Totally True
10 pm (60:00)
You know what's awesome? The "Jerkstore" episode of
Seinfeld. Remember? George gets rocked in some
verbal pisspossery by some dude he works with, so he flies
across the country to double stuff the guy, two times.
George: "The jerkstore called, and they're out of you!"
Guy: "Oh yeah? Well, you're their best seller."
Dude's drinking some potent Haterade, some stupid funny
potent Haterade! Seinfeld is toot sweet.
10:21 pm (39:00)
Anyway, my brother Daniel always says "jerkstore." And he
always says, "toot sweet." That kid's the best. He's a
linguistic genius, an unparalleled visionary in the field
of phraseology. Ask any of my friends: it's totally true.
He's always coming up with these terms that instantly
become part of our communal lexicon, turning
22-to-27-year-olds into the most excited group of 4th grade
field trippers this side of The Goonies.
It's all uncharted territory, all the time. Can't miss
stuff:
"Dan, do you want a beer?"
"Nah, I'm chief." (Whoa.)
"Dan, how'd the prom go?"
"Nah, dude."
"Why? What happened with that girl?"
"Nothing, dude. I got no burn."
"Burn? Wha... ohhh. Burn." (Sick.)
But the best gift he's given me has to be "knife." Used in
the place of "nice," with a healthy dose of sarcastic
"Yeah, huh?" thrown in, it's pretty damn unstoppable. Like
this: "Knife Solo, Mario Van Peebles."
Or: "Knife 'minstrel of melancholia,' Reuters reporter
writing about Kurt Cobain."
Or: "Knife Watching Ellie, jerkstores."
10:33 pm (27:00)
Of course, he's a bit more cynical than I am. The show's
not all that bad.
Still, at first contact, I was all, "What the f?" We got a
clock counting down in real time, like 24 without
the government conspiracy thing and that dude from Truth
or Consequences, N.M.
We got no laugh track. We got a topless, amped-up Julia
Louis-Dreyfus (Ellie, like Elaine, but different) crying at
her reflection in a mirror, then the screen splits so we
can see both Ellie and her blonder, younger sister (Lauren
Bowles) while they pick apart her string of failed
relationships ("Allie McKnife"), then an overflowing
toilet, the tall Nihilist from The Big Lebowski
(Peter Stormare) trying to stop the flood, then trying to
catch some naked back while Ellie changes into her little
red dress -- ooh, then
smacking his head on the bathroom floor, snap! Better call
the doctor from down the hall (Don Lake) -- but whoops,
he's NAKED, and he's only a vet! Fucking real-time hijinx,
man!
Plus, she's still gotta get to work, and she's crazy late.
Freeze frame. Commercial. Stop the clock. I put soup in my
microwave and reflect.
Okay, for starters: this is a lot better than The
Michael Richards Show. And it's definitely better than
Bob Patterson. Louis-Dreyfus has a knack for
physical comedy that went under-appreciated next to
Kramer's crazy legs pratfalls, and she's always been great
at blowing her top in the face of bruising stress. So the
frantic pace suits her quite well, as do the zany, vaguely
smitten men we're introduced to early on.
But the clock thing: it's super gimmicky. And it's always a
bad idea to build anything that you envision having staying
power on something as tenuous as a gimmick. It's just weak.
Really.
10:46 pm (14:00)
I'll definitely tell you what's not weak: Chunky Vegetable
Soup. It's like eating a piece of Olympus.
And now that I'm used to the neck-snappin', speed-skatin'
lifestyle this Ellie leads, I'm looking to wash up in Lake
Guffaw, to take a dive into the deep end of the Funny Pool.
I am, in the immortal words of Homer Simpson's behind,
"Ready to laugh."
Thank you, Jebus. I knew my life was changing when Steve
Correll (yes, The Daily Show's Steve Correll) showed
up as Ellie's ex-boyfriend, chasing her down the street
with a head full of that tinfoil stylists use to "frost
highlights" into your hair. (Oh yeah, she wound up leaving
the vet and the Nihilist in the bathroom with the toilet
water because she had to get to work.)
That guy's goddamn awesome. "Even Steven," with him and
Stephen Colbert, is Jesus & Mary Chain maximum hilarity. He
was knife here, too (you can use "knife" to mean "awesome"
too; Dan just called and I asked him), uninviting Ellie to
his birthday party and then misreading her disgust as a
thinly veiled attempt to re-stoke the ol' passion flame.
Top shelf.
But once we get to the club, it's all Deuce Bigelow, Male
Sleepalo. Boring nation! We meet blonde British boyfriend
jazz guitarist Ben (Darren Boyd), there's a defanged Sex
in the City fellatio reference, a quick fight, and then
Ellie busts out on stage, cuz work for this lady is singin'
in lounges! And sing Ms. Louis-Dreyfus does, quite nicely,
in fact, a breezy number about "wookin pa nub" that gets
the ax in mid-lyric because the clock... has... stopped.
10:59 pm (01:00)
Hmm. HBO-Lite network fare with a risky premise and a star
whose previous show redefined television and still
regularly outperforms most episodes of new sitcoms with its
syndicated reruns? I dunno, Seinfeld wasn't supposed
to work either. And while Watching Ellie isn't
anywhere near as brilliant or as funny, it is pretty
competent for a start-up, and it's probably just different
enough to turn some heads without coming off as forced, at
least for as long as the gimmick can stay fresh.
Or something like that. I'm kind of losing focus,
Seinfeld's on. I gotta go. Knife ending, me.