Music

Neon Indian: Psychic Chasms

Dan Johnson

Synth pop, effects-heavy rock, and dreamlike euphoria are the driving forces behind Neon Indian’s pleasurable and bright look at pop psychedelia.


Neon Indian

Psychic Chasms

Label: Lefse
US Release Date: 2009-10-13
UK Release Date: 2009-10-13
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Psychic Chasms is a marvelous sonic voyage through a bubbly synth landscape of tones and emotions. One listen to the album gives the impression of brilliant, lush canopies of vivid synthesizers and crawling guitars swaying playfully in a jungle of two-channel stereo sound.

Appropriately, Neon Indian’s new offering plays like a sonic hallucination. Molting patterns and sequences of color, light, and sound exude from the warm embrace of the poppy electronic album. In fact, the nucleus of it was derived in a midwinter demo session in Texas, which, judging by song titles and the press release information packet, I think its safe to assume involved the consumption of one or more controlled substances. Either way, the interplay between the back buzz of guitar and the sonic scenery of synthesizers creates an audio ecstasy tantamount to wandering through a hallucinogenic wonderland.

The album begins with the interstellar laser tones, fuzz beats, and sunshine electronica of “(AM)” and “Deadbeat Summer”. The two-track combo is the kind of upbeat synthetic psychedelia that makes one want to run naked through a field of blossoming flowers. Exuberant and precocious, the song captures the excitement of a new high with the sound of sunbeams and robot guitars.

“Laughing Gas” is a twisted anthem that predictably has a lot in common with the pleasures of a nitrous oxide binge. Like a Saturday at home with nothing to do, this gem is a giggly little tune with bending, bright notes. While the whole album shines with bright sounds and merry melodies, “Laughing Gas” captures the strangest of altered sensations with a whimsical warble.

Without so much as one lousy moment of comedown, “Terminally Chill” takes bird chirps and distant croons and splatters them beneath neon smooth rock guitars whose perfumed distortion pops and crackles like sparklers. The ensuing interlude, “If I Knew, I’d Tell You”, borrows from cheesy early synth pop and leaves you feeling like you’re watching a cutaway scene in National Lampoon’s Vacation.

“6669 (I Don’t Know If I Know You)” is a synth bass-heavy track about loss of communication. Flashing hiss-and-moan keyboard solos intertwine with vocals in electronica that seems oddly genuine. Similar feelings of distance amidst a sea of chemically altered personalities play out in the strange landscape of “Should Have Taken Acid With You”, where Alan Palomo seems truly bummed to have missed an opportunity to relate to someone close. There’s always next time, Alan -- the song turned out pretty well either way.

With its retro Atari madness, “Mind Drips” pushes the synth bit to the point of oversaturation. Fast, frantic sequences help evoke an accelerated climax of sound that makes your mind feel like tenderized pork loin falling off the bone. Respites of drawn-back interludes reinforce the ordinarily plodding, sightseeing tempo of the album.

The cybershamistic impulses of Neon Indian appear at their fullest on the album’s title track. This cavernous psychtrip of a song takes a joyous synth lead of buzz-saw bellows and underpins it with a chirping countermelody that draws from the deepest wellsprings of the album’s synth consciousness. Bit-heavy, pitch-bending guitars welcome you back to the inner spirit of the drug-induced epic and lead you to some hallucination of space and time where sounds are as lush and vivid and sights and smells.

Starburst crescendos in “Local Joke” play like you’re riding atop a synth mortar in your hometown’s fourth of July fireworks show and the heartbeat echoes of “Ephemeral Artery” rock and shudder all the way up your spinal column until they cascade into the croony, unbalanced comedown of the album’s closer, “7000 (Reprise)”.

Never ominous and always bright, Psychic Chasms is fantastic brain candy in the vein of electronica or millennial psychedelia. If poppy synthetics and warped, cloaked guitars are your thing, then prepare yourself for the bombardment of huge synth canopies and dancing notes in this vintage electro epic.

