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"Keeping It That Way": The Cultural Maelstrom of Warren Ellis' Planetary

Merriam-Webster defines the word “planetary” as “of, relating to, or belonging to the earth” or “having or consisting of an epicyclic train of gear wheels”.

Warren Ellis and John Cassaday’s recently-concluded epic series, Planetary, is a cultural hodgepodge, the mythology of the last 150 years of adventure stories shoved into a distinctly Ellis-owned blender, building to an emotional catharsis that can, in fact, only be described as epicyclic.

It was stated recently that, when it comes to his views on humanity and respect for the rest of the species, Warren Ellis is a lot like a perpetually hung-over Joss Whedon. It would probably be more accurate to call him the UK’s Kurt Vonnegut; here is a man whose work always finds a way to betray or subvert the angry, bile-filled venom inherent in his characters by the end of a given tale. While it’s clear that Ellis, like Vonnegut did, has a cynical view of the group “humanity” as a whole, he is always open to, and actually encourages, being surprised by the individual. Is that, after all, not the purpose of Spider Jerusalem, Miranda Zero, Doktor Sleepless and, indeed, Planetary’s own Elijah Snow?

Ellis has always portrayed Elijah Snow as a man with a very simple, very human mission, perfectly replicating the human condition by depicting that mission’s constant evolution and taking it to its only logical closure point. One realizes, upon finishing their first read of the series, that Elijah Snow doesn’t just want to keep the world safe and strange -- he wants to save the life of the Individual, here typified by the missing Ambrose Chase.

Because Elijah Snow, despite his frosty behavior towards some and the cold shoulder he gives to others, is just like the rest of us; beneath his white suit and pale skin is a warm, beating heart.

While cloaked as a cultural history of the last 150 or so years, Planetary is really the Joseph Campbell-inspired tale of a hero’s second chance at life and attempt at the hero’s journey and, indeed, how one man can make the world a better place, no matter how strange it really is -- even if it means keeping it that way.

This coming week, The Iconographies explores both the series as a whole and the years-in-the-making final issue of Planetary.

Kuinka appeal to ornery Renaissance royalty with a joyous song in their infectiously fun new music video.

With the release of Americana band Kuinka's Stay Up Late EP earlier this year, the quartet took creative steps forward to deftly expand their sound into folk-pop territory. Riding in on the trend of moves made by bands like the Head and the Heart and the National Parks in recent years, they've traded in their raw roots sound for a bit more pop polish. Kuinka has kept the same singalong, celebratory vibe that they've been toting all this time, but there was a fork in the sonic highway that they boldly took this go-around. In this writer's opinion, they succeeded in once again captivating their audience, just in a respectably newfound way.

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From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

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Music

The Best Country Music of 2017

still from Midland "Drinkin' Problem" video

There are many fine country musicians making music that is relevant and affecting in these troubled times. Here are ten of our favorites.

Year to year, country music as a genre sometimes seems to roll on without paying that much attention to what's going on in the world (with the exception of bro-country singers trying to adopt the latest hip-hop slang). That can feel like a problem in a year when 58 people are killed and 546 are injured by gun violence at a country-music concert – a public-relations issue for a genre that sees many of its stars outright celebrating the NRA. Then again, these days mainstream country stars don't seem to do all that well when they try to pivot quickly to comment on current events – take Keith Urban's muddled-at-best 2017 single "Female", as but one easy example.

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It's ironic that by injecting a shot of cynicism into this glorified soap opera, Johnson provides the most satisfying explanation yet for the significance of The Force.

Despite J.J. Abrams successfully resuscitating the Star Wars franchise with 2015's Star Wars: The Force Awakens, many fans were still left yearning for something new. It was comforting to see old familiar faces from a galaxy far, far away, but casual fans were unlikely to tolerate another greatest hits collection from a franchise already plagued by compositional overlap (to put it kindly).

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Yeah Yeah Yeahs played a few US shows to support the expanded reissue of their debut Fever to Tell.

Although they played a gig last year for an after-party for a Mick Rock doc, the Yeah Yeah Yeahs hadn't played a proper NYC show in four years before their Kings Theatre gig on November 7th, 2017. It was the last of only a handful of gigs, and the only one on the East coast.

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