[6 February 2009]
A long line of people were waiting outside in the freezing January night while on stage at the Mercury Lounge, Brooklyn’s Chin Chin opened up for Brazil’s Curumin (pronounced “KOO-roo-mean”). If you got there late thinking that Chin Chin were serving as a warm-up band, though, you would have made a mistake, because by then the six-piece band already had the place on fire. Numerous people were dancing up close to the stage while everyone else gave way and were forced to groove shoulder to shoulder at the back of the room. Before finishing up, Chin Chin decreed music is “so much better when we do it together” and it was easy to understand why with the number of people moving to their sounds.
Quannum Projects, the record label of Luciano Nakata Albuquerque (aka Curumin), is primarily known for its roster of underground hip-hop artists, including Blackalicious and Lyrics Born as well as being an early home to DJ Shadow. But, as Chin Chin would agree, music needs to be shared. When Blackalicious discovered Curumin during a tour of Brazil in 2005, despite the language barriers, they must have loved his music a lot for they signed him to their label. And hip-hop culture was ever present on the stage at the Mercury Lounge as Money Mark, the keyboardist, producer and past Beastie Boys collaborator performed alongside Curumin and three other musicians as a special guest.
Branded as “samba-soul-hip-hop”, Curumin made sure to keep the audience dancing and applauding whatever the genre of song. From behind the drums, he sang songs from both of his albums, Achados e Perdidos and the more recent JapanPopShow, like “Samba Japa”, “Magrela Fever”, and “Compato” that conveyed delicious samba funk. A later song had a breakbeat club rhythm, while the show closer had an easy-going reggae vibe reminiscent of Sublime. Curumin described the next song as “beautiful” before turning the slow original Roy Ayer’s “Everybody Loves the Sunshine” into an extended jam.
Since the majority of singing was in Curumin’s native Portuguese, people could be overhead wishing they knew what he was saying as “the music is so good”. Through his set, Curumin encouraged everyone to wave their arms, gave a salute to New York and expressed his happiness in seeing so many people. He even asked the audience to give back in the form of an MC. And when one was welcomed up, he repeatedly asked people “give it up for Curumin” receiving a resounding sound of gratitude. Even though he would make a perfect outdoor summer show, Curumin turned the tiny Mercury Lounge into a steamy oasis during winter. People came together, not to seek respite in the form of shade or water, but to bask in the warmth and pleasure of the music.