PopMatters is moving to WordPress in December. We will continue to publish on this site as we work on the move. We aim to make it a seamless experience for readers.

Music

'Crazy for You': Best Coast's Peculiar Charm

Bethany Cosentino's guileless lyrics tap into the kid in us.

If Best Coast's Crazy for You was a concept album, the premise would be blissfully simple: a young woman, struggling with the aimlessness of work and home, searches for love in California. The idea is not unlike a younger, humbler, West Coast version of Sex and the City. And, like that renowned television series, Best Coast's debut clicks with a diverse audience, one beyond what may initially appear to be its distinct appeal. I know at least a handful of people whose affinity for Crazy for You is unmitigated by disagreements of gender, lifestyle, or romantic disposition. I am myself among them.

Bethany Cosentino sings about passion and need. She is always the forsaken, never the forsaker, and she is confused but never apathetic. She is your typically carefree girl, hemmed in by the realities of commitment, involvement, and closure. Her favorite rhyme, fittingly, seems to be 'crazy' and 'lazy'--it appears twice on the album, conspicuous in each instance. She sings on "When I'm with You": "The world is lazy / But you and me / We're just crazy". Craziness is essential to her condition. It also comes upon her as a result of love: "You drive me crazy but I love you / You make me lazy but I love you".

The rhyme has a childish quality, as do many of her lines. The two words seem inevitably to fit together; the long vowel, buzzing 'z', and happy, trailing 'y' line up so smartly as to seem synonymous. The words themselves are rudimentary, and their meanings obvious. Such simplicity makes her music feel more innocent and more blithe, and it makes her lyrics more relatable. Anyone can tap into the childish joy of words like "So when I'm with you / I have fun". Despite the adult yearning of songs like "Goodbye", the fundamental impulse which shines through is still to have fun, still to know only the most basic of comforts. She complains, "And nothing makes me happy / Not even TV or a bunch of weed". She wants to talk to her cat, her mom.

She wants a boyfriend, she wants to sit with him and "Watch the sunrise / And gaze into each other's eyes", but what she really wants is to return to the simple pleasures of being a kid. The boy she wants--and he is always a "boy"--is one to love for the sake of loving, to be with for the sake of companionship. He could be anybody. And so could she. Crazy for You rolls out of the stereo so easily for a lot of reasons; there's the catchy, well-crafted melodies, the familiar but somehow rejuvenated fuzz guitar, and Cosentino's strong, clear voice, belting out the songs like a fifth grader in a choir. But above all what makes the album resonate so strongly with its audience is its naivete. For every one of us that spends Saturday afternoons with a joint in front of the TV, there are countless more who talk to our pets and daydream about our latest crushes. We're all listening to Best Coast.

Please Donate to Help Save PopMatters

PopMatters have been informed by our current technology provider that we have until December to move off their service. We are moving to WordPress and a new host, but we really need your help to fund the move and further development.


Music

Books

Film

Recent
Music

Jefferson Starship Soar Again with 'Mother of the Sun'

Rock goddess Cathy Richardson speaks out about honoring the legacy of Paul Kantner, songwriting with Grace Slick for the Jefferson Starship's new album, and rocking the vote to dump Trump.

Books

Black Diamond Queens: African American Women and Rock and Roll (excerpt)

Ikette Claudia Lennear, rumored to be the inspiration for Mick Jagger's "Brown Sugar", often felt disconnect between her identity as an African American woman and her engagement with rock. Enjoy this excerpt of cultural anthropologist Maureen Mahon's Black Diamond Queens, courtesy of Duke University Press.

Maureen Mahon
Music

Ane Brun's 'After the Great Storm' Features Some of Her Best Songs

The irresolution and unease that pervade Ane Brun's After the Great Storm perfectly mirror the anxiety and social isolation that have engulfed this post-pandemic era.

Music

'Long Hot Summers' Is a Lavish, Long-Overdue Boxed Set from the Style Council

Paul Weller's misunderstood, underappreciated '80s soul-pop outfit the Style Council are the subject of a multi-disc collection that's perfect for the uninitiated and a great nostalgia trip for those who heard it all the first time.

Music

ABBA's 'Super Trouper' at 40

ABBA's winning – if slightly uneven – seventh album Super Trouper is reissued on 45rpm vinyl for its birthday.

Music

The Mountain Goats Find New Sonic Inspiration on 'Getting Into Knives'

John Darnielle explores new sounds on his 19th studio album as the Mountain Goats—and creates his best record in years with Getting Into Knives.

Music

The 100 Best Albums of the 2000s: 60-41

PopMatters' coverage of the 2000s' best recordings continues with selections spanning Swedish progressive metal to minimalist electrosoul.

Books

Is Carl Neville's 'Eminent Domain' Worth the Effort?

In Carl Neville's latest novel, Eminent Domain, he creates complexities and then shatters them into tiny narrative bits arrayed along a non-linear timeline.

Film

Horrors in the Closet: Horrifying Heteronormative Scapegoating

The artificial connection between homosexuality and communism created the popular myth of evil and undetectable gay subversives living inside 1950s American society. Film both reflected and refracted the homophobia.

Music

Johnny Nash Refused to Remember His Place

Johnny Nash, part rock era crooner, part Motown, and part reggae, was too polite for the more militant wing of the Civil Rights movement, but he also suffered at the hands of a racist music industry that wouldn't market him as a Black heartthrob. Through it all he was himself, as he continuously refused to "remember his place".

Music

John Hollenbeck Completes a Trilogy with 'Songs You Like a Lot'

The third (and final?) collaboration between a brilliant jazz composer/arranger, the Frankfurt Radio Big Band, vocalists Kate McGarry and Theo Bleckman, and the post-1950 American pop song. So great that it shivers with joy.

Music

The Return of the Rentals After Six Years Away

The Rentals release a space-themed album, Q36, with one absolute gem of a song.

Music

Matthew Murphy's Post-Wombats Project Sounds a Lot Like the Wombats (And It's a Good Thing)

While UK anxiety-pop auteurs the Wombats are currently hibernating, frontman Matthew "Murph" Murphy goes it alone with a new band, a mess of deprecating new earworms, and revived energy.

Music

The 100 Best Albums of the 2000s: 80-61

In this next segment of PopMatters' look back on the music of the 2000s, we examine works by British electronic pioneers, Americana legends, and Armenian metal provocateurs.

Music

In the Tempest's Eye: An Interview with Surfer Blood

Surfer Blood's 2010 debut put them on the map, but their critical sizzle soon faded. After a 2017 comeback of sorts, the group's new record finds them expanding their sonic by revisiting their hometown with a surprising degree of reverence.

Music

Artemis Is the Latest Jazz Supergroup

A Blue Note supergroup happens to be made up of women, exclusively. Artemis is an inconsistent outing, but it dazzles just often enough.

Books

Horrors in the Closet: A Closet Full of Monsters

A closet full of monsters is a scary place where "straight people" can safely negotiate and articulate their fascination and/or dread of "difference" in sexuality.

Music

'Wildflowers & All the Rest' Is Tom Petty's Masterpiece

Wildflowers is a masterpiece because Tom Petty was a good enough songwriter by that point to communicate exactly what was on his mind in the most devastating way possible.


Reviews
Collapse Expand Reviews



Features
Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.