Music

Verse-Chorus-Verse: "Lovesong" - The Cure

Artist/producer PC Muñoz mines for gems and grills the greats.

"Lovesong" - The Cure

Lyrics by Robert Smith

Music by Robert Smith, Simon Gallup, Porl Thompson, Roger O'Donnell, and Laurence Tolhurst

From Disintegration, Elektra Records, 1989

An earlier edit of this V-C-V was first published December 6, 2005 on pcmunoz.com

I'm the first to admit that I was quite the funky-come-lately when it comes to The Cure. When they first came to my attention in the early '80s, I was too knee deep in funk and early hip-hop to give them much of an ear, even though I definitely dug Gary Numan, Lene Lovich, and other darkish new-wavey types who were flirting with the funk/dance rhythms of the day.

The Cure's absence from my collection doesn't mean I wasn't aware of why the group was popular, or what Smith was all about. I had heard their more popular songs all over the place, and as a young musician, I made a habit of reading all of the interviews in the music magazines I purchased, whether or not I was a fan of the interviewee. Over the years, I found that I always enjoyed reading interviews with Robert Smith, though I still resisted picking up the albums, for some reason. They became one of those bands whom I respected by default, but never really investigated.

That changed when I heard "Lovesong". The music is credited collectively to the group, and it is not unfamiliar territory for the Cure -- big beat, ringing guitars, catchy keyboard hook, heartfelt vocals, a strong emphasis on rhythm. Lyrically, it might be one of the most effective love songs I've ever heard. Smith's declarative directness here not only trumps the manipulative sugar-talk we encounter much too often in "love" songs, but also renders superfluous any kind of analysis of his true intention. It's all there in the lyric, clear as day:

Whenever I'm alone with you

You make me feel like I am home again

Whenever I'm alone with you

You make me feel like I am whole again

(Chorus)

However far away

I will always love you

However long I stay

I will always love you

Whatever words I say

I will always love you

I will always love you

When Smith sings those last lines of the chorus, there's no question that he means it. There's a magnetic combination of determination, tenderness, wistfulness, and desperation in his vocal, which makes the entire track compelling. It's not suprising that this song has been covered many times -- there are few love songs that possess this kind of direct emotional quotient, minus any sap or syrup. Some may find irony in the fact that these words were penned by someone known for writing brooding, moody songs, but I wasn't surprised at all to hear this lyric from Smith. After all, "Lovesong" is not filled with promises of a trouble-free future, or visions of endless joy. It simply expresses an unconditional, unwavering love, very beautifully.

And the title is perfect.



Music


Books


Film


Television


Recent
Music

The 10 Best Experimental Albums of 2015

Music of all kinds are tending toward a consciously experimental direction. Maybe we’re finally getting through to them.

Books

John Lewis, C.T. Vivian, and Their Fellow Freedom Riders Are Celebrated in 'Breach of Peace'

John Lewis and C.T. Vivian were titans of the Civil Rights struggle, but they are far from alone in fighting for change. Eric Etheridge's masterful then-and-now project, Breach of Peace, tells the stories of many of the Freedom Riders.

Music

Unwed Sailor's Johnathon Ford Discusses Their New Album and 20 Years of Music

Johnathon Ford has overseen Unwed Sailor for more than 20 years. The veteran musician shows no sign of letting up with the latest opus, Look Alive.

Jedd Beaudoin
Music

Jazz Trombonist Nick Finzer Creates a 'Cast of Characters'

Jazz trombonist Nick Finzer shines with his compositions on this mainstream jazz sextet release, Cast of Characters.

Music

Datura4 Travel Blues-Rock Roads on 'West Coast Highway Cosmic'

Australian rockers Datura4 take inspiration from the never-ending coastal landscape of their home country to deliver a well-grounded album between blues, hard rock, and psychedelia.

Books

Murder Is Most Factorial in 'Eighth Detective'

Mathematician Alex Pavesi's debut novel, The Eighth Detective, posits mathematical rules defining 'detective fiction'.

Music

Eyedress Sets Emotions Against Shoegaze Backdrops on 'Let's Skip to the Wedding'

Eyedress' Let's Skip to the Wedding is a jaggedly dreamy assemblage of sounds that's both temporally compact and imaginatively expansive, all wrapped in vintage shoegaze ephemera.

Film

Of Purges and Prescience: On David France's LGBTQ Documentary, 'Welcome to Chechnya'

The ongoing persecution of LGBTQ individuals in Chechnya, or anywhere in the world, should come as no surprise, or "amazement". It's a motif undergirding the history of civil society that certain people will always be identified for extermination.

Television

Padma Lakshmi's 'Taste the Nation' Questions What, Exactly, Is American Food

Can food alone undo centuries of anti-immigrant policies that are ingrained in the fabric of the American nation? Padma Lakshmi's Taste the Nation certainly tries.

Film

Performing Race in James Whale's 'Show Boat'

There's a song performed in James Whale's musical, Show Boat, wherein race is revealed as a set of variegated and contradictory performances, signals to others, a manner of being seen and a manner of remaining hidden, and it isn't "Old Man River".

Music

The Greyboy Allstars Rise Up to Help America Come Together with 'Como De Allstars'

If America could come together as one nation under a groove, Karl Denson & the Greyboy Allstars would be leading candidates of musical unity with their funky new album, Como De Allstars.

Music

The Beatles' 'Help!' Redefined How Personal Popular Music Could Be 55 Years Ago

Help! is the record on which the Beatles really started to investigate just how much they could get away with. The album was released 55 years ago this week, and it's the kick-off to our new "All Things Reconsidered" series.

Music

Porridge Radio's Mercury Prize-Nominated 'Every Bad' Is a Wonderful Epistemological Nightmare

With Every Bad, Porridge Radio seduce us with the vulnerability and existential confusion of Dana Margolin's deathly beautiful lyricism interweaved with alluring pop melodies.

Music

​​Beyoncé's 'Black Is King' Builds Identity From Afrofuturism

Beyoncé's Black Is King's reliance on Afrofuturism recuperates the film from Disney's clutches while reclaiming Black excellence.

Reading Pandemics

Colonial Pandemics and Indigenous Futurism in Louise Erdrich and Gerald Vizenor

From a non-Native perspective, COVID-19 may be experienced as an unexpected and unprecedented catastrophe. Yet from a Native perspective, this current catastrophe links to a longer history that is synonymous with European colonization.

Music

John Fullbright Salutes Leon Russell with "If the Shoe Fits" (premiere + interview)

John Fullbright and other Tulsa musicians decamped to Leon Russell's defunct studio for a four-day session that's a tribute to Dwight Twilley, Hoyt Axton, the Gap Band and more. Hear Fullbright's take on Russell's "If The Shoe Fits".

Reviews
Collapse Expand Reviews

Features
Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.