Film

From Inspirational to 'Insidious': James Wan 101

Sure, he's settled into scary movie biz rather well, but all throughout his canon you can see where (Wan's) effectiveness can (and will) transcend the shivers.

He's only made four films. One gave birth to a genuine cinematic phenomenon. His most recent promises to be an audience friendly frightmare freak out, destined to save Spring 2011. In between, Malaysian-born director James Wan tried his hand at normal moviemaking and further fear factors, but none made him as popular or important as the Sundance splash known as Saw. Ever since his days as a youth in Australia, he wanted to make movies. He attended the Royal Melbourne Institute of Technology where he met friend and future film/creative co-conspirator, Leigh Whannell. Together, they came up with an idea revolving around a specialized serial killer who made his victims choose the path of their often fatal fate. Cobbling together a short film to argue for the script's viability, the results won over investors, who turned the experiment into Saw. The rest, as they say, is seven films (and counting) in a successful series history.

Of course, as far removed executive producer, Wan and Whannell have had little to do with the recent turns in the tale of John Kramer and his ever widening vendetta against the general human populace. Instead, the incredibly young movie mogul (he was only 26 when Saw hit big) has been trying to broaden his career prospects, working behind the scenes and on his own pet projects. Yet those who have followed his arc realize that Wan is more than just Billy the Bicycle-riding puppet and requests to "play a game." With Insidious hitting theaters tomorrow (1 April), here's a chance to play catch-up with the man's often impressive oeuvre. Sure, he's settled into scary movie biz rather well, but all throughout his canon you can see where his effectiveness can (and will) transcend the shivers. So without further ado here is your guidebook to the work of James Wan, beginning with the film that, quite literally, started it all:

Saw (2003)

There are many misconceptions about this movie, most revolving around the horror subgenre it supposedly inspired. In reality, it was Darren Lynn Bousman who was most responsible for the whole "torture porn/gorno" movement. Just look at his installments in the franchise (Parts 2, 3 and 4) and then argue for Wan as the inventor of wanton violence for the sake of a psychopath's twisted games. True, the original Saw came up with the premise, but it was more of a resume reel, a collection of terrific terror beats measured out in both suspenseful and over-stylized ways. As with many first time filmmakers, Wan went all out, adding MTV like moments of music video shoot silliness as well as expertly crafted sequences of serious scares. Yet it was the corkscrew turning storyline crafted along with partner Whannell that ultimately won the day. Again, it was Bousman who made the movies all about the splattery puzzle boxes. The original Saw is about dread first, the deaths a distant second.

Dead Silence (2007)

Focusing on their burgeoning scary movie series for the next few years, it would take a while for Wan to step back behind the lens. When he did, he and collaborator Whannell decided to dive into some good old fashioned supernatural spook showboating. They came up with the story of an evil female ventriloquist, gave her a Freddy Krueger like backstory, and then lined up the demonic dummies. For many, Silence was just stupid, an excuse for a successful freshman fright master to work out some of his more questionable conceits. But the film is actually an excellent primer for the current Insidious. Wan loves to work in imagery - the unseen figure in the corner, the haunting white face just outside of camera focus. He plays with expectation and the audience's fluctuating levels of disbelief. In between, he shows a sharp ability to drag shocks out of even the most surreal material. While not a full blown failure, it remains an interesting half-success, to say the least.

Death Sentence (2007)

In an about face that few 'saw' coming, Wan became a director for hire on this Kevin Bacon action revenge thriller about a father going after the gang that murderer his beloved teenage son. Dialing down the heroism and upping the ambiguous ethical moralizing, the results were strangely straightforward and very effective. Basic, bloody, and bereft of many of the contemporary concerns within the stunt showcase (the exception being a terrific case through a high rise parking garage), Wan wanted to work "dark" and he achieved said tone in terrific style. Of course, by now, audiences were eager for a return to form so to speak (or more specifically, to Saw) and they avoided the late Summer release in droves - and that's too bad. Had he not been pegged a "fright" guy, or not been given other chances to grow, Wan would be a A-list name on any studio's selection list. Instead, he took a few years off to relax and refuel - with apparently winning results.

