Nine new soundtracks to discuss, including combo collections from No Strings Attached, Beastly, and The Lincoln Lawyer...
When you consider the inherent novelty of releasing soundtracks in 2011, in a media world inundated with options and audio alternatives, doubling up on the strategy seems almost surreal. After all, are there really aficionados out their clamoring for both the wordless score and the selection of pop/rock songs that make up the average movie's mixtape? It's an intriguing question, one made even more interesting by the selections presented in this fifth week of our continuing Surround Sound overview. Setting a record of sorts, we are going to delve into nine different offerings, three of which represent the very sonic yin and yang we were referencing a moment ago. Clearly, in at least one case, the desire is to tap into a teen marketplace marred by such limited talent chart toppers. But in at least one instance, the combination of composer and contemporary acts works. Elsewhere, we see the same old single disc depictions of the aural emotions behind the movies.
So, in week five, we will look at an (pointless) update of a timeless fairy tale, a legal thriller, a supposed comedy, a crime drama, a sci-fi spectacle, and a super hero spoof. Oddly enough, some of the combos are more winning that the solo shout-outs:
Beastly: Songs from the Motion Picture/Music by Marcelo Zarvos [rating: 5]
The Lincoln Lawyer: Original Motion Picture Score/ Original Motion Picture Soundtrack [rating: 7]
No Strings Attached: Music from the Motion Picture/Score from the Motion Picture [rating: 7]
Brotherhood: Original Motion Picture Soundtrack [rating: 6]
Source Code: Music by Chris Bacon [rating: 6]
Super:Original Motion Picture Soundtrack [rating: 8]