Film

The Ultimate Cut - Watchmen - The Complete Story

The Ultimate Cut - Watchmen - The Complete Story - Warner Home Video [$59.99]


Watchmen

Director: Zack Synder
Cast: Jakie Earle Haley, Jeffery Dean Morgan, Malin Akerman, Billy Crudup, Patrick Wilson, Matthew Goode
Distributor: Warner Brothers
Studio: Warner Brothers
UK Release Date: 2009-11-10
US Release Date: 2009-11-10

As this new cut provides yet another excuse to revisit the film, one thing becomes clear on multiple viewings - Watchmen is a solid work of cinematic art. Forgive Snyder all his slo-mo flash and motion picture panache: this is a movie that works on all the levels it's supposed to and on several it only hoped to achieve. We marvel at the acting - especially Patrick Wilson as Drieberg, Jackie Earle Haley as Rorschach, and Billy Crudup doing his damnedest to emote from within Dr. Manhattan's motion-capture CG mannerisms. In between there are effective turns by sensational supplemental players, as well as enough violence and archetypical action to satiate the confirmed comic book genre fan. But Watchmen has always been about more than just heroes fighting fate. Indeed, there is a significant message about what constitutes "saving the world" within all the interpersonal sturm and drang, a point that says more about how little we've progressed in the 23 years since it was first published.

Of course, purists will be wondering if this latest addition to the Watchmen DVD options is worth your time. Well, that all depends. Do you already own the Tales from the Black Freighter/Under the Hood disc? How about the Complete Motion Comic? Want a digital copy of the original theatrical release (the previous Director's Cut is not offered, oddly enough), video journals, and other exciting added content all in one convenient cardboard case? How about a few exciting extras including everything from previous collections as well as two new commentaries - one from Snyder and one from Gibbons? While not as totally tricked out as some would like (the missing middle version, sans the Black Freighter material, would have been a nice seamless branching touch), the director considers this his final word on the whole Watchmen phenomenon.

Cover down, pray through: Bob Dylan's underrated, misunderstood "gospel years" are meticulously examined in this welcome new installment of his Bootleg series.

"How long can I listen to the lies of prejudice?
How long can I stay drunk on fear out in the wilderness?"
-- Bob Dylan, "When He Returns," 1979

Bob Dylan's career has been full of unpredictable left turns that have left fans confused, enthralled, enraged – sometimes all at once. At the 1965 Newport Folk Festival – accompanied by a pickup band featuring Mike Bloomfield and Al Kooper – he performed his first electric set, upsetting his folk base. His 1970 album Self Portrait is full of jazzy crooning and head-scratching covers. In 1978, his self-directed, four-hour film Renaldo and Clara was released, combining concert footage with surreal, often tedious dramatic scenes. Dylan seemed to thrive on testing the patience of his fans.

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TV

Inane Political Discourse, or, Alan Partridge's Parody Politics

Publicity photo of Steve Coogan courtesy of Sky Consumer Comms

That the political class now finds itself relegated to accidental Alan Partridge territory along the with rest of the twits and twats that comprise English popular culture is meaningful, to say the least.

"I evolve, I don't…revolve."
-- Alan Partridge

Alan Partridge began as a gleeful media parody in the early '90s but thanks to Brexit he has evolved into a political one. In print and online, the hopelessly awkward radio DJ from Norwich, England, is used as an emblem for incompetent leadership and code word for inane political discourse.

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The show is called Crazy Ex-Girlfriend largely because it spends time dismantling the structure that finds it easier to write women off as "crazy" than to offer them help or understanding.

In the latest episode of Crazy Ex-Girlfriend, the CW networks' highly acclaimed musical drama, the shows protagonist, Rebecca Bunch (Rachel Bloom), is at an all time low. Within the course of five episodes she has been left at the altar, cruelly lashed out at her friends, abandoned a promising new relationship, walked out of her job, had her murky mental health history exposed, slept with her ex boyfriend's ill father, and been forced to retreat to her notoriously prickly mother's (Tovah Feldshuh) uncaring guardianship. It's to the show's credit that none of this feels remotely ridiculous or emotionally manipulative.

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To be a migrant worker in America is to relearn the basic skills of living. Imagine doing that in your 60s and 70s, when you thought you'd be retired.


Nomadland: Surviving America in the Twenty-First Century

Publisher: W. W. Norton
Author: Jessica Bruder
Publication date: 2017-09
Amazon

There's been much hand-wringing over the state of the American economy in recent years. After the 2008 financial crisis upended middle-class families, we now live with regular media reports of recovery and growth -- as well as rising inequality and decreased social mobility. We ponder what kind of future we're creating for our children, while generally failing to consider who has already fallen between the gaps.

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Gallagher's work often suffers unfairly beside famous husband's Raymond Carver. The Man from Kinvara should permanently remedy this.

Many years ago—it had to be 1989—my sister and I attended a poetry reading given by Tess Gallagher at California State University, Northridge's Little Playhouse. We were students, new to California and poetry. My sister had a paperback copy of Raymond Carver's Cathedral, which we'd both read with youthful admiration. We knew vaguely that he'd died, but didn't really understand the full force of his fame or talent until we unwittingly went to see his widow read.

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