Hour’s ‘Ease the Work’ Is Hypnotic and Beautifully Strange
The latest release from Michael Cormier-O’Leary’s instrumental collective, Hour, is a deliberately paced work that’s peaceful and oddly disarming.
The latest release from Michael Cormier-O’Leary’s instrumental collective, Hour, is a deliberately paced work that’s peaceful and oddly disarming.
Celebrated saxophonist Josh Johnson infuses his music with various styles on this surprisingly accessible new LP of processed, ambient jazz.
This month’s best ambient/experimental releases yielded enough sublime music to send you drifting into transcendence for many moons to come.
As a composer and performer, MIZU embraces uncharted territory with her cello not so much in hand but working fully as an extension of her body and voice.
Under the Sun has a gravity that helps it stand out in the vast field of contemporary electronic music as Maya Shenfeld considers the magnitude of the cosmos.
Too Many Souls is the latest installment in Canadian alternative folk artist Avi C. Engel’s pursuit of “one long continuous song”.
The sophomore collaboration from experimental musicians Joseph Branciforte and Theo Bleckmann comes four years after their debut, and builds on it.
In a digital landscape where consumption methods are constantly fracturing, leave it to the best ambient artists to excel and innovate despite impossible odds.
Chicago-based weirdo pioneer Mukqs returns with one of the best electronic albums of 2023. Enter the dizzyingly immersive world of Stonewasher.
Black Dog is reminiscent of Gazelle Twin’s past but also forges a new path. One that’s able not only to merge these disparate aspects but also to surpass them.
Justin Walter’s Destroyer is a rich and colorful work established through subtle means. It establishes an immersive world filled with wonder and emotion.
Boards of Canada’s Music Has the Right to Children is murky, burned, and melted. It sounds like 1980s synth, disco, new age, and new wave heard through a wall.