Insidious (2011)

Like Poltergeist given a nice post-millennial update, the latest film from Wan and Whannell is a brilliant filmic funhouse. It's a ripping rollercoaster dark ride where two angst ridden parents discover their comatose son is actually "haunted" by the spirits (and perhaps a demon) from a spooky plane known as "The Further." Employing every terrific trick in the gloomy Gothic "gotcha" handbook, the duo deliver a sensational good time, an indirect audience participation project where screams solidify the viewer's sense of involvement and (in)security. With a fantastic cast and a smooth, smart script, the film's pace predicts a late Spring payoff as fans, desperate for something they can experience together and rally around, turn a simple creepshow into a potential cash cow. This doesn't take away from the filmmaking, however. Wan proves yet again that he has all the chops to be one of Hollywood's leading genre (or any cinematic category's) luminaries. For those of us who like fear, let's hope he stays in horror a little while longer.

Music


Books


Film


Recent
Books

How the Template for Modern Combat Journalism Developed

The superbly researched Journalism and the Russo-Japanese War tells readers how Japan pioneered modern techniques of propaganda and censorship in the Russo-Japanese War.

Film

From Horrifying Comedy to Darkly Funny Horror: Bob Clark Films

What if I told you that the director of one of the most heartwarming and beloved Christmas movies of all time is the same director as probably the most terrifying and disturbing yuletide horror films of all time?

Music

The 50 Best Songs of 2007

Journey back 13 years to a stellar year for Rihanna, M.I.A., Arcade Fire, and Kanye West. From hip-hop to indie rock and everywhere in between, PopMatters picks the best 50 songs of 2007.

Music

'Modern' Is the Pinnacle of Post-Comeback Buzzcocks' Records

Presented as part of the new Buzzcocks' box-set, Sell You Everything, Modern showed a band that wasn't interested in just repeating itself or playing to nostalgia.

Music

​Nearly 50 and Nearly Unplugged: 'ChangesNowBowie' Is a Glimpse Into a Brilliant Mind

Nine tracks, recorded by the BBC in 1996 show David Bowie in a relaxed and playful mood. ChangesNowBowie is a glimpse into a brilliant mind.

Music

Reaching for the Sky: An Interview with Singer-Songwriter Bruce Sudano

How did Bruce Sudano become a superhero? PopMatters has the answer as Sudano celebrates the release of Spirals and reflects on his career from Brooklyn Dreams to Broadway.

Music

Inventions Conjure Mystery and Hope with the Intensely Creative 'Continuous Portrait'

Instrumental duo Matthew Robert Cooper (Eluvium) and Mark T. Smith (Explosions in the Sky) release their first album in five years as Inventions. Continuous Portrait is both sonically thrilling and oddly soothing.

Music

Esperanza Spalding and Fred Hersch Are 'Live at the Village Vanguard' to Raise Money for Musicians

Esperanza Spalding and Fred Hersch release a live recording from a 2018 show to raise money for a good cause: other jazz musicians.

Music

Lady Gaga's 'Chromatica' Hides Its True Intentions Behind Dancefloor Exuberance

Lady Gaga's Chromatica is the most lively and consistent record she's made since Born This Way, embracing everything great about her dance-pop early days and giving it a fresh twist.

Love in the Time of Coronavirus

Street Art As Sprayed Solidarity: Global Corona Graffiti

COVID-19-related street art functions as a vehicle for political critique and social engagement. It offers a form of global solidarity in a time of crisis.

Music

Gretchen Peters Honors Mickey Newbury With "The Sailor" and New Album (premiere + interview)

Gretchen Peters' latest album, The Night You Wrote That Song: The Songs of Mickey Newbury, celebrates one of American songwriting's most underappreciated artists. Hear Peters' new single "The Sailor" as she talks about her latest project.

Music

Okkyung Lee Goes From Classical to Noise on the Stellar 'Yeo-Neun'

Cellist Okkyung Lee walks a fine line between classical and noise on the splendid, minimalist excursion Yeo-Neun.

Reviews
Collapse Expand Reviews

Features
Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 PopMatters.com. All rights reserved.
PopMatters is wholly independent, women-owned and operated.