Friday, August 15 2014
A Five Star Life challenges the dichotomies of stasis and movement, and of mobility and being tethered down.
The Giver is too much like today's other YA dystopias, but without a cool girl at its center.
The Face of Love is a case of a compelling story that ended up in the wrong movie.
Thursday, August 14 2014
The stars' descriptions of game day rituals suggest that what looks crazy to a non-fan is utterly acceptable, non-news, to fans. And they know who they are.
Mickey, Donald, Goofy: The Three Musketeers tries to do too much, and in its efforts to be action-packed, funny, contemporary, and still tell a classic story, it becomes muddled.
Tuesday, August 12 2014
John Michael McDonagh’s caustic passion play pits one stolid cleric against the whole filthy universe of base humanity, which demands he atone for the sins of the Catholic Church.
Brilliant, loving, and as intensely political as any of Bahman Mohassess' works, this film celebrates connection as much as it reveals isolation, dedication and outrage.
Troublesome though the implications of Amen are, it is nonetheless a fine example of Costa-Gavras at his most incendiary.
Monday, August 11 2014
Angela Mao is wholesome and badass, a personality that, when brought to her fight scenes, immediately marks her as a star—although the scripts she was given don't often give her the chance to maximize that stardom.
Friday, August 8 2014
This documentary follows John Wojtowicz's story, including the fears and fantasies fueling the Brooklyn bank robbery that would later become the basis for Dog Day Afternoon.
Snooty and autocratic in a stereotypical way, Madame Mallory (Helen Mirren) provokes a battle filled with charming montage sequences.
Besides just lavishing attention on the cars, director Scott Waugh loves placing them in the context of other, classic driving movies, from Bullitt to American Graffiti.
Thursday, August 7 2014
When the first scene in a movie has someone arranging refrigerator poetry, it's already out of ideas.
Sweden may be the 800-lb gorilla of Northern European cinema, but its neighbors have come on strong.
"It was a sci-fi and we could ham it up, so we did—and it was great,” Tarah Nutter says about Without Warning. While "ham it up" fits the film, "great" is less apt.
Wednesday, August 6 2014
The question of reality -- what it might be, for whom -- swirls at the center this terrific and shrewdly provocative documentary set inside the Daxing Boot Camp.
Tony Jaa still has a long way to go before he becomes a household name, but as this box set proves, he's well on his way—and may just be able to afford an acting lesson or two as well.
Tuesday, August 5 2014
While it's easy to call children predators, to be afraid of them and judge them, it's imperative to look at how they come to embody such fears.
Watching Elaine Stritch: Shoot Me, the primary impression left is that Stritch had many more stories to tell.
Monday, August 4 2014
When Richard Nixon tell his story of humble beginnings, it doesn't sound new or revealing, but rather, creepily familiar.