For a decade that prided itself for breaking down musical barriers, there is a noticeable lack of female presence on this decade's most highly-regarded albums.
Regardless of your music taste, coming up with a list of the influential artists of this past decade is relatively easy. The White Stripes, the Strokes, Kanye West, Animal Collective and a few '90s holdovers like Radiohead and Jay-Z would certainly make the list. These were just a few I could rattle off in about 30 seconds. However, as I gazed at this list, I started to wonder what was wrong with it. It was lacking…something.
Take the Village Voice Pazz and Jop poll for example. For those unfamiliar, it is a poll comprising 500 critics' "Best of the Year" selections. In the '90s, four of the ten top albums of the year were by female artists (1993's Exile in Guyville by Liz Phair, 1994's Live Through This by Hole, 1995's To Bring You My Love by PJ Harvey, and 1998's Car Wheels on a Gravel Road by Lucinda Williams). Total number of top albums awarded to a female musician in this decade by the Pazz and Jop poll: zero.
The '90s saw such a flood of high-profile releases by female artists that the movement spawned the massively successful Lilith Fair. That movement even produced a bit of a backlash as critics hoped edgier artists like PJ Harvey, L7, and the Breeders would share the roster. What made the '90s such as huge decade for female artists? Why didn't it carry over into this decade?
The answer could just be coincidence. Tori Amos, Liz Phair, Björk, Luscious Jackson, Hole, Garbage, Missy Elliott, and Lauryn Hill all released albums that were critical and commercial hits around the same time. With such a wealth of talent, it sort of produced a "perfect storm" of great albums by female artists. Whether this coincidence can happen again is anyone's guess, but I sure as hell hope next decade we'll see a similar storm form.