Books

Lost and Found in Russia: Lives in the Post-Soviet Landscape

Susan Richards

This is the story of a nation going through a nervous breakdown, pulling through, but paying the price. It's about a people lost and found, about their search for meaning.

Excerpted from the Preface and Chapter One of Lost and Found in Russia: Lives in a Post-Soviet Landscape by Susan Richards. Copyright © 2009 Susan Richards. Reprinted with permission of Other Press. First published in the United States December 2010. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Preface

This book grew out of my visits to a small, apparently unremarkable town. It begins when Russians were in shock, after the fall of communism. It ends when the country, flush with petro-dollars and resurgent pride, is succumbing to global recession. It is the story of a nation going through a nervous breakdown, pulling through, but paying the price. It is about a people lost and found, about their search for meaning.

The vast stage of provincial Russia where the book is set barely connects to the world of Moscow and Petersburg. Its strangeness offers an explanation as to why we in the West are often baffled by Russia.

The friends I made in that small provincial town are the back-bone of this book. For better and worse, their lives mirror Russia’s fortunes in its transition from chaos to order. I have tried to capture their experience. But I have come to accept that it is in the nature of the relationship between our cultures that they will think I have failed.

Anna, the tomboy, was born on the same date as me. On the surface we do not appear to have much in common, though in some obscure way we recognized that our lives are connected. Once, my friendship may have offered her support, but now things have changed so much that it runs the risk of damaging her. When we met, she was ready to sacrifice her life to build a free and democratic Russia. Today, she has found refuge in Russia’s resurgent Church.

Book: Lost and Found in Russia: Lives in the Post-Soviet Landscape

Author: Susan Richards

Publisher: Other Press

Publication date: 2010-12

Format: Paperback

Length: 320 pages

Price: $15.95

Affiliate: http://www.otherpress.com/ (Other Press)

Image: http://images.popmatters.com/news_art/l/lfinrussia-cvr.jpgCurly-haired, irrepressible Natasha was endowed at birth with privilege and talent. Following her rainbow had led her to that obscure country town. To the locals, she and her dashing husband, Igor, seemed every bit as exotic as I did, as a foreigner. Our otherness made us objects of suspicion.

The pale beauty Tatiana, with her innate wisdom, was the peacemaker in the volatile group. Back then, her husband, Misha, was one of millions of ants struggling to make the chaos work for them, fetching and carrying, dodging the heel of the law. Now, he is Mikhail Ivanovich, an important manufacturer. He and Tatiana may take their holidays in Provence, but when I look into Tatiana’s gray eyes I am afraid for her.

Hope brought us together. The year was 1992, and the euphoria of the Gorbachev period had evaporated. The story behind our hopefulness goes back two centuries, to when Catherine the Great became empress of Russia. A German princess, she dreamed of building an island of European values on the wild eastern frontier of her empire. Her people posted advertisements in Germany, promising fertile land, housing, and livestock to anyone who was prepared to settle there. Thousands responded. For a year they traveled east, then sailed down the Volga River. When they arrived they found nothing to match the promises. They were left in the wild steppe, a prey to vengeful Tartar horsemen.

Russian history seems to move in circles. Fast forward two centuries, to 1988 and the final days of communism. Again a Russian government was promising the descendants of those original German settlers that they could settle the same piece of land—since when the Nazis invaded the Soviet Union the entire community was deported, lest they collaborate. After the war, for decades they lived in exile in remote parts of Siberia and central Asia, accused of a crime they did not commit. Finally, almost fifty years later, Gorbachev’s government agreed to give them back their original homeland, by way of making amends. What is more, the German government was offering the homeland money, in the hope that this might deter Russia’s Germans from moving back to Germany, as was their right.

This was what attracted Natasha and Igor to move there from the Caucasus, Catherine the Great’s original dream of building an island of European values on the steppe, with German investment. It drew me there, too. We were all desperate for reasons to be hopeful. Even if the rest of Russia was paralyzed, I longed to find one small piece of countryside where people would be busy building the microcosm of a Russia worth living in.

But instead of a buzz of activity, I found a place embalmed in sullen silence. What had happened? No one would tell me. In fact, hardly anyone would talk to me at all; and yet it was that wall of silence that drew me back there over several years. It seemed to me that if I could understand, really understand, what was going on in the fog of confusion hanging over one small place, the larger picture of Russia in that confused time might become more comprehensible.

From there, I slipped through a crack in the wardrobe, into another Russia.

On the borders of early maps you sometimes find blank places where the mapmaker’s information peters out. Sometimes these are decked out with pictures of dragons and fabulous monsters, the creatures of travelers’ tales. That was where I was traveling during Russia’s lost years, way off the map of my known world. In the course of my journeys, President Boris Yeltsin sank deeper into a stupor, the oligarchs squabbled over Russia’s wealth, miners went unpaid, and teachers fainted from hunger in front of their pupils.

The agony of transition was throwing up strange manifestations that defied my plodding, Western rationality. While I could not share these collective visions of shining beings and visitors from distant planets, nor could I dismiss them—too many people were seeing them, and their roots in the culture ran too deep. It took me a long time to accept that perhaps I had just ventured into a place where reality was different.

In these places off the map of my world I met another face of Russia, too, one where time had almost stopped, under the carapace of communism. There, choreographers, KGB colonels, and other urban refugees were happily building their New Jerusalem in Siberia, as sectarians have done for centuries.

But it was deep in the forest that I found myself face-to-face with the heart of whatever it is that makes the Russian people different. I found it hundreds of miles from the nearest road or railway, in a community vigorously pursuing the dream of a Russia which had never opened up to the West.

