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Reviews

Sunday, January 1 1995

Moulin Rouge (2001)

She's the perfect drag queen, embodying the ruthless paradox of entertainment. She is the show that must go on and cannot.


Maryam (2000)

So disappointing because of the unfulfilled promise of a firm stand on news broadcasting and the media.


Magnolia (1999)

As Academy Award nomination season rolls around, I hope that Paul Thomas Anderson’s absolutely brilliant Magnolia receives the accolades that it so richly deserves.


Man on the Moon (1999)

Far be it from me to accuse Hollywood of wishful thinking. But as the closing credits for Man on the Moon roll under Andy Kaufman's (Jim Carrey's) timid gaze, it's easy to think the film has been seduced by its own notion that a life of sufficient celebrity can offer freedom from the mortality that afflicts ordinary souls.


The Mummy Returns (2001)

Everything in 'The Mummy Returns' is bigger and more expensive, from its impressively enormous matte shots and massive armies composed of thousands of digitized soldiers, to its great swirling sand effects and outsized characters.


The Mexican (2001)

On its good-looking surface (being well-composed and carefully lit), 'The Mexican' is a love story.


The Messenger: The Story of Joan of Arc (1999)

Early on in the very long Luc Besson film, The Messenger, John Malkovich (playing Charles, Dauphin of France) wishes he could be someone else. It was the one and only time that I identified with anything in the film - I wished I could watch him be someone else! Like himself in Being John Malkovich. The Messenger is an unbelievably dull movie, which is a startling achievement given that the legend of Joan of Arc lends itself pretty well to storytelling of any type.


Music of the Heart (1999)

Music of the Heart tells a terrific story of passion, music, and success. The problem with this film is that director Wes Craven is so intent on telling the story, its very seamlessness becomes a drawback. In short, this movie is too much Hollywood and not enough grit.


Men of Honor (2000)

Men of Honor opens with a scene that sets up many of its themes and interests, not the least of which is the introduction of


Me, Myself & Irene (2000)

Charlie is mad at this point in the film, despite and because of the fact that he's the designated 'nice' part of this self-sandwich.


Meeting People is Easy (1998)

Grant Gee's 1998 documentary Meeting People is Easy, which follows rock band Radiohead on their OK Computer tour, is often wildly kinetic, sometimes eerily static but always bubbling under the surface with distortion and static.


Mission to Mars (2000)

The following review contains spoilers. Manifest Density From the Louisiana Purchase to the Mexican-American war, the history of the United States is punctuated often by


The Mystery of Oberwald (Mistero di Oberwald, Il) (1980/2001)

Set in 1903, 'Oberwald' is an adaptation of a Jean Cocteau play called 'The Two-Headed Eagle'. The play and subsequent video are both premised on the kind of everyplot that evokes many common narratives at once.


Me, Myself & Irene (2000)

Charlie's suppressed despair over the failed marriage and the humiliations he suffers as a highway patrolman coalesce into alterego Hank, who emerges David Banner style whenever Charlie encounters confrontation or conflict.


Mr. Death:  The Rise and Fall of Fred A. Leuchter, Jr. (1999)

When he places an ad in the local paper to sell a used lethal injection machine, Fred Leuchter seems genuinely surprised to learn the ad has been pulled and banned from publication. To say the least, Leuchter appears out of touch with reality.


Mission: Impossible 2 (2000)

The first Mission: Impossible film was an elaborately nonsensical piece of eye candy, little more than an excuse to outfit Tom Cruise in tight black


The Man Who Cried (2001)

...a sprawling affair, filled with bad accents (Cate Blanchett's tortured 'Russian'), tired cliches about studly horsemen and young girls' sexual awakenings, and really bad lip-syncing to Italian opera.


Mission to Mars (2000)

Kurt Neumann’s 1950 Rocketship X-M may be the progenitor of space exploration films, at least if you believe the claims its video box makes for


The Mexican (2001)

On its good-looking surface (being well-composed and carefully lit), 'The Mexican' is a love story.


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