Everybody Loves Raymond
Regular airtime: Mondays, 9pm ET/PT (CBS, USA); Sundays and Tuesdays, 8pm (Channel Ten, Australia)
Producers: Philip Rosenthal, Stu Smiley, Rory Rosegarten, Worldwide Pants Incorporated, HBO Independent Productions
Cast: Ray Romano, Patricia Heaton, Brad Garrett, Peter Boyle, Doris Roberts
by Nikki Tranter
PopMatters Film, TV and Music Critic
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What about my investment?
In Everybody Loves Raymond, Ray and Debra
Barone (Ray Romano and Patricia Heaton) are a
thirtysomething married couple with all the trimmings
-- three kids, a steady income, a nice house, and
surely (trust me on this) a fancy car. So what could
possibly be their problem? The in-laws. But, of
course. Ray's mum Marie and dad Frank (Doris Roberts
and Peter Boyle), live next door and are constantly
coming over and creating havoc, interrupting Ray and
Deb's otherwise idyllic life. Or so we are led to
believe. When examined more closely, Ray and Deb have
issues. Big issues. Issues far too weighty to have
much, if anything, to do with the in-laws' annoying
visits.
A typical day in the life of the Barones is guaranteed
to include the following situation: Ray will do or say
something silly; Deb will tell him off, making him
look like a goof; then we will find out that Deb's not
so
perfect and Ray will suddenly have the upper hand
before she forgives him, thus allowing him to forgive
her right back. Parents visit, the end. Week after
week, script after script, this is what we can expect.
In a recent episode, Ray asked Debra if he could
invest in a go-kart track and she said no. It turned
out that he had already invested without consulting
her. He eventually told her, she flipped (you can tell
a sitcom wife has flipped when she takes her pillow
and sleeps downstairs), his parents visited and found
out what happened. Then Marie reminded Deb she had
once had financial dealings with her behind Ray's
back, suddenly Ray had the upper hand, Deb forgave
Ray, Ray forgave Deb, and it was happy families again.
Now, I realise it's impossible to hope for sitcoms to
be much more complicated than this. Unless, of course,
you come up with a Malcolm in the Middle, in
which every family member has his or her own
well-defined
place within the domestic structure, each being a
developed and interesting character, with equal
amounts of time on screen, doing things you don't know
if you should laugh at, because you yourself have done
them and they were
just as weird when you did them. Unfortunately, Ray
and Deb can't match the weekly wisdom of Malcolm in
the Middle between their arguing, and it feels as
though something is missing. It's perhaps time to see
something other than the usual references to a woman's
place being in the home, and a man's being on the
football field (or in front of the tv set), which tend
to solicit smirks rather than laughs.
Every time I sit down to watch an episode of
Everybody Loves Raymond, a couple of questions
jump into my mind. First and foremost, what's up with
Ray's complete disinterest in his children? (I know
I'm not the only one who has noticed this, and even
that it is part of his characterization, but it can be
annoying.) While Deb and Ray are the obvious
centrepiece, the kids -- Gregory, Schmegory, and the
blonde girl -- are mere decoration, there to remind
us we are watching a family. Ray all but ignores his
children when they are in the room, occasionally
glaring at them and only really paying them any mind
when they can either prove a point for him, or be
beneficial in some other way. For example, when the
twins were in the school play, Ray didn't want them
playing faeries as they preferred, and instead had
them reassigned to play two massive boulders, in order
to prove their "masculinity" and therefore make Daddy
look better. Sometimes, I don't think he even likes
his kids. This became quite apparent when Deb resisted
Ray's desire to invest in that go-kart track. She
asserted they had financial commitments elsewhere,
like the kids' college funds. He responded with a
question: "Kids? When are we gonna see a dime from
that investment?"
Second question, when is Debra just going to leave
Ray? I have recently changed my views about Debra,
once furrowing my brow every time she opened her
mouth, wondering why Ray insisted on being married to
such a bitch. But then it hit me: when you're married
to someone as misogynistic as Ray, what else is there?
Watch her closely and you realise she is almost never
without a dirty dish, basket of towels or bag of
groceries in her hands. Debra cooks, cleans, feeds the
kids, drives them to school and picks them up, dusts,
vacuums, irons, and leads "bath day," while Ray
complains about not being allowed to play golf. Deb's
problem is not that she doesn't love Ray. I'm sure she
does. I'm just more sure that she is a former
cheerleader who was swept off her feet by a nice but
unexciting high school classmate, whom she ended up
marrying, only to realise her horrible mistake ten
years later. She is often mean and insulting to her
husband and completely resents her in-laws' attitude.
She's trapped in suburbia with the nerd who got lucky,
and buddy, she wants out. But she loves her kids and
Ray, after all, does make a fair amount of cash, so
she goes about her duties, making veryone's life hell
all the while. And now that I think about it, though
she claims to be an adoring parent, it's rare to find
her talking to the kids much either. Though maybe in
sitcom-family-world, spending time with the kids would
be akin to watching Ally McBeal actually write up a
case report.
Deb puts down everything that makes Ray feel
comfortable, from sports to food to the way he acts
around his parents. But then, Ray is apparently a
lifelong member of that boy's club where everyone
hates girls but loves mummy. This is, of course, the
basis of the series' humor: Ray, his brother Robert
(Brad Garrett), and Frank are just as stereotypical as
the women on the series, only they're funny. Ray might
be a knob, but he's a lovable knob, and has his most
interesting interactions with his father and brother.
Robert is a human version of Winnie The Pooh -- calm,
sensitive, big, and huggable. He still lives with his
parents, and unsurprisingly, feels underappreciated by
them, and a bit of a failure as a police officer,
compared to Ray's glamorous role as a sports reporter
for Newsday. Robert is jealous of the life Ray
has made for himself, and the many ways he was
favoured as a child: Marie still gives him more ice
cream.
Ray and Robert are quite similar in gestures and
behavior, basically gentle guys. Frank is not. He's
staunchly anti-women, loud, abrasive, and at times,
downright offensive when it comes to his family.
Obviously, Ray learned his chauvinism from Frank, who
rarely has a loving thing to say to his own wife. At
the same time, Frank's attitude toward his
grandchildren mirrors Ray's, as he repeatedly makes
jokes about the possibility of one of the
(three-year-old) twins being homosexual. Frank and Ray
are often stupidly funny, but Robert more often than
not sounds intelligent, which only results in his
being ridiculed again. I'd like to see a little more
of that intelligence pumped into other characters,
especially Ray and Frank, and more understanding
between Deb and Ray, something to give me an inkling
as to what makes her love him, rather than watch her
pissed off all the time. And, I'd like to see the
women play more than just, well, "the women."
Barring all those unlikely changes, Everybody Loves
Raymond might improve, Jesse-style, if the
producers get rid of the irritating Marie (whom Deb
needs to hit over the head with a frying pan; I mean,
a woman can only take so much ribbing about her
lasagna), and replace her with, perhaps, a family dog.
Then, move Robert and Frank into Ray's house (Peter
Boyle can do no wrong, even if his lines are
chauvinist and fart-joke-like), causing Deb to go
insane and leave to find her former football team
captain boyfriend. She can take the kids, too, leaving
us with the three guys. The show is geared towards and
about the men, after all.