Testing the Water
Cartoons are for kids. No matter attempts to disprove
it, animation and children are made for each other.
While animated movies like Shrek may appeal to
a broad range of ages, from children to adults, the
disappointing box office performance Final
Fantasy, and the sadly ignored 2000 stateside
theatrical release of Hayao Miyazaki's Princess
Mononoke (both rated PG-13) show that the desire
for serious animated features aimed specifically at
older audiences -- over 13, anyway -- is questionable.
But adults do watch cartoons. The enduring popularity
of The Simpsons (as well as Fox's other
animated sitcoms, including King of the Hill
and Futurama), not to mention Comedy Central's
South Park, proves that there is a large
over-18 audience out there. Once the refuge of obscure
Hanna-Barbera cartoons and old Warner Brothers shorts,
if adults did watch Cartoon Network, it was for the
nostalgia value. The network is slowly approaching
this older audience with more original programming,
with its Toonami block of action and anime
series, the popular Powerpuff Girls, and the
recently added Samurai Jack. Although adults
may watch these shows, they are toned down enough for
older children. Toonami's anime imports are
edited for language or excessive violence, and
sometimes nudity. The Powerpuff Girls and Samurai Jack
often battle robots instead of humanish characters
like themselves. And specific references to death and
sexuality are always avoided in all shows.
These newer shows may have looked more grown up, but
Cartoon Network was still playing for children. As the
channel's focus shifted from its storehouse of old
cartoons (most of which have been shipped off to the
network's spin-off channel, Boomerang) to original
shows, they began to face heavier competition for
younger viewers from Nickelodeon's Nicktoons and even
Disney's Toon Disney channel. Anime fans have
expressed frustration over the edits the Cartoon
Network has requested for the series it airs on
Toonami and are turning elsewhere. With the
Cartoon Network's base audience beginning to fragment,
the channel has at last decided to appeal to an older
demographic, with a new weekly three-hour block dubbed
Adult Swim.
Adult Swim features three distinct sections.
The first is named "Sitcoms," and features UPN's
cancelled Home Movies, a family-oriented sitcom
about an 8-year-old aspiring filmmaker, and two
15-minute episodes of The Brak Show, with
characters from the bizarre talk-show parody Space
Ghost Coast to Coast. The second section is "The
Lab," with four 15-minute episodes. The first
half-hour has two of three mini-shows: Harvey
Birdman: Attorney at Law, with the old
Hanna-Barbera hero as an attorney for classic cartoon
characters in strange legal battles; Aqua Teen
Hunger Force, about a team of inept superheroes
who are also fast food (Master Shake, a milkshake;
Frylock, a box of fries; and Meatwad, a shape-shifting
mass of ground beef); and Sealab 2021, a
rewritten and re-edited version of the '70s
Hanna-Barbera series, Sealab 2020. The second
half hour of "The Lab" consists of two back-to-back
episodes of Space Ghost Coast to Coast. The
final section, an hour long, consists of two episodes
of the acclaimed anime series, Cowboy Bebop,
about bounty hunters in the future.
How much of Adult Swim is actually made for
adults? It repeatedly reminds viewers between shows
that the block is for "adults" (the shows are all
rated TV-PG, TV-14, or, in the case of Cowboy
Bebop, TV-14-LV). So it would seem that Adult
Swim is where the Cartoon Network might work with
more mature themes and concepts in animation, like MTV
has done with animated shows like Daria.
Instead, most of Adult Swim relies more on
surreal humor than actual storytelling, as
demonstrated by the pointless plots of The Brak
Show and the odd premise of Aqua Teen Hunger
Force.
Home Movies is likewise not definitively
"adult-" or even teen-oriented, as its focus on
protagonist Brendon's family life gives it an all-ages
appeal. While Harvey Birdman may find humor in
sexual innuendo -- as when it implies that Race Banner
and Dr. Benton Quest of Johnny Quest are a gay
couple -- the show never goes beyond implying. Or,
when Debbie of Sealab 2021 declares she wants
to have a baby, the show just uses her confession as a
way to make dumb jokes about men. And the humor is
hardly "adult."
Yet, the anime import Cowboy Bebop is a major
step forward for the Cartoon Network, daring to show
quite a bit of blood as well as drinking and smoking,
all of which have been excised from the channel's
imported programming before. The hard-living heroes --
Spike Spiegel, Jet Black -- have tortured pasts that
most of the rest of Adult Swim's characters look unfortunately adolescent. Raising difficult
questions about honor and loyalty, Cowboy Bebop
is the only show here that deals with mature themes.
At this point, the Cartoon Network seems to be feeling out how much of an audience there is for animation aimed specifically at adults or older teens. By
utilizing programming that already exists, as well as
recycling old Hanna-Barbera characters, the channel
(which probably wants to maintain its family-friendly
reputation, anyway) hasn't risked much of its own
money, even if Adult Swim fails to attract an
audience. And several of the shows might easily find
time-slots outside of Adult Swim if the block
itself is unsuccessful. As it stands, Adult
Swim is far from being the most entertaining block
of programming on television, but it is still worth
watching. Maybe not for what it is right now, but for
what it might eventually become.