[26 September 2008]
As a revered musical institution of sorts I was expecting nothing short of great from the Dirty Dozen Brass Band. Pioneers of the contemporary New Orleans second line and brass band funk sound, they’ve traveled the world over exporting Bayou brass playing. But it seems that they are coasting these days, riding on the coattails of past successes.
Guitarist Jake Eckert, actually one of the strongest players in the group, opened the show with some funky guitar licks before the rest joined in, kicking off a marathon funk vamp that never seemed to quit. Its players did, though, at various intervals throughout, looking exhausted and more like they were begging coach to rest up on the bench rather than go out for another play. Only trombonist Revert Andrews showed enthusiasm, with unbridled energy and honky-tonk stomping.
Overall it was an awkward funk scenario where meandering solos were atonal and lacked any coherent theme, direction or melodies. Instead the players would only focus on the long ball—stratospheric notes—and get burned out quickly from the exertion. Rhythm (the bedrock of funk) was desperately lacking as the group derailed several times with each brass player playing in a different meter. Adding to the polyrhythmic implosion was a ubiquitous and dependably late wood block and a whimsical empty beer bottle.
When the monotonous funk machine ground to a halt—literally, the ending was as smooth as Manhattan cab ride—an onslaught of unremarkable covers ensued. “Get Up Stand Up” and “Superstition” (which we had already heard in its finer form on the house PA directly before the band went on) had the support of the crowd, but the band sounded disinterested. Some of the players appeared so apathetic—particularly trumpet and flugelhorn player Efrem Towns—that they didn’t even play in the finale “Dirty Old Man”—an awkward funk piece whose feature was a gaggle of uninhibited girls grinding with dirty old men. I guess I wouldn’t want to play either.
The only highlight of the evening was watching a congregation of old men who, despite the band, managed to boogie like caffeinated pogo sticks, albeit with a head of snow-white hair. And the biggest disappointment was that during “Dirty Old Man”, they weren’t even invited on stage! It was too bad they didn’t headline from the get go.