Deep Thinking
The X-Files enters its eighth season somewhat
tentatively with lots of slow motion and New Agey
music. It starts out with some slimy brown-ish goo,
other viscous matter, strange thumping noises, and a
shot of Special Agent Fox Mulder (David Duchovny)
mired in this mess. But this is no X-File, this is
Special Agent Dana Scully (Gillian Anderson) dreaming
that Mulder is in her womb. It is not the supernatural
or paranormal that seems icky and scary; it is
pregnancy. And while Mulder, the grown man forced back
into the murky body of the mother seems in a pretty
uncomfortable state, I think Scully, the woman with a
grown man in her belly, has it worse. I know, it is
only a dream, but so much is made of Scully's
pregnancy in this episode that it seems to be the star
of the show now that Duchovny is all but gone, and it
only seems fitting that Scully not be pregnant without
Mulder involved somehow.
If this first episode is any indication, this is not
the creepy, sarcastic TV program of seasons past.
Instead of a series of quirky unsolved mysteries,
there is great deal of what appears to be deep
thinking by the characters; in fact, not much really
happens beyond what we already know from the end of
last season. However, this is only Part One of two
of the season opener, so I imagine there is more to
come. Besides, I've invested so many years in watching
The X-Files, that I'm not about to give it up
easily. With even a slight promise of something
actually happening on the series, I will check it out
next week.
The seventh season ended with a bang, with Mulder
apparently abducted by aliens, and his partner Scully
mysteriously with child (or at least with something)
despite her conspicuous lack of sexual contact, and
despite her belief that her own earlier abduction by
aliens left her unable to conceive. This 5 November
season premiere is mostly concerned with speculating
about Mulder's disappearance and introducing the new
guy. The last five minutes, however, do offer some
actual
action, in which Scully and a host of other FBI agents
converge on a school for the deaf in the Arizona
desert in search of a boy named Gibson Praise (Jeff
Gulka), who appeared in previous episodes. Gibson, who
is about 15 in human years at this point, has alien
DNA and so is living proof of alien presence on Earth.
Hmmm ... a teenage boy is part alien. I'll buy that.
Basically what has occurred is that Mulder/Duchovny is
a lame duck, having negotiated a deal in which he will
actually act in about half of the 2000-2001 episodes
(the rest will include cameos, flashbacks, and other
quick shots of him). Now, Scully is the one who has
"seen things" and the new guy is the sceptic, a
turnaround from the original Mulder-Scully
relationship. The partner-to-be is Special Agent John
Doggett (Robert Patrick). So far, he appears to be a
swaggering, steely-eyed FBI company man, a former NYPD
cop (of the manly NYPD Blue variety rather than the
more cynical Law & Order type) and U.S. Marine.
Doggett's attitude, though, is pure Old West, perhaps
a hint of his roles in two recent feature films, All
the Pretty Horses (directed by Billy Bob Thornton)
and Texas Rangers (Steve Miner). Doggett stares
purposefully, as if he's thinking really really hard,
his eyes narrowed, his jaw set. He wants to set things
straight. In true X-Files tradition, much about
Doggett is remains a mystery through this first
episode. He might be good, he might be bad, and he
might even be an alien.
Doggett is charged by new Associate Director Kersh
(James Pickens Jr.) a longtime opponent of the
FBI's X-Files (unsolved cases) with finding Mulder.
Of course the FBI will not acknowledge that Mulder may
have been taken by aliens, instead suspecting that
Mulder has lost his mind and gone off on his own, or
even that Scully and Assistant Director Walter Skinner
(Mitch Pileggi), who witnessed the abduction, actually
had something to the renegade agent's disappearance.
When Scully first meets Doggett, he does not tell her
who he is. Instead, he presents himself as an FBI
agent (he wears an identification tag, turned
backwards, as if by accident) compiling a profile of
Mulder to assist in the search. He interrogates Scully
about Mulder and goads her with rumors that while
Mulder did not trust her, he did "confide in" other
women in the Bureau. Scully knows this is a lie, and
so discovers who Doggett is, then promptly tosses a
cup of water into his face. Perhaps she is jealous;
perhaps it is just women are so emotional, especially
pregnant ones. You never can tell with them ... At
this point in the episode, I realized that it is not
just Scully's pregnancy that is making her seem more
like a stereotypical representation of a girl.
Instead, it is her contrast to the character of
Doggett. Scully took no grief from Mulder; she
questioned him, disagreed with him, and stood up to
him. With Doggett, however, there is a more
traditional he/she split: He is sceptical, rational,
together, and has a plan. She is emotional, spiritual,
and kind of dreamy.
Scully is now so out there that her pregnancy itself
is presented in this episode as an X-File case. This
is a woman who does not understand how it happened
it is a mystery even to her, or at least she is not
telling otherwise. The pregnancy is pointed to
numerous times throughout the episode, with no
information as to how Scully may have become that way:
She has morning sickness; Skinner warns her not to get
too upset because that could threaten her pregnancy
(as if she didn't already know). The opening scene of
the episode shows Mulder in what seems to be Scully's
womb, becoming unattached from a slimy umbilical cord.
Taking this miracle birth/Madonna reference even
further is a particular scene, a slow shot of Scully
in a black lace bra, buttoning up her shirt, as the
camera moves up her cleavage to focus on her gleaming
gold cross necklace. We get it. But as insurance, in
case we went to get something from the fridge during
that part, there is angelic orchestral music with
ethereal high-pitched vocals oohing and aaahhhing over
slow, soft focus shots of Scully staring intently at
herself, looking out a window, or walking down a hall.
Also, if I wanted to watch a show with miracles and
madonnas and angelic voices, I'd watch Touched by an Angel. At least girls still rule that show.