Rewinding 'Parenthood': "Namaste No More"

There is no big happy ending for this episode.

As advertised last week, Crosby spent the night with Jasmine, but snuck out through her bedroom window in the morning in order to avoid Jabbar. As hard as it is to believe, they were concerned about what their kid would think by seeing his parents in bed together. On another night, Jabbar saw Crosby in the hallway, but he just tried to convince the boy that he was dreaming. After seeing that, Jasmine vowed, “No more fooling around. Period”, but that offended Crosby, who thought they were something more serious. Despite the fact that it’s obvious that he cares more for her than she does for him, he eventually told her how he felt. Jasmine just replied, “Let’s just give it some time” before inviting him to “sleep over”.

Adam and Kristina continued to find some friends for Max, but in reality, they were looking for some friends for themselves as well. They first visited the Lessings, whose son, Noel, seems to be mentally behind Max. When Max wanted to leave, Adam and Kristina, put off by the bicycle-obsessed dad and the nervous mom, didn’t object. Max didn’t seem to be into the whole thing, questioning the reason why he needed to have friends. When Adam made plans to meet up with a family he knew from work, Max said, “You owe me a sticker for this.” This time, Adam and Kristina liked the parents, but their son showed no interest in Max. After they faked an illness to leave, Adam wondered if they were “relegated” to hanging out with the “short bus families”. I found that phrase surprisingly insensitive, but in the end, all of the Bravermans and the Lessings had a good time together.

Haddie and Steve visited the country club restaurant that Amber works at. Trying to befriend them, she gave them free beer at Steve’s suggestion, but warned her cousin about his motives. This led to Haddie and Steve breaking up. Haddie understandably moped around because of it, but Steve moved on quickly, telling Amber sad sack stories about his life. Amber quickly befriended him and the two wound up dancing together at an 80’s themed dance at the country club.

When Sarah needed to use a computer equipped with Photoshop for a class that she is taking, Drew came along with her to a pawnshop. He tried to help her find what she needed, but she became distracted by a pair of cufflinks with the letter Z on them. Noting that they looked exactly like a pair her father had, she took a picture of them and questioned Zeke. Zeke, saying that he lost them at the gym, told her not to tell her mother about it. Sarah went back to the pawnshop and found out that her dad pawned them and other personal possessions. Adam, mildly enraged by the loss of the 1977 baseball autographed by Reggie Jackson, told his sister about Zeke’s financial state. Eventually, all of the Braverman siblings agreed to push Zeke to tell Camille the bad news during a family dinner. Adam even prepared lines for Crosby on a note card, which was criticized as something Dr. Phil would write. During the dinner, Zeke was finally pushed into telling a teary-eyed Camille about his failed investments and how he has been struggling to pay the family home’s mortgage. Strangely, everyone took this news as more unsettling than all the things we have previously seen them deal with. Camille stormed away from the table, while Zeke drove away in his truck.

Earlier on, Camille let Sarah use her computer. At first, she had trouble with the software and somewhat jokingly told her mother that, unlike her, she has no idea what failure is like. Camille found this very offensive, and Sarah had no idea why until after the dinner, when she told her daughter some unsettling news. Stating that “There’s been a lot of lying going on for a lot of years”, Camille admitted that Zeke had an affair with “a woman up north”, but she has been “covering it up for years” for their sake. It was then that Camille seen Sarah’s completed project, a very elaborate collage made out of their family pictures. As I wondered if Zeke’s affair means that we’ll see another Braverman on the show, as Brothers And Sisters did, Zeke arrived at Adam’s front door with a duffel bag full of his belongings.

The only person who got anything close to a happy ending this week was Julia, who became the new coach of her daughter’s soccer team. Though Joel thought her competitive nature would take its toil on the “athletically challenged” team, Julia tried to provide “a great coaching experience that isn’t about winning”. Even learning that the loopy Racquel was, fittingly, the coach of the tie-dyed- wearing rival team didn’t make her change her plan. The team lost 11 to 0, and Racquel offered to switch some players out of pity, but Julia quickly noticed how good Jabbar was at the sport. Julia said, “Namaste”, which is how the episode got its name. Despite Joel’s grimacing, Julia’s personality came back as Jabbar scored the winning goal of the next game.





