[4 May 2009]
PopMatters Contributing Editor
Talk about questionable prospects! Who could ever imagine that Paramount, preservers of Gene Roddenberry’s seminal Star Trek empire, would mount a massive reboot of the series, an attempt in 2009 to turn the fortunes of a forty year old property into something modern and merchandisable. For a while, it looked like Shatner, Nimoy, and the rest would have to rally around the aging nostalgia factor and forge a path more backwards glancing than forward thinking. But the past can’t hold forth in the future forever.
Even with the still popular possibilities of The Next Generation (and to some extent, Deep Space Nine), fans both young and old just can’t get enough of the 1960s series. And with prequels being so plentiful (and usually unsuccessful), going back to the very beginning of Trek would appear tenuous at best. Luckily, studio heads cleared enough to give Lost‘s J.J. Abrams the creative Con - and it’s a good thing too. His Star Trek instantly becomes one of the year’s best films.
Troubled and rebellious as a young boy, James Tiberius Kirk can’t shake the feeling that he was meant for something more. Similarly, Vulcan child Spock has difficulty deciphering his half-human, half-alien feelings. The two end up at Starfleet Academy, where they begin to learn the ways of the United Federation of Planets. Along the way, they pick up some close friends - Kirk and new doctor cadet Leonard “Bones” McCoy, and for Spock, the special affections of communications specialist Uhura.
When a mystery mining vessel carrying the angry Romulan Nero breaks through the neutral zone and attacks Vulcan, Captain Pike pilots the newly christened Enterprise to intercept. On board are Hikaru Sulu and Pavel Chekov, the two latest additions to the crew. Eventually, the Federation learns of the Romulan’s time-travel inspired plan, it’s passion to destroy planets, and it’s particular vendetta with Spock - even though they’ve “technically” never met the young alien…at least, not this version of him.
It’s hard to express in mere words how wonderful J.J. Abrams Star Trek reboot is, especially for a worn in the wool die-hard Trek head like yours truly. It’s a silly, grinning from ear to ear experience, a ‘wow’ that works overtime to keep from ever letting you down. From the moment we learn of our heroes’ hamstrung youth, to the final confrontation that will define their legacy for star dates to come, there is a reverence and a revitalization that finally turns Trek into everything founder Roddenberry - and his throngs of devotees - hoped for.
This is more than just a ‘remake’ or a ‘reimagining’. This is brilliant filmmaking artistry filtered through a deep appreciation for what Star Trek stands for, for the years it held the lantern for serious science fiction while other efforts traveled toward the ‘dark side’ of action adventure commerciality. Granted, Abrams pours on the thrills, but he doesn’t cheapen the mythology that made Kirk and company true cultural icons.
This is a movie that performs remarkably well on all levels - as an introduction to the seminal characters for newbies, a welcome return visit to younger versions of old friends, a highly sophisticated mainstream entertainment, a rock ‘em sock ‘em effects spectacle, and a reminder that ideas can be just as exciting and interesting as images. Abrams, working from an excellent script by frequent collaborators Roberto Orci and Alex Kurtzman, takes his time with each element, letting information and concepts sink in before rapidly and rationally moving on.
The opening battle, which we catch more or less in mid-strategy, instantly encases us in the world we are about to enter. It also sets the emotional tone. By the time an underage Kirk runs his step-dad’s classic car up to (and over) the edge of a nearby ravine, we are ready to go anywhere with this story - and Abrams takes us there, both outside the characters and inside their deepest fears.
This is a true origin story, the kind which doesn’t skimp on the painful parts. Both Kirk and Spock are seen as deeply hurt by their childhood circumstance. It is a realistic foundation which explains a great deal of their later relationship. Similarly, we understand the motives of Uhura and McCoy, each one taking up defense for their friend. As actors, Chris Pine and Zachary Quinto are so note-perfect as our Trek titans that we often wonder if we are viewing Shatner and Nimoy through some kind of age-defying prism.
Also excellent are Zoe Saldana, John Cho, and in a last act appearance that’s a tad too brief, a wonderful Simon Pegg as everyone’s favorite “beamer” Scotty. Of particular note is Karl Urban. About a billion light years from Middle Earth (where he was Eomer), his McCoy is so delicious dead-on, so absolutely channeling the spirit and spunk of DeForest Kelly that he almost steals the film from everyone else.
But it’s Eric Bana who brings it all together. His villain with a heart hellbent on revenge is not some ridiculous raving psychopath. Instead, he’s someone who literally lost everything, and is determined to make those who he believes responsible pay in the exact same way. This leads to Trek‘s biggest surprise - the sheer scope and size of the threat. When we first realize what’s about to happen to one of the series well known places, the shock is matched only by the sensation of seeing it play out powerfully on the big screen. Star Trek is the very definition of a blockbuster, a larger than life experience that has to be seen theatrically to be fully appreciated. This is as epic an entertainment as The Lord of the Rings Trilogy, the original Star Wars, and Christopher Nolan’s operatic Dark Knight.
Once again, long time Trekkies (or Trekkers), have no fear. No one has raped your memories this time around. If anything, Abrams has acknowledged and acquiesced to them, giving your love of the original series as much care and consideration as you do. And those unfamiliar with the voyages of the Starship Enterprise, you too should feel unafraid. Accessibility is the key here, the movie made so stunning in its ability to hook you and keep you happy that you’ll soon forget your four decades outside the obsessive Trek fray.
For all others in between, heed this advice - Star Trek is destined to be remembered as one of 2009’s biggest and best surprises, a gamble that beat both the house and those holding the cards to turn everyone into a winner. This is the reason why movies are magic. This is why some of us fell in love with the original series in the first place. Bless you J. J. Abrams. May you live long, and definitely prosper.