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Books

The Best of Books 2009

As you will see in the selections we present here, there were more than enough great books by great writers in the past year to more than make up for all the other shouters and malingerers.

These books are listed in alphabetical order by title. This is not an order of preference. They may be the paperback version or a reprint: if they were published in 2009, and we read them and loved them, they’re here.

This feature was compiled, edited and produced by Chris Barsanti, Rodger Jacobs, Nikki Tranter and Karen Zarker, with contributions from many PopMatters staff throughout the magazine.

FICTION

If the 24 works of fiction contained in this annual list are examined for their reflection of the modern and postmodern human and social realm, the face in the mirror is one that is perplexed and intrigued by the spiritual and moral failings of mankind, from the very first serious lapse of judgment at the Garden of Eden (as illustrated by the father of underground comics) to all manner of ill and unforgivable sins in between, including the 1989 massacre at China’s Tianenmen Square student uprising (Beijing Coma), a most regrettable chapter in human history. READ MORE

-- Rodger Jacobs

NON-FICTION

It’s a fool’s errand, this sort of task, summing up a year’s worth of creative output, but nevertheless, we try. In a time when we’re being told that the printed book could well enter the dumpster of obsolescence – right between a stack of vinyl LPs and a few reams of carbon paper – it seemed that bookstores in 2009 were as full of fat new titles as they have ever been. Certainly there were differences, what with the armies of zombie and vampire cross-genre teen-friendly mashups now crowding the front-store table displays, but in some ways it was same as it ever was, particularly in non-fiction. READ MORE

-- Chris Barsanti

Kuinka appeal to ornery Renaissance royalty with a joyous song in their infectiously fun new music video.

With the release of Americana band Kuinka's Stay Up Late EP earlier this year, the quartet took creative steps forward to deftly expand their sound into folk-pop territory. Riding in on the trend of moves made by bands like the Head and the Heart and the National Parks in recent years, they've traded in their raw roots sound for a bit more pop polish. Kuinka has kept the same singalong, celebratory vibe that they've been toting all this time, but there was a fork in the sonic highway that they boldly took this go-around. In this writer's opinion, they succeeded in once again captivating their audience, just in a respectably newfound way.

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From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

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Music

The Best Country Music of 2017

still from Midland "Drinkin' Problem" video

There are many fine country musicians making music that is relevant and affecting in these troubled times. Here are ten of our favorites.

Year to year, country music as a genre sometimes seems to roll on without paying that much attention to what's going on in the world (with the exception of bro-country singers trying to adopt the latest hip-hop slang). That can feel like a problem in a year when 58 people are killed and 546 are injured by gun violence at a country-music concert – a public-relations issue for a genre that sees many of its stars outright celebrating the NRA. Then again, these days mainstream country stars don't seem to do all that well when they try to pivot quickly to comment on current events – take Keith Urban's muddled-at-best 2017 single "Female", as but one easy example.

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It's ironic that by injecting a shot of cynicism into this glorified soap opera, Johnson provides the most satisfying explanation yet for the significance of The Force.

Despite J.J. Abrams successfully resuscitating the Star Wars franchise with 2015's Star Wars: The Force Awakens, many fans were still left yearning for something new. It was comforting to see old familiar faces from a galaxy far, far away, but casual fans were unlikely to tolerate another greatest hits collection from a franchise already plagued by compositional overlap (to put it kindly).

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Yeah Yeah Yeahs played a few US shows to support the expanded reissue of their debut Fever to Tell.

Although they played a gig last year for an after-party for a Mick Rock doc, the Yeah Yeah Yeahs hadn't played a proper NYC show in four years before their Kings Theatre gig on November 7th, 2017. It was the last of only a handful of gigs, and the only one on the East coast.

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