A Certain Ratio Return with a Message of Hope on 'ACR Loco'

Inspired by 2019's career-spanning box set, legendary Manchester post-punkers A Certain Ratio return with their first new album in 12 years, ACR Loco.


Oscar Hijuelos' 'Mambo Kings Play the Songs of Love' Dances On

Oscar Hijuelos' dizzyingly ambitious foot-tapping family epic, Mambo Kings Play the Songs of Love, opened the door for Latinx writers to tell their stories in all their richness.


PM Picks Playlist 2: Bamboo Smoke, LIA ICES, SOUNDQ

PopMatters Picks Playlist features the electropop of Bamboo Smoke, LIA ICES' stunning dream folk, Polish producer SOUNDQ, the indie pop of Pylon Heights, a timely message from Exit Kid, and Natalie McCool's latest alt-pop banger.


'Lost Girls and Love Hotels' and Finding Comfort in Sadness

William Olsson's Lost Girls and Love Hotels finds optimism in its message that life tears us apart and puts us back together again differently.


Bright Eyes' 'Down in the Weeds' Is a Return to Form and a Statement of Hope

Bright Eyes may not technically be emo, but they are transcendently expressive, beatifically melancholic. Down in the Weeds is just the statement of grounding that we need as a respite from the churning chaos around us.


Audrey Hepburn + Rome = Grace, Class, and Beauty

William Wyler's Roman Holiday crosses the postcard genre with a hardy trope: Old World royalty seeks escape from stuffy, ritual-bound, lives for a fling with the modern world, especially with Americans.


Colombia's Simón Mejía Plugs Into the Natural World on 'Mirla'

Bomba Estéreo founder Simón Mejía electrifies nature for a different kind of jungle music on his debut solo album, Mirla.


The Flaming Lips Reimagine Tom Petty's Life in Oklahoma on 'American Head'

The Flaming Lips' American Head is a trip, a journey to the past that one doesn't want to return to but never wants to forget.


Tim Bowness of No-Man Discusses Thematic Ambition Amongst Social Division

With the release of his seventh solo album, Late Night Laments, Tim Bowness explores global tensions and considers how musicians can best foster mutual understanding in times of social unrest.


Angel Olsen Creates a 'Whole New Mess'

No one would call Angel Olsen's Whole New Mess a pretty album. It's much too stark. But there's something riveting about the way Olsen coos to herself that's soft and comforting.


What 'O Brother, Where Art Thou?' Gets Right (and Wrong) About America

Telling the tale of the cyclops through the lens of high and low culture, in O'Brother, Where Art Thou? the Coens hammer home a fatalistic criticism about the ways that commerce, violence, and cosmetic Christianity prevail in American society .


Masma Dream World Go Global and Trippy on "Sundown Forest" (premiere)

Dancer, healer, musician Devi Mambouka shares the trippy "Sundown Forest", which takes listeners deep into the subconscious and onto a healing path.


Alright Alright's "Don't Worry" Is an Ode for Unity in Troubling Times (premiere)

Alright Alright's "Don't Worry" is a gentle, prayerful tune that depicts the heart of their upcoming album, Crucible.


'What a Fantastic Death Abyss': David Bowie's 'Outside' at 25

David Bowie's Outside signaled the end of him as a slick pop star and his reintroduction as a ragged-edged arty agitator.


Dream Folk's Wolf & Moon Awaken the Senses with "Eyes Closed" (premiere)

Berlin's Wolf & Moon are an indie folk duo with a dream pop streak. "Eyes Closed" highlights this aspect as the act create a deep sense of atmosphere and mood with the most minimal of tools.


Ranking the Seasons of 'The Wire'

Years after its conclusion, The Wire continues to top best-of-TV lists. With each season's unique story arc, each viewer is likely to have favorites.


Paul Reni's Silent Film 'The Man Who Laughs' Is Serious Cinema

There's so much tragedy present, so many skullduggeries afoot, and so many cruel and vindictive characters in attendance that a sad and heartbreaking ending seems to be an obvious given in Paul Reni's silent film, The Man Who Laughs.


The Grahams Tell Their Daughter "Don't Give Your Heart Away" (premiere)

The Grahams' sweet-sounding "Don't Give Your Heart Away" is rooted in struggle, inspired by the couples' complicated journey leading up to their daughter's birth.

Collapse Expand Reviews

Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.