Games

Catching up with 'Dragon Age' DLC

Before the release of Dragon Age II, Rick Dakan reacquaints himself with the full spectrum of Dragon Age DLC -- resulting in a mixed response to the potential represented by them.

Only two weeks! Only two weeks until a new Bioware RPG comes out, and I can sink dozens of hours into another sprawling, epic narrative and then do it again for another dozens of hours so I can see what I missed the first time through. These are the games that I game for and even did the usually unthinkable for me: I pre-ordered the limited, special, fanboy edition of Dragon Age II. Despite it's somewhat clunky combat and less than stunning animations, I loved the first Dragon Age, playing through the whole main game twice, including the massive Dragon Age: Awakenings mega-DLC pack both times. I'd also devoured the earlier small DLC additions, most of which added content to the core game. But then came Mass Effect 2 and other, alarmingly non-Bioware made games, and I lost track of my old friend.

But with just a month to go before new, Dragon-sequel goodness, I thought that I'd catch up on what I've missed since I last slipped that disk into my Xbox. I wanted to both reacquaint myself with the game and its story and stoke the fires of my own anticipation for the coming glories. And so I played them all, and now, depending on what your own preferences are, you don't have to. In some cases, that's my recommendation exactly.

In almost alphabetical order (because that's how they show up in my New Game menu), here are some thoughts on the DLC that you might have missed for Dragon Age: Origins:

Darkspawn Chronicles

This is the worst of the bunch. It promises to let you play as a Darkspawn, which seems cool enough. After playing through Awakenings, which introduced talking, complex Darkspawn characters like The Architect, I figured this would be an actual story. It is not. It is just one giant battle -- specifically the final battle from the core game, but played from the bad guys' perspective. There's no story at all, just a long series of fights strung together as you recruit your squad of monsters and cut your way through computer controlled versions of all the characters that you played as a good guy. It's kind of fun to control a giant ogre -- but only kind of. Combat is not Dragon Age's forte and constantly getting new characters with unfamiliar special moves just slows things down. Blech.

Leilani's Song

Now I know why Bioware chose to follow the Mass Effect model with their new game and have a named player character with a voice actor. Giving voice to your character in the dialogue scenes really is much, much more engaging. Here you play Leilani, the god fearing bard from the core game. If you never did her side quest (which I didn't my first playthrough), you probably had no idea that she used to be a thief and a spy. This game flashes back to those heady days of yore and reveals how she became the repentent songstress of the core game. It's fine as far as it goes, but the ending is weak.

The Golem of Amgarrak

A dwarf writes your character from the main game a letter and off you go on a grand adventure through abandoned Dwarven caves. It's the hardest of the bunch and works fine as a dungeon crawl that adds some more contextual information about dwarves and golems in the game's universe. Since I wasn't ever much interested in either of those things in the core game, this didn't do much for me. Plus, I played it last and was suffering from some serious Dragon Age fatigue.

Witch Hunt

This was the one that I wanted to play most. I liked the character of Morrigan from the core game, and I was especially intrigued with the open ended way that her story ended (I won't spoil it here). This adventure lets you bring in your character from the core game as you search for the absconded witch. Unfortunately, despite the core game's statement that Morrigan disappeared into far off lands, all the environments that you'll travel through are familiar. And if you do find her (spoiler: you will), the occasion doesn't amount to much and closes with a moment so cryptic and unsatisfying that I thought that the game had crashed.

Really, one of the problems with all of these packs is that they mostly re-use locations from the core game. That can be interesting, and sometimes is, but it also means none of it feels particularly fresh. Some of it feels pretty lazy. I liked revisiting the Mage's Circle tower in Witch Hunt because this time it wasn't overrun with monsters, which was different. But in Leilani's Song you break into a location that is clearly just chosen because they already had it, not because it made much sense.

Looking back over my last week of Dragon Age DLC, I honestly can't recommend any of it with much enthusiasm. Leilani's Song is the best of the bunch, but I think that I liked that character more than most people that I've talked to. And yet, I'm still excited for the new game, maybe even more so. I think that probably makes me a fanboy, doesn't it? Well, what do you know! Dragon Age rulz!!!11!!1! Just not the DLC . . .



Music


Books


Film


Television


Recent
Film

Greta Gerwig's Adaptation of Loneliness in Louisa May Alcott's 'Little Women'

Greta Gerwig's film adaptation of Louisa May Alcott's classic novel Little Women strays from the dominating theme of existential loneliness.

