Music

Walking with Foreign Slippers

Swedish singer-songwriter project Foreign Slippers casts a singularly bewitching spell. Let's hope another salvo comes our way soon.

“Life is like a box of chocolates, you never know what you're gonna get”. Wise words, and ones that spring to mind when I think of receiving parcels of review discs in the post. Since I've been reviewing records, I've grown accustomed--almost addicted--to the kind of anticipation these packages bring when they drop through the letterbox. It's rarely the case that there's something specific I've asked to hear, so that doesn't explain it. No, more often than not, I choose to be given random selections, each cache bringing with it a slim but ever-present possibility that something special might come my way. Occasionally “special” means something I hear which, while never going to set the world aflame, I immediately forge a strong personal attachment to, not just in terms of liking a record, but also somehow beginning to feel almost connected to it. In September 2008, Foreign Slippers' debut EP Oh Death was one such example.

Everything drew me in, from the fascinatingly odd name Swedish singer-songwriter Gabrielle Frödén chose for her project to the crisp, frail and perplexing cover art. These factors, added to the mystique of not having a clue as to the music's sound, intensified my hunch that there was something exciting to be heard here. My hunch was confirmed, of course, and however positive my review, sometimes you get an urge to spread the word further. If this post has an aim, that is simply it -- to once more unreservedly recommend the bewitching spell of Foreign Slippers, of Oh Death and It All Starts Now, Frödén's almost-as-wonderful free sequel EP from last year.

It was Frödén's voice to struck me first -- the very antithesis of a blunt instrument, it is delicate but incredibly purposeful, like the vocal equivalent of a surgical scalpel. It is the taut, emotional nature of the songs, delivered with this wonderful voice, which gives Foreign Slippers' songs their incredible sense of tension; Frödén is a tightrope walker, her songs are a fine wire she traverses; even the gentle waltz of “Don't Go” from Oh Death is turned into an almost agonising experience.

Similarly agonising is the state I find myself in now; the It All Starts Now EP is old news, and the Foreign Slippers MySpace lies dormant. We've all experienced this lull, and the uncertainty it brings: either things will continue this way, the project will fall by the wayside, or one day it will explode back into life. Maybe a new EP, or better still, a full-length album, the one I've been awaiting since my first listen of the bewitching chorus to “Packed the Car”. Either way, if you've yet to be spellbound by Foreign Slippers, there is no time like now.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

Keep reading... Show less

Pauline Black may be called the Queen of Ska by some, but she insists she's not the only one, as Two-Tone legends the Selecter celebrate another stellar album in a career full of them.

Being commonly hailed as the "Queen" of a genre of music is no mean feat, but for Pauline Black, singer/songwriter of Two-Tone legends the Selecter and universally recognised "Queen of Ska", it is something she seems to take in her stride. "People can call you whatever they like," she tells PopMatters, "so I suppose it's better that they call you something really good!"

Keep reading... Show less

Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.

It's a common enough gambit in science fiction. Humans come across a race of aliens that appear to be entirely alike and yet one group of said aliens subordinates the other, visiting violence upon their persons, denigrating them openly and without social or legal consequence, humiliating them at every turn. The humans inquire why certain of the aliens are subjected to such degradation when there are no discernible differences among the entire race of aliens, at least from the human point of view. The aliens then explain that the subordinated group all share some minor trait (say the left nostril is oh-so-slightly larger than the right while the "superior" group all have slightly enlarged right nostrils)—something thatm from the human vantage pointm is utterly ridiculous. This minor difference not only explains but, for the alien understanding, justifies the inequitable treatment, even the enslavement of the subordinate group. And there you have the quandary of Otherness in a nutshell.

Keep reading... Show less
3

A 1996 classic, Shawn Colvin's album of mature pop is also one of best break-up albums, comparable lyrically and musically to Joni Mitchell's Hejira and Bob Dylan's Blood on the Tracks.

When pop-folksinger Shawn Colvin released A Few Small Repairs in 1996, the music world was ripe for an album of sharp, catchy songs by a female singer-songwriter. Lilith Fair, the tour for women in the music, would gross $16 million in 1997. Colvin would be a main stage artist in all three years of the tour, playing alongside Liz Phair, Suzanne Vega, Sheryl Crow, Sarah McLachlan, Meshell Ndegeocello, Joan Osborne, Lisa Loeb, Erykah Badu, and many others. Strong female artists were not only making great music (when were they not?) but also having bold success. Alanis Morissette's Jagged Little Pill preceded Colvin's fourth recording by just 16 months.

Keep reading... Show less
9

Frank Miller locates our tragedy and warps it into his own brutal beauty.

In terms of continuity, the so-called promotion of this entry as Miller's “third" in the series is deceptively cryptic. Miller's mid-'80s limited series The Dark Knight Returns (or DKR) is a “Top 5 All-Time" graphic novel, if not easily “Top 3". His intertextual and metatextual themes resonated then as they do now, a reason this source material was “go to" for Christopher Nolan when he resurrected the franchise for Warner Bros. in the mid-00s. The sheer iconicity of DKR posits a seminal work in the artist's canon, which shares company with the likes of Sin City, 300, and an influential run on Daredevil, to name a few.

Keep reading... Show less
8
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image