Music

Two Door Cinema Club Releases Solid Debut with "Tourist History"

There's a youthful embrace for all things synth in Two Door Cinema's Tourist History.

There's a youthful embrace for all things synth coming from musicians barely or not even alive in the '80s. As one who gasped with the crowd as the Cure took the stage without a drum kit and began the set by pushing play to beats on a prerecorded track, I’m enjoying the current offerings by bands such as Passion Pit, Friendly Fires and Two Door Cinema Club. Two Door Cinema Club began three years ago by a trio of boys in Northern Ireland when they were 15 -- do the math and be amazed. Sam Halliday and Alex Trimble actually knew each other in grammar school and began studying music together before meeting Kevin Baird. When a drummer dropped out, they experimented with manufacturing their own drum tracks and decided they liked it that way. Their name comes from a mispronunciation of a local cinema, known as the Tudor Cinema club and their new debut album, Tourist History, refers to the popularity of their hometown of Bangor as well as the band's extended travels with their gain in notoriety. This follows songs on a Kitsune music compilation and an EP produced by the French record label last year. Tourist History is comprised of ten tightly composed songs which bounce along with shout outs, crowd noises and walls of electronic sound.

I discovered "Something Good Can Work" last spring and promptly put it in a prominent spot on my personal playlist. Its unabashed happy-go-lucky feel had me hooked.

Another favorite off the EP, "Do You Want It All", leads off with manufactured high hats, guitar arpeggios and keyboard chords before Trimble's sweet vocals. The next song, "This Is the Life" is a new fun find, cranking up a funky groove into another wash of synths before the vocals come in -- the title becomes the chorus followed by 'woos' most appropriately. "I Can Talk" starts with percussive vocals which explode to a full blown rollicking sound to amp up the energetic approach.

"Eat That Up, It's Good For You" also begins slowly with lyrics like "You would look a little better, you know, if you wore less makeup" as a reminder of the teen viewpoint but all is forgiven by another explosion of sound at the chorus with more cheerful shout outs in the background. Everything dramatically drops out to end with only the hum of a chord.

Tourist History can be previewed until May 5th on kcrw.com and the band will visit the station's "Morning Becomes Eclectic" show on May 4th. It's a live session that I already have marked on my calendar.

Cover down, pray through: Bob Dylan's underrated, misunderstood "gospel years" are meticulously examined in this welcome new installment of his Bootleg series.

"How long can I listen to the lies of prejudice?
How long can I stay drunk on fear out in the wilderness?"
-- Bob Dylan, "When He Returns," 1979

Bob Dylan's career has been full of unpredictable left turns that have left fans confused, enthralled, enraged – sometimes all at once. At the 1965 Newport Folk Festival – accompanied by a pickup band featuring Mike Bloomfield and Al Kooper – he performed his first electric set, upsetting his folk base. His 1970 album Self Portrait is full of jazzy crooning and head-scratching covers. In 1978, his self-directed, four-hour film Renaldo and Clara was released, combining concert footage with surreal, often tedious dramatic scenes. Dylan seemed to thrive on testing the patience of his fans.

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TV

Inane Political Discourse, or, Alan Partridge's Parody Politics

Publicity photo of Steve Coogan courtesy of Sky Consumer Comms

That the political class now finds itself relegated to accidental Alan Partridge territory along the with rest of the twits and twats that comprise English popular culture is meaningful, to say the least.

"I evolve, I don't…revolve."
-- Alan Partridge

Alan Partridge began as a gleeful media parody in the early '90s but thanks to Brexit he has evolved into a political one. In print and online, the hopelessly awkward radio DJ from Norwich, England, is used as an emblem for incompetent leadership and code word for inane political discourse.

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The show is called Crazy Ex-Girlfriend largely because it spends time dismantling the structure that finds it easier to write women off as "crazy" than to offer them help or understanding.

In the latest episode of Crazy Ex-Girlfriend, the CW networks' highly acclaimed musical drama, the shows protagonist, Rebecca Bunch (Rachel Bloom), is at an all time low. Within the course of five episodes she has been left at the altar, cruelly lashed out at her friends, abandoned a promising new relationship, walked out of her job, had her murky mental health history exposed, slept with her ex boyfriend's ill father, and been forced to retreat to her notoriously prickly mother's (Tovah Feldshuh) uncaring guardianship. It's to the show's credit that none of this feels remotely ridiculous or emotionally manipulative.

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To be a migrant worker in America is to relearn the basic skills of living. Imagine doing that in your 60s and 70s, when you thought you'd be retired.


Nomadland: Surviving America in the Twenty-First Century

Publisher: W. W. Norton
Author: Jessica Bruder
Publication date: 2017-09
Amazon

There's been much hand-wringing over the state of the American economy in recent years. After the 2008 financial crisis upended middle-class families, we now live with regular media reports of recovery and growth -- as well as rising inequality and decreased social mobility. We ponder what kind of future we're creating for our children, while generally failing to consider who has already fallen between the gaps.

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Gallagher's work often suffers unfairly beside famous husband's Raymond Carver. The Man from Kinvara should permanently remedy this.

Many years ago—it had to be 1989—my sister and I attended a poetry reading given by Tess Gallagher at California State University, Northridge's Little Playhouse. We were students, new to California and poetry. My sister had a paperback copy of Raymond Carver's Cathedral, which we'd both read with youthful admiration. We knew vaguely that he'd died, but didn't really understand the full force of his fame or talent until we unwittingly went to see his widow read.

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