Saddle up shoppers – this is going to be one confusing (and cash draining) DVD roundup. On top of the titles chosen by SE&L as representing the releases to look out for, there are dozens of previously available offerings (Goodfellas, Natural Born Killers, The Omega Man) making a reappearance on the medium for absolutely no good reason. In fact, we can’t tell if these are merely re-priced reprints looking for a little budget buying power, or barebones versions of still available special editions. Whatever the case, make sure you’re paying attention as you pick through the digital doggies waiting to be corralled. Indeed, you might wind up with a busted bronco instead of a magnificent mustang. Of course, you can avoid all the confusion and simply stick with this week’s prize pony, an overlooked masterwork that deserves to be the premium pick of 15 May:
Darren Aronofsky deserves SO
much better. When he first pitched this time travel love story five years ago, he had Brad Pitt, Cate Blanchett, and a $70 million budget ready to realize his dream. Come 2006, he had to settle for a magnificent Hugh Jackman, an equally radiant Rachel Weisz, and a clear critical and commercial conundrum. More or less dismissed during its theatrical release, what most audience members saw as self-indulgent and confusing was actually the makings of a post-modern masterpiece. There have been lots of cinematic stories about death and the loss of a loved one, but nothing has done a better job of tapping into the internal struggle over the acceptance of same than this fascinating film. Aronosfky’s decision to go as lo-tech as possible with his F/X gives the entire production an earthy, natural glow, and the passion between his characters is palpable. Ignore it if you must, but decades from now it will be listed among the medium’s greats. Guaranteed.
It contains a cast of British acting heavyweights – Peter O’Toole, Richard Burton, Sir John Gielgud – and a story of substantive historical significance. But when it came time for the 1965 Academy to divvy up trophies, its 12 nominations could only manage a single screenplay win. So what beat this otherwise exceptional period drama – why, the lightweight musical mediocrity known as My Fair Lady
Okay, this was a TV movie, so we’re sort of violating our own ‘theatrical only’ rules. But Mickey Rooney was just so good as a mentally handicapped man finally escaping his life under institutional control. With a VERY
young Dennis Quaid as the documentary filmmaker that helps Bill out, it remains a weeper that definitely earns its emotions. The sequel was equally satisfying.
A lot has been written about this under the radar indie drama – and almost all of it has been better than good. Using the identity of the title entity as a means of tying many divergent characters and storylines together, actress Karen Moncrieff’s second full length feature crackles with a complexity and collection of perfect performances that few Hollywood efforts just can’t achieve. div>
The left over Oscar argument from 2007 will always be whether Florian Henckel von Donnersmarck’s The Lives of Others
deserved to win the award for Best Foreign Film over this clear fan favorite. After revisiting it recently on home video, it is obvious that Guillermo Del Toro’s adult fairytale about war and sacrifice is a stellar motion picture. In fact, its timeless nature will keep it considered long after Lives
Stomp the Yard
The black college tradition of stepping definitely deserves more than this hackneyed formula film, especially given director Sylvain White’s remarkable way with a camera. He brings an energy and a vitality to the ‘dance’ sequences, experimenting with shot selection and post-production optics to tweak convention. Too bad the rest of the movie is so routine.
And Now for Something Completely Different
Tex Avery’s Droopy: The Complete Theatrical Collection
Finally! Every other half-baked animated creature seems to be getting a major DVD release these days, and yet Tex Avery’s dour hound dog always gets left behind. It’s hard to describe what makes Droopy so incredible – his hurdy gurdy nerdy voice, the intensely violent physical comedy that forms his humor, or the hyper-stylized way Avery and his crew realized his pen and ink personality. Whatever the reasons, this two disc set – offering 24 theatrical shorts and a bevy of added content – promises to make fans of the zany animator and his prized pooch happy indeed. We here at SE&L
are smiling all the way to the brick and mortar. Now, if they could only find a way to bring the complete Screwy Squirrel to the digital medium.
Published at: http://www.popmatters.com/pm/post/whos-minding-the-store-15-may-2007/