Okay – so you’ve read the rules to making successful independent horror. You’ve learned the revisionist ropes and no budget parameters. Still, as a legitimate ‘learn by example’ individual, you’d like a few more examples of the digitally driven genre before stepping behind the camcorder lens and exercising your aesthetic. Well, you’re in luck. There is a wealth of worthy motion picture models out there, each one capable of proving that originality, innovation, and cinema art can indeed be forged out of blood, sweat, and poor credit rating tears. While each suggestion does suffer from the inherent limits of absent cash and amateur apprenticeships, they still remain a significant step in that ongoing clash between mainstream moviemaking and a new, more adventurous breed. On the other hand, it will take a great deal for future projection to match these movies’ trendsetting facets. They truly represent the best in handmade cinema.
Before the bellyaching starts, certain titles already championed by SE&L are being purposefully left off in order to make room for some fresh faces. These otherwise notable novelties include anything by Eric Stanze, Chris Seaver’s sensational Mulva: Zombie Ass Kicker and Destruction Kings, Scott Phillips living dead deconstruction The Stink of Flesh, several crackerjack Campbell Brothers films including Demon Summer and The Red Skulls, and Justin Channell’s comic classics Raising the Stakes and Die and Let Live. A quick overview of the 15 months of content available here will reveal that, for the most part, we’ve sung the praises of these films before. No, it’s time to shed some light on those outsider gems that struggle to get recognized among the slew of Sci-Fi Channel level product tossed onto the market in the most haphazard of ways. Therefore, in no particular order, here are 10 titles you’re truly going to love, beginning with a recent jewel:
The Blood Shed
Gory Gory Hallelujah
The Manson Family
Inbred Redneck Alien Abduction
Killer Nerd/Bride of the Killer Nerd