The Black Crowes Soar with Fresh Tracks and Deep Cuts
This version of the Black Crowes are returning to the straight-ahead, swaggering rock and blistering blues that put them on the map in the early 1990s.
This version of the Black Crowes are returning to the straight-ahead, swaggering rock and blistering blues that put them on the map in the early 1990s.
Cloud Nothings have delivered record after record of catchy, energetic songs without getting stale or repetitive. Final Summer continues that streak.
Neo-Britpoppers Sunday League bring baroque rock muscle, energetic walls of sound, plus enough British pub swagger to nick your pint right off the bar.
The best alternative songs of the 1980s span punk, post-punk, new wave, college rock, underground, goth, new romantic, ska, power pop, hardcore, and indie rock.
Canadian noise punks go widescreen on their latest to thrilling effect. METZ embrace melody but still bring the noise Up on Gravity Hill.
Aaron Lee Tasjan often goes for a laugh with broad puns and subtle references to pop culture. Yes, he is funny, but he is also serious, seriously funny.
The Church’s “companion piece” to The Hypnogogue is just as good. It didn’t take long for the veteran Aussie psych-rockers to break in their new lineup.
Has any songwriter used the words “things” and “sounds” and made small matters seem more significant and full of possibility as much as Built to Spill’s Doug Martsch?
Wilco’s net-streaming experiment with Yankee Hotel Foxtrot was part of the utopian promise for technology’s future, and it worked.
British indie artist Jane Weaver bridges the experimental textures of her earlier work with accessible pop gestures on her latest album.
Weeks after his 50th birthday, Guy Garvey talks about Elbow’s electric new album, their wildest since their 2008 breakthrough The Seldom Seen Kid.
Who had Sonic Youth’s Kim Gordon making a collection of trunk-rattling near hip-hop and industrial noise on their 2024 bingo card?