Comics

Invisibles #1

The first issue of The Invisibles introduces us to Dane McGowan and his isolated rebellion. Dane's background as a teenager from a British industrial town, raised in a single parent household sets him up to be a young nihilist, our favorite kind. Fittingly, by the end of this issue, he has stolen a car, burned a library and a school, and seen the ghosts of two of the Beatles and a demon. The above panel takes its sequential place after Dane has assaulted his teacher, who is trying to stop him from burning the school. Earlier that day, the teacher had asked the class, "Can anyone tell me the name of the anarchist writer of 'Mutual Aid' who denounced the Bolshevik Revolution?'

It is appropriate that artist Steve Yeowell captures enraged Dane looking down on us from a skewed angle while yelling about Kropotkin, not only because it ties into that earlier question, but also because of the foundational Russian Anarchists' popularization of 'propaganda by the deed.' Often misunderstood as a political strategy of using property destruction and violence as a scare tactic, more recent works like Benedict Anderson's Under Three Flags: Anarchism and the Anti-colonial Imagination have argued that these acts were used to create media around anarchist ideas. The anarchists on trial would use their court time and final statements before execution to give speeches about their beliefs that were carried around the world by the increasingly global, news media.

Though Dane is being built up as a smart kid who is lashing out, this moment feeds well into the relations of the sign system Morrison built with the series. The Invisibles is well-known for its abundance of cultural references that resonate into the strange meta-physics he was proposing. And though I read this work as metaphor, giving it less power than the realism Morrison has attributed to it in his interviews, one would be hard to argue that the series did not gain a significant depth from its use of affective cultural undercurrents.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

Keep reading... Show less

Pauline Black may be called the Queen of Ska by some, but she insists she's not the only one, as Two-Tone legends the Selecter celebrate another stellar album in a career full of them.

Being commonly hailed as the "Queen" of a genre of music is no mean feat, but for Pauline Black, singer/songwriter of Two-Tone legends the Selecter and universally recognised "Queen of Ska", it is something she seems to take in her stride. "People can call you whatever they like," she tells PopMatters, "so I suppose it's better that they call you something really good!"

Keep reading... Show less

Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.

It's a common enough gambit in science fiction. Humans come across a race of aliens that appear to be entirely alike and yet one group of said aliens subordinates the other, visiting violence upon their persons, denigrating them openly and without social or legal consequence, humiliating them at every turn. The humans inquire why certain of the aliens are subjected to such degradation when there are no discernible differences among the entire race of aliens, at least from the human point of view. The aliens then explain that the subordinated group all share some minor trait (say the left nostril is oh-so-slightly larger than the right while the "superior" group all have slightly enlarged right nostrils)—something thatm from the human vantage pointm is utterly ridiculous. This minor difference not only explains but, for the alien understanding, justifies the inequitable treatment, even the enslavement of the subordinate group. And there you have the quandary of Otherness in a nutshell.

Keep reading... Show less
3

A 1996 classic, Shawn Colvin's album of mature pop is also one of best break-up albums, comparable lyrically and musically to Joni Mitchell's Hejira and Bob Dylan's Blood on the Tracks.

When pop-folksinger Shawn Colvin released A Few Small Repairs in 1996, the music world was ripe for an album of sharp, catchy songs by a female singer-songwriter. Lilith Fair, the tour for women in the music, would gross $16 million in 1997. Colvin would be a main stage artist in all three years of the tour, playing alongside Liz Phair, Suzanne Vega, Sheryl Crow, Sarah McLachlan, Meshell Ndegeocello, Joan Osborne, Lisa Loeb, Erykah Badu, and many others. Strong female artists were not only making great music (when were they not?) but also having bold success. Alanis Morissette's Jagged Little Pill preceded Colvin's fourth recording by just 16 months.

Keep reading... Show less
9

Frank Miller locates our tragedy and warps it into his own brutal beauty.

In terms of continuity, the so-called promotion of this entry as Miller's “third" in the series is deceptively cryptic. Miller's mid-'80s limited series The Dark Knight Returns (or DKR) is a “Top 5 All-Time" graphic novel, if not easily “Top 3". His intertextual and metatextual themes resonated then as they do now, a reason this source material was “go to" for Christopher Nolan when he resurrected the franchise for Warner Bros. in the mid-00s. The sheer iconicity of DKR posits a seminal work in the artist's canon, which shares company with the likes of Sin City, 300, and an influential run on Daredevil, to name a few.

Keep reading... Show less
8
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image