Music

The Band's Discontented Third LP, 1970's 'Stage Fright', Represented a World Braving Calamity

Released 50 years ago this month, the Band's Stage Fright remains a marker of cultural unrest not yet remedied.

Music

Natalie Schlabs Starts Living the Lifetime Dream With "That Early Love" (premiere + interview)

Unleashing the power of love with a new single and music video premiere, Natalie Schlabs is hoping to spread the word while letting her striking voice be heard ahead of Don't Look Too Close, the full-length album she will release in October.

Music

Rufus Wainwright Makes a Welcome Return to Pop with 'Unfollow the Rules'

Rufus Wainwright has done Judy Garland, Shakespeare, and opera, so now it's time for Rufus to rediscover Rufus on Unfollow the Rules.

Music

Jazz's Denny Zeitlin and Trio Get Adventurous on 'Live at Mezzrow'

West Coast pianist Denny Zeitlin creates a classic and adventurous live set with his long-standing trio featuring Buster Williams and Matt Wilson on Live at Mezzrow.

Film

The Inescapable Violence in Netflix's I'm No Longer Here (Ya no estoy aqui)

Fernando Frías de la Parra's I'm No Longer Here (Ya no estoy aqui) is part of a growing body of Latin American social realist films that show how creativity can serve a means of survival in tough circumstances.

Music

Arlo McKinley's Confessional Country/Folk Is Superb on 'Die Midwestern'

Country/folk singer-songwriter Arlo McKinley's debut Die Midwestern marries painful honesty with solid melodies and strong arrangements.

Music

Viserra Combine Guitar Heroics and Female Vocals on 'Siren Star'

If you ever thought 2000s hard rock needed more guitar leads and solos, Viserra have you covered with Siren Star.

Music

Ryan Hamilton & The Harlequin Ghosts Honor Their Favorite Songs With "Oh No" (premiere)

Ryan Hamilton's "Oh No" features guest vocals from Kay Hanley of Letters to Cleo, and appears on Nowhere to Go But Everywhere out 18 September.

Music

Songwriter Shelly Peiken Revisits "Bitch" for '2.0' Album (premiere)

A monster hit for Meredith Brooks in the late 1990s, "Bitch" gets a new lease on life from its co-creator, Shelly Peiken. "It's a bit moodier than the original but it touts the same universal message," she says.

Music

Leila Sunier Delivers Stunning Preface to New EP via "Sober/Without" (premiere)

With influences ranging from Angel Olsen to Joni Mitchell and Perfume Genius, Leila Sunier demonstrates her compositional prowess on the new single, "Sober/Without".

Music

Speed the Plough Members Team with Mayssa Jallad for "Rush Hour" (premiere)

Caught in a pandemic, Speed the Plough's Baumgartners turned to a faraway musical friend for a collaboration on "Rush Hour" that speaks to the strife and circumstance of our time.

Music

Great Peacock Stares Down Mortality With "High Wind" (premiere + interview)

Southern rock's Great Peacock offer up a tune that vocalist Andrew Nelson says encompasses their upcoming LP's themes. "You are going to die one day. You can't stop the negative things life throws at you from happening. But, you can make the most of it."

Music

The 80 Best Albums of 2015

Travel back five years ago when the release calendar was rife with stellar albums. 2015 offered such an embarrassment of musical riches, that we selected 80 albums as best of the year.

Film

Buridan's Ass and the Problem of Free Will in John Sturges' 'The Great Escape'

Escape in John Sturge's The Great Escape is a tactical mission, a way to remain in the war despite having been taken out of it. Free Will is complicated.

Books

The Redemption of Elton John's 'Blue Moves'

Once reviled as bloated and pretentious, Elton John's 1976 album Blue Moves, is one of his masterpieces, argues author Matthew Restall in the latest installment of the 33 1/3 series.

Music

Whitney Take a Master Class on 'Candid'

Although covers albums are usually signs of trouble, Whitney's Candid is a surprisingly inspired release, with a song selection that's eclectic and often obscure.

Music

King Buzzo Continues His Reign with 'Gift of Sacrifice'

King Buzzo's collaboration with Mr. Bungle/Fantômas bassist Trevor Dunn expands the sound of Buzz Osborne's solo oeuvre on Gift of Sacrifice.

Reviews
Collapse Expand Reviews

Features
Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.