Music

Green Day - All About ‘Dookie’: “Pulling Teeth”

After five potent doses of heady pop-punk, “Pulling Teeth” is the first track on Dookie that really allows the listener to catch his or her breath. Drawing inspiration from an episode where Green Day bassist Mike Dirnt broke his arms while having a pillow fight with his future wife, the leisurely-paced “Pulling Teeth” features a character who is physically tormented by his girlfriend. The narrator is trapped in an abusive relationship, noting wryly “She comes to check on me / Making sure I’m on my knees / After all she’s the one / Who put me in this state”. The track is pure black comedy wrapped up in electric ballad form, as exemplified by the Beatles-esque delivery of the chorus “Is she ultra-violent? / Is she disturbed? / I better tell her I love her / Before she does it all over again / Oh God she’s killing me”.

Sandwiched between album highlights “Welcome to Paradise” and “Basket Case”, the song easily falls prey to “album track syndrome”, where a listener is prone to skip over it in order to get to another, more familiar tune. I certainly do that every time I listen to the record, partly because it’s not one of my favorites, but more importantly because it kills the momentum the album has been riding out up to that point. I know “Pulling Teeth” has its fans, but I’ve always found it a bit boring.

It’s not a bad song per se. Like the tracks preceding it, “Pulling Teeth” displays Green Day’s knack for musical interplay and lyrical character studies. Based on a standard rock ballad structure, the band adds touches like dual lead vocals that harmonize throughout and one of the album’s few proper guitar solos in order to play up the song’s subversive intent. However, Green Day delivers the song predominantly in a chugging groove that moves slower than all other songs on the record save “When I Come Around”. Such grooves are rare in Green Day songs, as the band moves best when it’s jumping around syncopated chord changes at a breakneck pace. The band has a harder time keeping its performances interesting when it slows things down (this is why for all its merits I don’t think the group’s American Idiot megahit “Boulevard of Broken Dreams” is all that great). Here, it almost sounds like a chore for Green Day to keep from speeding up and busting loose. Unfortunately, the backing performance can’t be too adventurous, as the lyrics are undoubtedly the main focus of the track. As a result, the appeal of the song primarily rests on the listener finding its gender-tweaking “battered male” concept amusing. If you don’t think that a woman abusing her boyfriend is inherently funny (and why should you?), “Pulling Teeth” loses its center and becomes a two-and-a-half-minute slog that sits between you and “Basket Case”. Despite being a nice exercise for the group, these hindrances make it hard to classify the song as one of the album’s essential tracks.


Music

Books

Film

Recent
Film

The Dance of Male Forms in Denis' 'Beau travail'

Claire Denis' masterwork of cinematic poetry, Beau travail, is a cinematic ballet that tracks through tone and style the sublimation of violent masculine complexes into the silent convulsions of male angst.

Music

The Cradle's 'Laughing in My Sleep' Is an Off-kilter Reflection of Musical Curiosity

The Cradle's Paco Cathcart has curated a thoughtfully multifarious album. Laughing in My Sleep is an impressive collection of 21 tracks, each unapologetic in their rejection of expectations.

Music

Tobin Sprout Goes Americana on 'Empty Horses'

During the heyday of Guided By Voices, Tobin Sprout wasn't afraid to be absurd amongst all that fuzz. Sprout's new album, Empty Horses, is not the Tobin Sprout we know.

Film

'All In: The Fight for Democracy' Spotlights America's Current Voting Restrictions as Jim Crow 2.0

Featuring an ebullient and combative Stacey Abrams, All In: The Fight for Democracy shows just how determined anti-democratic forces are to ensure that certain groups don't get access to the voting booth.

Music

'Transgender Street Legend Vol. 2' Finds Left at London "At My Peak and Still Rising"

"[Pandemic lockdown] has been a detriment to many people's mental health," notes Nat Puff (aka Left at London) around her incendiary, politically-charged new album, "but goddamn it if I haven't been making some bops here and there!"

Music

Daniel Romano's 'How Ill Thy World Is Ordered' Is His Ninth LP of 2020 and It's Glorious

No, this is isn't a typo. Daniel Romano's How Ill Thy World Is Ordered is his ninth full-length release of 2020, and it's a genre-busting thrill ride.

Music

The Masonic Travelers Offer Stirring Rendition of "Rock My Soul" (premiere)

The Last Shall Be First: the JCR Records Story, Volume 1 captures the sacred soul of Memphis in the 1970s and features a wide range of largely forgotten artists waiting to be rediscovered. Hear the Masonic Travelers "Rock My Soul".

Music

GLVES Creates Mesmerizing Dark Folktronica on "Heal Me"

Australian First Nations singer-songwriter GLVES creates dense, deep, and darkish electropop that mesmerizes with its blend of electronics and native sounds on "Heal Me".

Music

Otis Junior and Dr. Dundiff Tells Us "When It's Sweet" It's So Sweet

Neo-soul singer Otis Junior teams with fellow Kentuckian Dr. Dundiff and his hip-hop beats for the silky, groovy "When It's Sweet".

Music

Lars and the Magic Mountain's "Invincible" Is a Shoegazey, Dreamy Delight (premiere)

Dutch space pop/psychedelic band Lars and the Magic Mountain share the dreamy and gorgeous "Invincible".

Film

What 'O Brother, Where Art Thou?' Gets Right (and Wrong) About America

Telling the tale of the cyclops through the lens of high and low culture, in O'Brother, Where Art Thou? the Coens hammer home a fatalistic criticism about the ways that commerce, violence, and cosmetic Christianity prevail in American society .

Music

Alexander Wren's "The Earth Is Flat" Wryly Looks at Lost Love (premiere + interview)

Singer-songwriter Alexander Wren's "The Earth Is Flat" is a less a flat-earther's anthem and more a wry examination of heartache.

Music

Big Little Lions' "Distant Air" Is a Powerful Folk-Anthem (premiere)

Folk-pop's Big Little Lions create a powerful anthem with "Distant Air", a song full of sophisticated pop hooks, smart dynamics, and killer choruses.

Music

The Flat Five Invite You to "Look at the Birdy" (premiere)

Chicago's the Flat Five deliver an exciting new single that exemplifies what some have called "twisted sunshine vocal pop".

Music

Brian Bromberg Pays Tribute to Hendrix With "Jimi" (premiere + interview)

Bass giant Brian Bromberg revisits his 2012 tribute to Jimi Hendrix 50 years after his passing, and reflects on the impact Hendrix's music has had on generations.

Jedd Beaudoin
Music

Shirley Collins' ​'Heart's Ease'​ Affirms Her Musical Prowess

Shirley Collins' Heart's Ease makes it apparent these songs do not belong to her as they are ownerless. Collins is the conveyor of their power while ensuring the music maintains cultural importance.

Books

Ignorance, Fear, and Democracy in America

Anti-intellectualism in America is, sadly, older than the nation itself. A new collection of Richard Hofstadter's work from Library of America traces the history of ideas and cultural currents in American society and politics.

By the Book

Democratizing Our Data: A Manifesto (excerpt)

Just as big tech leads world in data for profit, the US government can produce data for the public good, sans the bureaucracy. This excerpt of Julia Lane's Democratizing Our Data: A Manifesto will whet your appetite for disruptive change in data management, which is critical for democracy's survival.

Julia Lane

Reviews
Collapse Expand Reviews



Features
Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.