Older still was the tradition of paganism which, having survived ten centuries of persecution, had bubbled to the surface in parts of the countryside in that in-between time. There, I met the witch of Russia’s fairy tales, who was busy healing victims of the upheaval.

The hardest parts of this journey began when I tried to write about my experiences. That brought me up against the limits of my own language. How wise Wittgenstein was when he concluded that there were some things about which we should stay silent. But having once embarked on this book, I did not have that luxury.

I have never managed to reconcile the reality of my world with that of this other Russia. But now, I would not want to.

From the start of my journey, there were hints of stranger things to come.

Author’s note: I have changed the names of one regional business and some regional newspapers to protect the privacy of my characters.

Next Page

Music

Books

Film

Recent
Film

The Dance of Male Forms in Denis' 'Beau travail'

Claire Denis' masterwork of cinematic poetry, Beau travail, is a cinematic ballet that tracks through tone and style the sublimation of violent masculine complexes into the silent convulsions of male angst.

Music

The Cradle's 'Laughing in My Sleep' Is an Off-kilter Reflection of Musical Curiosity

The Cradle's Paco Cathcart has curated a thoughtfully multifarious album. Laughing in My Sleep is an impressive collection of 21 tracks, each unapologetic in their rejection of expectations.

Music

Tobin Sprout Goes Americana on 'Empty Horses'

During the heyday of Guided By Voices, Tobin Sprout wasn't afraid to be absurd amongst all that fuzz. Sprout's new album, Empty Horses, is not the Tobin Sprout we know.

Film

'All In: The Fight for Democracy' Spotlights America's Current Voting Restrictions as Jim Crow 2.0

Featuring an ebullient and combative Stacey Abrams, All In: The Fight for Democracy shows just how determined anti-democratic forces are to ensure that certain groups don't get access to the voting booth.

Music

'Transgender Street Legend Vol. 2' Finds Left at London "At My Peak and Still Rising"

"[Pandemic lockdown] has been a detriment to many people's mental health," notes Nat Puff (aka Left at London) around her incendiary, politically-charged new album, "but goddamn it if I haven't been making some bops here and there!"

Music

Daniel Romano's 'How Ill Thy World Is Ordered' Is His Ninth LP of 2020 and It's Glorious

No, this is isn't a typo. Daniel Romano's How Ill Thy World Is Ordered is his ninth full-length release of 2020, and it's a genre-busting thrill ride.

Music

The Masonic Travelers Offer Stirring Rendition of "Rock My Soul" (premiere)

The Last Shall Be First: the JCR Records Story, Volume 1 captures the sacred soul of Memphis in the 1970s and features a wide range of largely forgotten artists waiting to be rediscovered. Hear the Masonic Travelers "Rock My Soul".

Music

GLVES Creates Mesmerizing Dark Folktronica on "Heal Me"

Australian First Nations singer-songwriter GLVES creates dense, deep, and darkish electropop that mesmerizes with its blend of electronics and native sounds on "Heal Me".

Music

Otis Junior and Dr. Dundiff Tells Us "When It's Sweet" It's So Sweet

Neo-soul singer Otis Junior teams with fellow Kentuckian Dr. Dundiff and his hip-hop beats for the silky, groovy "When It's Sweet".

Music

Lars and the Magic Mountain's "Invincible" Is a Shoegazey, Dreamy Delight (premiere)

Dutch space pop/psychedelic band Lars and the Magic Mountain share the dreamy and gorgeous "Invincible".

Film

What 'O Brother, Where Art Thou?' Gets Right (and Wrong) About America

Telling the tale of the cyclops through the lens of high and low culture, in O'Brother, Where Art Thou? the Coens hammer home a fatalistic criticism about the ways that commerce, violence, and cosmetic Christianity prevail in American society .

Music

Alexander Wren's "The Earth Is Flat" Wryly Looks at Lost Love (premiere + interview)

Singer-songwriter Alexander Wren's "The Earth Is Flat" is a less a flat-earther's anthem and more a wry examination of heartache.

Music

Big Little Lions' "Distant Air" Is a Powerful Folk-Anthem (premiere)

Folk-pop's Big Little Lions create a powerful anthem with "Distant Air", a song full of sophisticated pop hooks, smart dynamics, and killer choruses.

Music

The Flat Five Invite You to "Look at the Birdy" (premiere)

Chicago's the Flat Five deliver an exciting new single that exemplifies what some have called "twisted sunshine vocal pop".

Music

Brian Bromberg Pays Tribute to Hendrix With "Jimi" (premiere + interview)

Bass giant Brian Bromberg revisits his 2012 tribute to Jimi Hendrix 50 years after his passing, and reflects on the impact Hendrix's music has had on generations.

Jedd Beaudoin
Music

Shirley Collins' ​'Heart's Ease'​ Affirms Her Musical Prowess

Shirley Collins' Heart's Ease makes it apparent these songs do not belong to her as they are ownerless. Collins is the conveyor of their power while ensuring the music maintains cultural importance.

Books

Ignorance, Fear, and Democracy in America

Anti-intellectualism in America is, sadly, older than the nation itself. A new collection of Richard Hofstadter's work from Library of America traces the history of ideas and cultural currents in American society and politics.

By the Book

Democratizing Our Data: A Manifesto (excerpt)

Just as big tech leads world in data for profit, the US government can produce data for the public good, sans the bureaucracy. This excerpt of Julia Lane's Democratizing Our Data: A Manifesto will whet your appetite for disruptive change in data management, which is critical for democracy's survival.

Julia Lane

Reviews
Collapse Expand Reviews



Features
Collapse Expand Features

PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.