Like Working for a Nuclear Free City, Motorifik is interested playing with space and texture in their tunes, evoking a certain pastoral sensibility, as well as an obvious nod to their shoegazing forebearers
Phil Kay is a busy man... his main project, Working for a Nuclear Free City, has a new album releasing 12 October and he has this intriguing side musical partnership with French songwriter Idrisse Khelifi under the Motorifik moniker. Like Working for a Nuclear Free City, Motorifik is interested playing with space and texture in their tunes, evoking a certain pastoral sensibility, as well as an obvious nod to their shoegazing forebearers. The idea with this group was to be a bit less experimental than WFANFC and a bit more rooted in a pure pop aestethic. Motorifik's Secret Things releases 9 November via Modern Language Recordings and we have the premiere today of the title track as well as Kay discussing the song in his own words.
Phil Kay: "Recorded 2007, from an early demo recording made by Idrisse Khelifi. Obvious Phil Spector references happened accidentally, at the time I was recording in a massive echo-ey dining room, with gives this kind of sound. The beat was probably more of an effort to create something like Jesus and Mary Chain than anything else. But when this was put against my very layered style of recording present on most things i do, it started to sound very 'wall of sound'. Ed from Working For A Nuclear Free City played bass on this track. Contains a sample of the bass guitar crashing on the wooden floor of the living room -- sounded good so we used it as a kind of explosion sound through out the track. Initially had a long intro but in the interests of pop sensibilities was cut down."