The Accidental President concerns the final Supreme Court decision that effectively appointed George W. Bush president. Most of the criticism leveled in the book is fairly light, but at the end Kaplan rips into the Supreme Court decision.
Monday, September 16 2002
For as much as Lucasfilms would like to be in control over its content, 'Star Wars' has grown too big to fit inside of Lucas' universe anymore. Nearly everyone alive today has a 'Star Wars' story to tell.
Conveys the theory that almost nothing in our environment is completely natural.
His narratives are crisp and filled with vivid descriptions of street life, reminding one of a painting that is packed with minute details.
A lush novel, thick with the heady atmosphere of first love, lust and betrayal, Katherine Mosby's sophomore effort, 'The Season of Lillian Dawes' is part 'Catcher in the Rye', part 'The Great Gatsby'. Original it ain't, but the author's fluid, lyrical prose makes it worth the deja vu.
I'd like to take a moment to reflect upon the fine art of 'riposte au cinema', or talking back to the movies. It's one of those pursuits, like driving and sex, that most people attempt to do but few actually do well.
The Psychology of the Sopranos: Love, Death, Desire, and Betrayal in America’s Favorite Gangster Fam
Gabbard (a professor of psychology at Baylor College of Medicine) delves into the psyches of the Sopranos, and explains why the nation has become seduced by a show about the 'misadventures of a middle-aged thug.' Doesn't sound so odd, really. How many people, after all, refer to 'The Godfather' as an all-time favorite movie?"
I've just paid too much money for a nosebleed seat in Turner Field and now I can't 'afford' a hot dog, some dickhead behind me has just spilled beer down my back because he can't hold his cup and talk on his cell phone at the same time, and the row in front of me has decided to spend the entire game trying to resurrect the Wave.
Though Hawke often expertly captures some charming and lush moments, 'Ash Wednesday' is not supposed to be a great work of literary genius (as some of his 'But, he's a Hollywood pretty boy!' detractors seem to think), just an uncomplicated tale of the tribulations of young people in love. Objective achieved.
Wednesday, September 4 2002
In the best tradition of all good literature, it "shows," but never "tells.
Killing Monsters: Why Children Need Fantasy, Super Heroes, and Make-Believe Violence by Gerard Jones
In fact, everything in 'Killing Monsters' works, placing it in sharp contrast to the endless sky-is-falling rhetoric of the last few decades, which seems designed for no other purpose than make us fear both the media and our own children.
I'm appalled by the behavior of the young iguanas of today: I keep encountering groups of youths masturbating at me.
The themes of loss, isolation, and desperation are ripe with possibility, and yet Darling's treatment of these topics often leaves the reader cold.
Wednesday, August 28 2002
Smith is a poet of voices, a ventriloquist in writing, drawing on the ancient traditions of balladeers, troubadors, and wandering poets.