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From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

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Music

The Best Dance Tracks of 2017

Photo: Murielle Victorine Scherre (Courtesy of Big Beat Press)

From the "shamanic techno" of Parisian duo Pouvoir Magique to Stockholm Noir's brilliant string of darkly foreboding, electro-licked singles, here are ten selections that represent some of the more intriguing dance offerings of 2017.

In June of 2016, prolific producer Diplo lambasted the world of DJ's in an interview with Billboard, stating that EDM was dying. Coincidentally enough, the article's contents went viral and made their way into Vice Media's electronic music and culture channel Thump, which closed its doors after four years this summer amid company-wide layoffs. Months earlier, electronic music giant SFX Entertainment filed bankruptcy and reemerged as Lifestyle, Inc., shunning the term "EDM".

So here we are at the end of 2017, and the internet is still a flurry with articles declaring that Electronic Dance Music is rotting from the inside out and DJ culture is dying on the vine, devoured by corporate greed. That might all well be the case, but electronic music isn't disappearing into the night without a fight as witnessed by the endless parade of emerging artists on the scene, the rise of North America's first Electro Parade in Montréal, and the inaugural Electronic Music Awards in Los Angeles this past September.

For every insipid, automaton disc jockey-producer, there are innovative minds like Anna Lunoe, Four Tet, and the Black Madonna, whose eclectic, infectious sets display impeccable taste, a wealth of knowledge, and boundless creativity. Over the past few years, many underground artists have been thrust into the mainstream spotlight and lost the je ne sais quoi that made them unique. Regardless, there will always be new musicians, producers, singers, and visionaries to replace them, those who bring something novel to the table or tip a hat to their predecessors in a way that steps beyond homage and exhilarates as it did decades before.

As electronic music continues to evolve and its endless sub-genres continue to expand, so do fickle tastes, and preferences become more and more subjective with a seemingly endless list of artists to sift through. With so much music to digest, its no wonder that many artists remain under the radar. This list hopes to remedy that injustice and celebrate tracks both indie and mainstream. From the "shamanic techno" of Parisian duo Pouvoir Magique to Stockholm Noir's brilliant string of darkly foreboding, electro-licked singles, here are ten selections that represent some of the more intriguing dance offerings of 2017.

10. Moullinex - “Work It Out (feat. Fritz Helder)”

Taken from Portuguese producer, DJ, and multi-instrumentalist Luis Clara Gomes' third album Hypersex, "Work It Out" like all of its surrounding companions is a self-proclaimed, "collective love letter to club culture, and a celebration of love, inclusion and difference." Dance music has always seemingly been a safe haven for "misfits" standing on the edge of the mainstream, and while EDM manufactured sheen might have taken the piss out of the scene, Hypersex still revels in that defiant, yet warm and inviting attitude.

Like a cheeky homage to Rick James and the late, great High Priest of Pop, Prince, this delectably filthy, sexually charged track with its nasty, funk-drenched bass line, couldn't have found a more flawless messenger than former Azari & III member Fritz Helder. As the radiant, gender-fluid artist sings, "you better work your shit out", this album highlight becomes an anthem for all those who refuse to bow down to BS. Without any accompanying visuals, the track is electro-funk perfection, but the video, with its ruby-red, penile glitter canon, kicks the whole thing up a notch.

9. Touch Sensitive - “Veronica”

The neon-streaked days of roller rinks and turtlenecks, leg warmers and popped polo collars have come and gone, but you wouldn't think so listening to Michael "Touch Sensitive" Di Francesco's dazzling debut Visions. The Sydney-based DJ/producer's long-awaited LP and its lead single "Lay Down", which shot to the top of the Hype Machine charts, are as retro-gazing as they are distinctly modern, with nods to everything from nu disco to slo-mo house.

