Hellboy Sweet Sixteen

By PopMatters Staff

27 August 2009

The Devil You Know: Mignola’s Hellboy in the Chapel of Moloch and the Old Debate

Modernist drama around the popularizing of the cultural archive, or postmodernist deliberation on the redemptive value of art in world awash in mass consumerism, the story of Mignola's Hellboy is also the story of comics' struggle for legitimation both as art-form and industry.

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The Horror of Science and Magic in Hellboy

While the popular imagination often depicts science and magic as locked in a fundamental opposition, Mike Mignola's Hellboy depicts the true horror that lurks beneath.

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Hellboy Versus Hellboy: The Competing Authenticities of Mignola and del Toro

Is avant-garde horror director Guillermo del Toro's vision of Hellboy too compromised to achieve the cultural impact of the original comicbook?

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Dylan Dog vs. Hellboy: A Study of Pulp and Pop Pastiche

Horror stories and Mignola's cultural project with Hellboy, at home and abroad. If Hellboy is the all-American, indestructible demon with the Right Hand of Doom, then Dylan Dog is his handsome, eccentric, phobic (and horny) European cousin, with a penchant for the clarinet.

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Build to Suit: Guillermo del Toro and the Mythology of Hellboy

The mythology of the Hellboy films is, to use del Toro's own apt description, “…a jazz riff on what the comic book is”.

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The Boy Who Would Be The Beast of the Apocalpyse: Mike Mignola’s Hellboy, Mythology, and the Human

Hellboy essentially argues that biology indeed need not be destiny, and that to exist as a human means something more than possessing a certain normative appearance.

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