Continuum's Cover Lit:

The 33 1/3 Series

By Anne K. Yoder

7 April 2006

Introduction and Interview with Series Editor David Barker

'We've definitely caught people at a moment in time where there's a certain nostalgia for the album format -- although I don't think it's as doomed as many make it out.' Anne K. Yoder talks to 33 1/3 series editor, David Barker, about his 'great little books'.

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The New #1

Granted, Pet Sounds is a great album, one that requires very little support for its importance as art and as musical innovation. Yet Fusilli finds inventive ways of making these givens new and engaging.

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I Know There’s an Answer: An Interview with Jim Fusilli

'Well, when I was younger, it was the album that pulled back the curtain and showed me, at the same time, a new world and the truth of myself. But now I'm astonished by the wisdom of it, the depth, the quality.' Bill Gibron talks to Jim Fusilli about his excellent examination of the Beach Boys' Pet Sounds.

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Kick Out the Jams

Up against the wall, pseudo-revolutionaries: a report on radical rock of the '60s shows the perils of mixing art and politics in the marketplace.

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Canon Fodder

'In effect, the series de-pop-ifies the records, taking them out of the realm of spontaneous appreciation by fans, and organizes the discipline of album criticism as the specific practice of experts.' Can the widely revered pop albums chronicled in Continuum's 33 1/3 series survive the ardor of their most intelligent and impassioned critics? Rob Horning investigates.

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Sign ‘O’ the Times

Matos is a committed Prince fan who revels in the what he perceives as the artist's successes, like Sign, while admonishing those albums that he thinks fell short, like Diamonds and Pearls.

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Riding a Comet’s Flame: An Interview with Kim Cooper

'In him not being interviewed he becomes the center of the book, but he would be anyway.' Kim Cooper speaks to PopMatters about the musical friendships that gave rise to In the Aeroplane Over the Sea, Jeff Mangum's reluctance to publicly speak about the band, and the difficulties of portraying people and music with words.

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Born in the U.S.A.

You don't need to be a Springsteen fan to have heard the song or seen the video and know what's happening in it, making Himes's unsubstantial analysis of the song a waste of a page and a half. Himes's bio states he won a 2002 ASCAP/Deems Taylor Award for Music Feature Writing -- you'd never guess it by such academic, overstated passages.

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In the Aeroplane Over the Sea

Given Neutral Milk Hotel's shifting lineup and frequent moves in the years before and during Aeroplane, Cooper commendably maps out their story within a spare hundred some pages.

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//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

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