Friday, March 7 2014
One of cinema's most resonant and timeless works, Terence Davies's second film recreates childhood dreams and memories within which any viewer can situate themselves.
Thursday, March 6 2014
Yes, this is perhaps one of the most efficient entries in the Hitchcockian subgenre of “every-man trapped in an extraordinary situation”, but he would go on to direct much better films.
Before you can say, “Man, can’t those former Soviet Bloc republics do anything right?” Code Red gets a whole lot of zombie mayhem going on.
Wednesday, March 5 2014
Not every question is answered, not every cliffhanger makes immediate sense, but after five seasons the creators of The Venture Bros. have earned fan trust enough to keep this the best show on TV.
In Garibaldi's Lovers, Garibaldi, and others from Italy's past, looks on from the afterlife and mourns for the state of his country.
Tuesday, March 4 2014
This is an engaging biographical documentary that’s all performance and a romance film that’s filled with endless pain.
In many ways, Blue is the Warmest Color is everything Free Fall should have been.
If there is but one thing in Diana worth our time, it is watching the extraordinary Naomi Watts as she respectfully portrays Princes Di.
Monday, March 3 2014
Come eat from the trashcan of ideology with Slavoj Zizek.
A lone-wolf pathologist finds himself tackling three murder mysteries whilst trying to resolve issues damaging his personal life.
Friday, February 28 2014
This deadpan gem betrays a surprising warmth beneath its wry exterior. Simply put, it's one of cinema's richest and most compassionate tragicomedies.
Thursday, February 27 2014
While many horror films are carried by deftly composed cinematography, Haunter benefits from a thoughtful script, with complicated turns that keep the audience guessing.
Wong Kar Wai’s overkill kung fu epic about Bruce Lee’s teacher doesn’t cohere even as well as his more esoteric work, but its assembled shards make for a brooding, sumptuous experience.
Wednesday, February 26 2014
Mary Hartman, Mary Hartman looks more like an Andy Warhol production on cable access than a nationally syndicated Norman Lear sitcom.
Tuesday, February 25 2014
Nebraska is a bittersweet film that will hit you between the eyes if you're like me: middle-aged and in a mood to reflect on where life has taken you and where you will go next.
Thor worked due to its surprisingly-effective Shakespearean framework. Thor: The Dark World follows conventional Hollywood tropes and suffers for it.
Monday, February 24 2014
Gravity is not just a visual feast in the CGI age; it also interrogates humankind's desire to plant feet on the final frontier by confronting it with its metaphysical implications.
This benchmark of the heist genre shows that for the criminal, elegance and brutality go hand-in-hand, never more vividly depicted than in this tightly structured ode to Paris.
Friday, February 21 2014
Stanley Kramer's widow notes that this movie was made more or less on a dare. Apocryphal or not, the origin makes sense.
The Prey bounces along from one suspense-building setup to the next, erupting in a flurry of running, shooting, driving very fast, and occasionally falling from great heights.