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Television
Robin Wright Makes 'House of Cards: Season Three' Shine
Its plotholes are not as obvious as they were in Season Two, but Season Three's real strength lies in Clarie Underwood, and her journey makes the best case for House of Cards' staying power yet. [2.Mar.15]
The Hays Code Nightmare Has Come True. Ain't That Grand?
The '30s era Hays Code limited significantly what artists could express and what audiences could see. Today's LGBT media has blasted through all that. [27.Feb.15]
Anthologies, 'American Horror Story', and the Disposability of Pulp Storytelling
This show embraced its reputation for the weird and the strange, but it's storytelling methods are among the messiest in television. [25.Feb.15]
'The Jimmy Stewart Show' Emerges from TV's Never-Never Land
This is a traditional family sitcom, which means it's not funny. [24.Feb.15]
Oscar Winner 'Citizenfour' Debuts on HBO Monday 23 February
“The disclosures that Edward Snowden revealed don’t only expose a threat to our privacy but to our democracy itself." [23.Feb.15]
Reviews
Its plotholes are not as obvious as they were in Season Two, but Season Three's real strength lies in Clarie Underwood, and her journey makes the best case for House of Cards' staying power yet. [02.Mar.15]
The elements of glorification and exploitation in The Jinx are enough to make one wonder if it supports accused murderer Robert Durst. [09.Feb.15]
Mixed Media
News
By Rob Owen
“Americans collectively know of August Wilson -- they know there’s a Broadway theater named after him -- but you don’t really know the man, you don’t really understand the genius of his work, and this is a great opportunity to share that.” [20.Feb.15]
Features
By Elliot Caroll
The campy Mighty Morphin Power Rangers: 22 years, 22 seasons and two movies in (and a reboot on the way). Why do we love this show? [16.Feb.15]
AC/DC opened the telecast with a song called "Rock or Bust", a prophetic ultimatum that was answered all too quickly by a cavalcade of performers who seemed to be tripping over themselves to see who could be the most uninspiring of them all. [09.Feb.15]
Columns
Queer, Isn't It?
The '30s era Hays Code limited significantly what artists could express and what audiences could see. Today's LGBT media has blasted through all that. [26.Feb.15]
Canon Fodder
This is a traditional family sitcom, which means it's not funny. [23.Feb.15]
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