Games

Courtney Love, Ex-Nirvana Members Blast 'Guitar Hero 5' Cobain Avatar

The latest entry in the popular Guitar Hero video game series has now hit store shelves, but there has been some public discontent over the game's playable avatar of late Nirvana frontman Kurt Cobain. On September 11th, surviving Nirvana members Krist Novoselic and Dave Grohl issued a joint statement expressing that they were "dismayed and very disappointed" that the Cobain avatar could be used to play any song in Guitar Hero 5, not just Nirvana tunes. Meanwhile, Cobain’s widow Courtney Love has been raging on Twitter over the guitarist being included in the game to begin with, claiming Cobain would have loathed the game and that she would sue video game maker Activision over his image use.

Okay, let's put aside the fact that both Love and Grohl had to give permission for Activision to use Cobain's image and Nirvana's music in the first place (making Love's assertion that she never approved the likeness very odd). More importantly, let's also push aside the cultural and historical baggage. Yes, Nirvana was the most important rock band of the 1990s, largely due to how it was resolutely spat in the face of rock music convention. Nirvana was at the center of the alternative rock revolution, which by its nature denounced commercial opportunism and despised the corporate music industry machine. Despite his well-documented drug problems, Cobain's 1994 suicide is often interpreted by rock scholars as the ultimate act of defiance in the face of unwanted stardom. Nirvana does hold a hallowed place in rock history, but the group shouldn't be treated as a sacred cow, never meant to mingle with the sort of artists they mocked and despised in a blockbuster media product. As a huge Nirvana fan myself, I too am certain that Cobain would have intensely hated his image appearing in the game. Then again, Cobain hated a lot of things, chief among them cleaning his apartment. The inclusion of a playable Kurt Cobain avatar in Guitar Hero 5 is definitely ill-advised, but it's not because it devalues everything Nirvana stood for, as Love in particular suggests. It's ill-advised because it looks utterly stupid.

Here’s a YouTube video stitching together various snippets of Guitar Hero 5 gameplay featuring the Cobain avatar. Your eyes do not deceive you. Yes, that is Flavor Flav's voice coming out of Cobain's mouth at the beginning. Followed by the avatar bouncing around to Billy Idol's "Dancing with Myself". It’s hard to avoid being overcome by laughter at how ridiculous this really is. I mean, whose secret desire has it been to see the grunge icon belt out Bon Jovi tunes as if he were really feeling it, bro? The best thing I can take away from this clip is that players can have Cobain sing songs by blatant Nirvana clones Bush, which is so delicious it almost makes the whole exercise worthwhile. Almost.

"Rhythm game" franchises Guitar Hero and Rock Band thrive by incorporating all the standard rock clichés into the gameplay, regardless if they fit with the music being performed. Whether it's a Bon Jovi song or a Radiohead track, the game avatars will raise their arms in glee at witnessing their vast crowd, jump around stage in a showy manner, and then end the performance in mass sing-a-longs and crescendo show-stopping endings. The games are designed this way because it makes playing them a more enjoyable experience. The avatar represents the game player, and no one plays video games to not have fun (while in contrast, there are entire genres of music based around making their listeners depressed and/or angry). Still, even if the music is a bit incongruous, the imagery has to fit. Slash works as a character in these sorts of games, because he embodies the traits typically associated with rock stardom very well. Cobain doesn't. The fact of the matter is people are able to play as a grungy little guy with scoliosis wearing a cardigan sweater, singing the biggest arena rock hits of the '80s with a huge smile on his face, while the imaginary crowd cheers its heads off. And that's just silly.

This book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

Marcelino Truong launched his autobiographical account of growing up in Saigon during the Vietnam War with the acclaimed graphic novel Such a Lovely Little War: Saigon 1961-63, originally published in French in 2012 and in English translation in 2016. That book concluded with his family's permanent relocation to London, England, as the chaos and bloodshed back home intensified.

Now Truong continues the tale with Saigon Calling: London 1963-75 (originally published in French in 2015), which follows the experiences of his family after they seek refuge in Europe. It offers a poignant illustration of what life was like for a family of refugees from the war, and from the perspective of young children (granted, Truong's family were a privileged and upper class set of refugees, well-connected with South Vietnamese and European elites). While relatives and friends struggle to survive amid the bombs and street warfare of Vietnam, the displaced narrator and his siblings find their attention consumed by the latest fashion and music trends in London. The book offers a poignant and jarring reminder not just of the resilience of the human spirit, but also of its ability to seek solace in the materiality of one's present.

Keep reading... Show less
8
Music

The World of Captain Beefheart: An Interview with Gary Lucas and Nona Hendryx

Gary Lucas and Nona Hendryx (photo © Michael DelSol courtesy of Howlin' Wuelf Media)

Guitarist and band leader Gary Lucas and veteran vocalist Nona Hendryx pay tribute to one of rock's originals in this interview with PopMatters.

From the opening bars of "Suction Prints", we knew we had entered The World of Captain Beefheart and that was exactly where we wanted to be. There it was, that unmistakable fast 'n bulbous sound, the sudden shifts of meter and tempo, the slithery and stinging slide guitar in tandem with propulsive bass, the polyrhythmic drumming giving the music a swing unlike any other rock band.

Keep reading... Show less

From Haircut 100 to his own modern pop stylings, Nick Heyward is loving this new phase of his career, experimenting with genre with the giddy glee of a true pop music nerd.

In 1982, Nick Heyward was a major star in the UK.

As the leader of pop sensations Haircut 100, he found himself loved by every teenage girl in the land. It's easy to see why, as Haircut 100 were a group of chaps so wholesome, they could have stepped from the pages of Lisa Simpson's "Non-Threatening Boys" magazine. They resembled a Benetton knitwear advert and played a type of quirky, pop-funk that propelled them into every transistor radio in Great Britain.

Keep reading... Show less

Acid house legends 808 State bring a psychedelic vibe to Berlin producer NHOAH's stunning track "Abstellgleis".

Berlin producer NHOAH's "Abstellgleis" is a lean and slinky song from his album West-Berlin in which he reduced his working instruments down to a modular synthesizer system with a few controllers and a computer. "Abstellgleis" works primarily with circular patterns that establish a trancey mood and gently grow and expand as the piece proceeds. It creates a great deal of movement and energy.

Keep reading... Show less

Beechwood offers up a breezy slice of sweet pop in "Heroin Honey" from the upcoming album Songs From the Land of Nod.

At just under two minutes, Beechwood's "Heroin Honey" is a breezy slice of sweet pop that recalls the best moments of the Zombies and Beach Boys, adding elements of garage and light tinges of the psychedelic. The song is one of 10 (11 if you count a bonus CD cut) tracks on the group's upcoming album Songs From the Land of Nod out 26 January via Alive Natural Sound Records.

Keep reading... Show less
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image