Comics

The Legacy of Mike Weiringo

It wouldn't take long at all, just four short issues for Mike Weiringo's characteristic art style to emerge. Those early issues of 'Ringo's run on Flash, issues 80 through 82, are still among the most exciting to read visually. But they're not yet the style fans would come to love and cherish. They're Ringo, but not classic Ringo. Not just yet.

But by #83, the artwork on Flash just pops. Wally West, the titular Flash, is lantern-jawed, square-shouldered, cartoonishly exaggerated with just the right amount of intensity carved into his mask. Each panel is orchestrated with just the right amount of chaos. Ringo's visualization would prove definitive of Flash in the 90's, just as his style of hyperreal cartooning would prove definitive of the 90's themselves.

Moreover, Ringo's artwork provided the best possible vehicle for the post-#79 reboot of Flash. With Waid finally excising the ghost of Barry Allen in #79's 'The Once And Future Flash', Wally finally became a hero in his own right, stepping out from under his mentor's shadow. Following on from this, Waid was beginning to re-craft Wally's story as a superhero romance in the courtly tradition of knights, quests, maidens and monsters. Ringo's artwork would eloquently define the optimism and the danger of this new project.

This coming Wednesday, PopMatters commemorates the passing of Mike Weiringo on August 8 2007, by celebrating his work on Flash. The victim of a sudden and unexpected heart-failure, Weiringo's legacy stands as the power of his art to imbue readers with a sense of wonder while his characters face adversity.

This book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

Marcelino Truong launched his autobiographical account of growing up in Saigon during the Vietnam War with the acclaimed graphic novel Such a Lovely Little War: Saigon 1961-63, originally published in French in 2012 and in English translation in 2016. That book concluded with his family's permanent relocation to London, England, as the chaos and bloodshed back home intensified.

Now Truong continues the tale with Saigon Calling: London 1963-75 (originally published in French in 2015), which follows the experiences of his family after they seek refuge in Europe. It offers a poignant illustration of what life was like for a family of refugees from the war, and from the perspective of young children (granted, Truong's family were a privileged and upper class set of refugees, well-connected with South Vietnamese and European elites). While relatives and friends struggle to survive amid the bombs and street warfare of Vietnam, the displaced narrator and his siblings find their attention consumed by the latest fashion and music trends in London. The book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

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Music

The World of Captain Beefheart: An Interview with Gary Lucas and Nona Hendryx

Gary Lucas and Nona Hendryx (photo © Michael DelSol courtesy of Howlin' Wuelf Media)

Guitarist and band leader Gary Lucas and veteran vocalist Nona Hendryx pay tribute to one of rock's originals in this interview with PopMatters.

From the opening bars of "Suction Prints", we knew we had entered The World of Captain Beefheart and that was exactly where we wanted to be. There it was, that unmistakable fast 'n bulbous sound, the sudden shifts of meter and tempo, the slithery and stinging slide guitar in tandem with propulsive bass, the polyrhythmic drumming giving the music a swing unlike any other rock band.

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From Haircut 100 to his own modern pop stylings, Nick Heyward is loving this new phase of his career, experimenting with genre with the giddy glee of a true pop music nerd.

In 1982, Nick Heyward was a major star in the UK.

As the leader of pop sensations Haircut 100, he found himself loved by every teenage girl in the land. It's easy to see why, as Haircut 100 were a group of chaps so wholesome, they could have stepped from the pages of Lisa Simpson's "Non-Threatening Boys" magazine. They resembled a Benetton knitwear advert and played a type of quirky, pop-funk that propelled them into every transistor radio in Great Britain.

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Acid house legends 808 State bring a psychedelic vibe to Berlin producer NHOAH's stunning track "Abstellgleis".

Berlin producer NHOAH's "Abstellgleis" is a lean and slinky song from his album West-Berlin in which he reduced his working instruments down to a modular synthesizer system with a few controllers and a computer. "Abstellgleis" works primarily with circular patterns that establish a trancey mood and gently grow and expand as the piece proceeds. It creates a great deal of movement and energy.

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Beechwood offers up a breezy slice of sweet pop in "Heroin Honey" from the upcoming album Songs From the Land of Nod.

At just under two minutes, Beechwood's "Heroin Honey" is a breezy slice of sweet pop that recalls the best moments of the Zombies and Beach Boys, adding elements of garage and light tinges of the psychedelic. The song is one of 10 (11 if you count a bonus CD cut) tracks on the group's upcoming album Songs From the Land of Nod out 26 January via Alive Natural Sound Records.

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