Sunday, January 1 1995
Roorbach is a bona fide, credential-carrying '60s savant, and you can trust his voice to describe the era.
I realize, soon after reading the title essay, I'm not really learning anything of substance about Earley except how he had a crappy TV set and loved 'The Brady Bunch'.
Takes us on a journey to x, the land of graphemes, mathematical symbols, and subversive texts.
'Running Scared' is a collection of stories and anecdotes that uncovers connections between the mob and corporate America in Las Vegas. It is a striking, detailed look at the life of the man who made Vegas 'family-friendly.'"
What is there to say about Elvis Presley that hasn't already been said? Well, how about calling him an 'organic intellectual'? I don't remember that one from my uncle's fanzine collection.
The Rolling Stone Encyclopedia of Rock & Roll [Third Edition] by Holly George-Warren, Jon Pareles an
Much like punk, rave disciples argue over whether it was developed on America's shining shores first or across the sea in England's dance halls. With rave, the answer is the same as punk's: Neither. Both punk and rave mostly got their initial start in the same place, namely, New York City.
The author believes rock music to be necessarily an evanescent form of statement. 'Here today, gone later today' should be, he states, 'the motto of all rock bands. The shelf life of rock credibility is too short for it to be a lifetime career.'"
Jan Ramjerdi has created chaotic pages (both visually and ideologically) that reinforce the narrative of sexual violence, and that insist on a constant and almost debilitating anxiety . . . I had chills for hours.
Remember Me To Harlem: The Letters of Langston Hughes and Carl Van Vechten, 1925-1964 by Emily Bertr
When Hughes met Carlo (as he calls him), the older man held a unique position as the link between Harlem and the wider literary world. Within two years Van Vechten had made the fatal mistake of entitling his exotic novel of Harlem life 'Nigger Heaven'. It was to haunt him to the grave and beyond.
'Print the Legend' gives the curious reader a bird's-eye view of the man who helped shape the world of cinema and the way we perceive the history of his beloved United States.
...is a positive, moving, real account of the complex and streetwise creature that constitutes the mavericks in South African society: the people who are given untenable circumstances but who use them wisely and creatively in constructing a life.
'Punktown' not only explores humanity's inability to interact healthily with their fellow inhabitants in the city of Paxton, but also itself.
'Positively 4th Street' draws a potent picture of artists as young men - and women - run through as it is with the spice and spark of success and disappointment, treachery and infidelity, ambition and antagonism.
Charles de Lint eschews the label 'urban fantasy' for his own description: 'mythic fiction'.
In 'Outland' Roger Ballen steps into the breach between photojournalism and constructed art. His new works disturb because what they take from the idiosyncrasies of local [South African] Poor White culture, they give to the sense of fictional possibility, leaving an odd sense of dignity in their protagonists.
'Out of the Past' has a pasted-together feel one might expect from a website entitled 'Noir Films I've Seen'. The book fails to deliver a big picture and doesn't do a very good job at delivering a lot of little pictures either.
Popular culture hasn't had so wide a reach since the invention of the telegraph when cranky mothers could finally harass their children from across the world.