Featuring a sample lifted from 90s DJ and producer Paul Johnson's "So Much (So Much Mix)," the New Jack-kissed "Veronica" owns the dance floor. While the conversational interplay between the sexed-up couple is anything but profound, there is no denying its charms, however laughably awkward. While not everything on Visions is as instantly arresting, it is a testament to Di Francesco's talents that everything old sounds so damn fresh again.

8. Gourmet - “Delicious”

Neither Gourmet's defiantly eccentric, nine-track debut Cashmere, nor its subsequent singles, "There You Go" or "Yellow" gave any indication that the South African purveyor of "spaghetti pop" would drop one of the year's sassiest club tracks, but there you have it. The Cape Town-based artist, part of oil-slick, independent label 1991's diminutive roster, flagrantly disregards expectation on his latest outing, channeling the Scissor Sisters at their most gloriously bitchy best, Ratchet-era Shamir, and the shimmering dance-pop of UK singer-producer Joe Flory, aka Amateur Best.

With an amusingly detached delivery that rivals Ben Stein's droning roll call in Ferris Bueller's Day Off , he sings "I just want to dance, and fuck, and fly, and try, and fail, and try again…hold up," against a squelchy bass line and stabbing synths. When the percussive noise of what sounds like a triangle dinner bell appears within the mix, one can't help but think that Gourmet is simply winking at his audience, as if to say, "dinner is served."

7. Pouvoir Magique - “Chalawan”

Like a psychoactive ayahuasca brew, the intoxicating "shamanic techno" of Parisian duo Pouvoir Magique's LP Disparition, is an exhilarating trip into unfamiliar territory. Formed in November of 2011, "Magic Power" is the musical project of Clément Vincent and Bertrand Cerruti, who over the years, have cleverly merged several millennia of songs from around the world with 21st-century beats and widescreen electro textures. Lest ye be worried, this is anything but Deep Forest.

In the spring of 2013, Pouvoir Magique co-founded the "Mawimbi" collective, a project designed to unite African musical heritage with contemporary soundscapes, and released two EPs. Within days of launching their label Musiques de Sphères, the duo's studio was burglarized and a hard drive with six years of painstakingly curated material had vanished. After tracking down demos they shared with friends before their final stages of completion, Clément and Bertrand reconstructed an album of 12 tracks.

Unfinished though they might be, each song is a marvelous thing to behold. Their stunning 2016 single "Eclipse," with its cinematic video, might have been one of the most immediate songs on the record, but it's the pulsing "Chalawan," with its guttural howls, fluttering flute-like passages, and driving, hypnotic beats that truly mesmerizes.

6. Purple Disco Machine - “Body Funk” & “Devil In Me” (TIE)

Whenever a bevy of guest artists appears on a debut record, it's often best to approach the project with caution. 85% of the time, the collaborative partners either overshadow the proceedings or detract from the vision of the musician whose name is emblazoned across the top of the LP. There are, however, pleasant exceptions to the rule and Tino Piontek's Soulmatic is one of the year's most delightfully cohesive offerings. The Dresden-born Deep Funk innovator, aka Purple Disco Machine, has risen to international status since 2009, releasing one spectacular track and remix after another. It should go without saying that this long-awaited collection, featuring everyone from Kool Keith to Faithless and Boris D'lugosch, is ripe with memorable highlights.

The saucy, soaring "Mistress" shines a spotlight on the stellar pipes of "UK soul hurricane" Hannah Williams. While it might be a crowning moment within the set, its the strutting discofied "Body Funk", and the album's first single, "Devil In Me", that linger long after the record has stopped spinning. The former track with its camptastic fusion of '80s Sylvester gone 1940s military march, and the latter anthem, a soulful stunner that samples the 1968 Stax hit "Private Number", and features the vocal talents of Duane Harden and Joe Killington, feels like an unearthed classic. Without a doubt, the German DJ's debut is one of the best dance records of the year.

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