Music

Foals: iTunes Festival London 2010 EP

Foals successfully translate their complex indie rock into a live setting on this EP.


Foals

iTunes Festival London 2010 EP

Label: iTunes
UK Release Date: 2010-07-12
Artist Myspace
Artist website
Amazon
iTunes

UK outfit Foals made quite a splash in the blogosphere with their 2008 debut, Antidotes, an album of spastic, rhythm-centric indie rock that gained them more than a few comparisons to similarly minded bands like Bloc Party and Klaxons. Now, having just released their follow-up LP, Total Life Forever, the band is making waves with a sound all their own. These new songs display the band’s dancepunk roots, but Foals have learned how to let their songs breathe. On Total Life Forever, singer/guitarist Yannis Philippakis now sings more often than he shouts, and the band uses their consistently impressive technical chops to create dizzying, multi-faceted anthems.

Call this iTunes Festival EP a victory lap well deserved, then. The EP offers up six live tracks from a recent set in London, culled evenly from Antidotes and Total Life Forever. The latter album’s complex rhythms and song structures had many fans wondering how the band would properly translate this new work into a live setting. The answer, it turns out: quite well. “Total Life Forever” and “Miami” lose some of the intricacies in their guitar work that the studio’s sheen brings to the album versions, but these live recordings replace that crispness with boundless energy and muscle. These songs sound big. “Alabaster", a quieter number, suffers in comparison, its breathy vocals proving difficult for Philippakis to replicate out in the open air.

Antidotes highlights “Balloons” and “Two Steps Twice” hold up extremely well next to the new material, their driving beats and layered hooks both easy reminders of what made people excited about this band in the first place. The EP’s real high point, though, is an extended cut of “Electric Bloom”. Always Antidotes’s best song, Foals pump it to twice its size here, filling it with a kicking-and-screaming force that has drummer Jack Bevan absolutely annihilating his kit. The EP’s a good starting point for people looking to jump on board Foals’s increasingly crowded bandwagon, and it should more than satisfy longtime fans, in the process.

7

So far J. J. Abrams and Rian Johnson resemble children at play, remaking the films they fell in love with. As an audience, however, we desire a fuller experience.

As recently as the lackluster episodes I-III of the Star Wars saga, the embossed gold logo followed by scrolling prologue text was cause for excitement. In the approach to the release of any of the then new prequel installments, the Twentieth Century Fox fanfare, followed by the Lucas Film logo, teased one's impulsive excitement at a glimpse into the next installment's narrative. Then sat in the movie theatre on the anticipated day of release, the sight and sound of the Twentieth Century Fox fanfare signalled the end of fevered anticipation. Whatever happened to those times? For some of us, is it a product of youth in which age now denies us the ability to lose ourselves within such adolescent pleasure? There's no answer to this question -- only the realisation that this sensation is missing and it has been since the summer of 2005. Star Wars is now a movie to tick off your to-watch list, no longer a spark in the dreary reality of the everyday. The magic has disappeared… Star Wars is spiritually dead.

Keep reading... Show less
6

This has been a remarkable year for shoegaze. If it were only for the re-raising of two central pillars of the initial scene it would still have been enough, but that wasn't even the half of it.

It hardly needs to be said that the last 12 months haven't been everyone's favorite, but it does deserve to be noted that 2017 has been a remarkable year for shoegaze. If it were only for the re-raising of two central pillars of the initial scene it would still have been enough, but that wasn't even the half of it. Other longtime dreamers either reappeared or kept up their recent hot streaks, and a number of relative newcomers established their place in what has become one of the more robust rock subgenre subcultures out there.

Keep reading... Show less
Theatre

​'The Ferryman': Ephemeral Ideas, Eternal Tragedies

The current cast of The Ferryman in London's West End. Photo by Johan Persson. (Courtesy of The Corner Shop)

Staggeringly multi-layered, dangerously fast-paced and rich in characterizations, dialogue and context, Jez Butterworth's new hit about a family during the time of Ireland's the Troubles leaves the audience breathless, sweaty and tearful, in a nightmarish, dry-heaving haze.

"Vanishing. It's a powerful word, that"

Northern Ireland, Rural Derry, 1981, nighttime. The local ringleader of the Irish Republican Army gun-toting comrades ambushes a priest and tells him that the body of one Seamus Carney has been recovered. It is said that the man had spent a full ten years rotting in a bog. The IRA gunslinger, Muldoon, orders the priest to arrange for the Carney family not to utter a word of what had happened to the wretched man.

Keep reading... Show less
10

Aaron Sorkin's real-life twister about Molly Bloom, an Olympic skier turned high-stakes poker wrangler, is scorchingly fun but never takes its heroine as seriously as the men.

Chances are, we will never see a heartwarming Aaron Sorkin movie about somebody with a learning disability or severe handicap they had to overcome. This is for the best. The most caffeinated major American screenwriter, Sorkin only seems to find his voice when inhabiting a frantically energetic persona whose thoughts outrun their ability to verbalize and emote them. The start of his latest movie, Molly's Game, is so resolutely Sorkin-esque that it's almost a self-parody. Only this time, like most of his better work, it's based on a true story.

Keep reading... Show less
7

There's something characteristically English about the Royal Society, whereby strangers gather under the aegis of some shared interest to read, study, and form friendships and in which they are implicitly agreed to exist insulated and apart from political differences.

There is an amusing detail in The Curious World of Samuel Pepys and John Evelyn that is emblematic of the kind of intellectual passions that animated the educated elite of late 17th-century England. We learn that Henry Oldenburg, the first secretary of the Royal Society, had for many years carried on a bitter dispute with Robert Hooke, one of the great polymaths of the era whose name still appears to students of physics and biology. Was the root of their quarrel a personality clash, was it over money or property, over love, ego, values? Something simple and recognizable? The precise source of their conflict was none of the above exactly but is nevertheless revealing of a specific early modern English context: They were in dispute, Margaret Willes writes, "over the development of the balance-spring regulator watch mechanism."

Keep reading... Show less
8
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image